Shortliffe mark (5 résultats)

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. The good ship Shredder embarks upon its fourth voyage into uncharted waters with another rich trove: specially designed portfolios by Martin Wilner and Arne Svenson; Lawrence Weschler on the surfeit of Christlike imagery in contemporary art; a previously unpublished sketchbook by Joan Mitchell; Kurt Schwitters works on paper including early letterhead designs and a reproduction of a rare "Ursonate" print; a portfolio of Valentine Hugo's quirky surrealism; Fred Mann's interview with English tenor John Mark Ainsley; National Book Award winner Mark Doty's meditation on Walt Whitman's tomb; Rochelle Gurstein's rediscovery of the mysterious Venus de' Medici; the kinky side of Swiss Renaissance master Urs Graf's drawings; Luise Kruger's folksy fabric works; a new Shredder-only story by Allan Gurganus; Wilson Bentley's microscopic photographs of snowflakes; Frances Richard on Duchamp and Gordon Matta-Clark; a large selection of R. Crumb's little-known portrait spools; and a CD of accordionist Guy Klucevsek's early work.…

Paperback. Etat : Very Good. The good ship Shredder embarks upon its fourth voyage into uncharted waters with another rich trove: specially designed portfolios by Martin Wilner and Arne Svenson; Lawrence Weschler on the surfeit of Christlike imagery in contemporary art; a previously unpublished sketchbook by Joan Mitchell; Kurt Schwitters works on paper including early letterhead designs and a reproduction of a rare "Ursonate" print; a portfolio of Valentine Hugo's quirky surrealism; Fred Mann's interview with English tenor John Mark Ainsley; National Book Award winner Mark Doty's meditation on Walt Whitman's tomb; Rochelle Gurstein's rediscovery of the mysterious Venus de' Medici; the kinky side of Swiss Renaissance master Urs Graf's drawings; Luise Kruger's folksy fabric works; a new Shredder-only story by Allan Gurganus; Wilson Bentley's microscopic photographs of snowflakes; Frances Richard on Duchamp and Gordon Matta-Clark; a large selection of R. Crumb's little-known portrait spools; and a CD of accordionist Guy Klucevsek's early work.…

Paperback. Chartreuse and color-illustrated wraps with black lettering. CD in back plastic pocket. 253 pp. Mainly color illustrations. Contributors: Rochelle Gurstein, Lawrence Weschler, Hannah Hoch, Louis Kruger, Mark Doty, Mitchell Algus, Gary Cardot, Susanna Coffey, Jon Gregg, Carl Plansky, Gerard Malanga, Mark Shortliffe, Kim Keever, Kurt Schwitters, Chirstian Andersson, Wilson Bentley, James Jaffe, Charles Vallely, Barbara Takenaga, Tim Knox, Jona Mitchell, Arne Svenson, Frances Richard, Nayland Blake, Allan Gurganus, Malia Jensen, Justin Taylor, R. Crumb, Brice Brown, Hilary Harkness, Fred Mann, David Coggins, Rudolfh Ruegg, Michael McAllister, Martin Wilner, David Park Curry, Michael Neff, Guy Klucevsek. VG- light wear to corners and edges. …

Couverture rigide. Etat : Comme neuf. Edition originale. Sruttgart 2020. 1 Volume/1. -- Comme Neuf -- Hardback / Reliure éditeur cartonnée . Format in-4°( 26,8 x 19 cm )( 400 gr ). ------ 48 pages . **************************** "" Ellsworth Kelly made the drawings reproduced in this volume in the Fall of 1954. Published for the first time in this sketchbook facsimile, these drawings offer a rare and special glimpse into the distinguished artist's working process at the dawn of his career. The inspiration for the drawings in Sketchbook 23 came to the artist while riding a bus. Inspired by the shadows cast across the pages of a book, the artist took out his pencil and quickly recorded the outlines of the shadows directly onto the pages. Upon returning to his studio, Kelly reached for a sketchbook and began developing the sketches in ink, experimenting with variations, cropping and layering the shadow forms to generate new ones. These black and white drawings became the source material for larger works, including some of the artist's most celebrated canvases, such as Atlantic (1956) purchased by the Whitney Museum of American Art in 1957, the first work by Kelly to enter a museum collection. "" ***************************** ref.…