Slifkin robert (167 résultats)

paperback. Etat : Very Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Softcover, 44 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. VERY GOOD hardcover in VERY GOOD dust jacket, no marks in text, tight binding, clean exterior; a gently used copy. Book.

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Very Good. Still sealed copy, light storage wear.

Oversized Hardcover. Etat : Good.

Hardcover. Etat : As New. Palm Beach: Acquavella Gallery, 2024. Hardcover, bound in pictorial boards. 88 pages: illustrations. Text by Robert Slifkin. Condition: Like New, with no marks or defects.

Hardcover. Etat : New. In shrinkwrap. Quarto. Hardcover. White illustrated boards. No jacket, as issued. 88 pages : illustrations ; 26 cm. Catalog of an exhibition held at Acquavella, Palm Beach, from February 17-March 30, 2024.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

First Edition. First edition and first printing. Hardcover. 88 pages. Exhibition catalog for a show that ran February 17 through March 30, 2024. Features a foreword by Eleanor Acquavella and an essay by Robert Slifkin. Includes numerous color illustrations. A fine copy in illustrated boards. No dust jacket as issued.…

Paperback. Etat : Clean & Unmarked. A very clean and straight copy. Clean text and an uncreased spine. 39 pp.

Etat : As New. Unread copy in mint condition.

Etat : New. Brand New.

Paperback. Etat : New. Quitting Your Day Job: Chauncey Hare's Photographic Work is the first critical biography of the American photographer Chauncey Hare (1934-2019). Although Hare received a significant, if fleeting, degree of professional success, including a solo exhibition at the Museum of Modern Art in 1977, an Aperture monograph, and three Guggenheim fellowships, his work has not received the critical attention it deserves and his extraordinary life story remains obscure. This lack of recognition has much to do with Hare's fanatical aversion to the commercial realms of the art world even at the height of his professional success. Perhaps his most overt declaration of aesthetic disavowal was his ultimate decision to renounce his identity as an artist in 1985 and pursue a career as a clinical therapist specializing in "work abuse" (which is also the title of a book he co-authored on the subject in 1997). Hare would subsequently donate his entire archive to the Bancroft Library at the University of California-notably not the Berkeley Museum of Art-with the provision that the original prints cannot be exhibited and that any reproduction of his work must include a caption that states that the photograph was created "to protest and warn against the growing domination of working people by multinational corporations and their elite owners and managers."Quitting Your Day Job considers the vexed relation between art and politics that defined Hare's career, drawing upon largely unexamined archival materials, new interviews and analyzing Hare's brilliant and moving photographs alongside the prolix and oftentimes bathetic prefaces he wrote for the three collections of his photographs. The book presents a wide-ranging critical account of Hare's life and art, suggesting the ways in which his work continues to resonate with contemporary concerns about the reach of corporations into everyday life, documentary photography's longstanding complicity with the politics of liberal guilt, and art's vexed relation to elite channels of power.…

Etat : Very Good. Picture Shown is For Illustration Purposes Only : CONDITION : VERY GOOD : HARDBACK :light wear and scuff marks to jacket, to/from inscription inside, pages in nice condition, shipped from the UK.

Etat : New.

Hardcover without dustjacket as issued, 276 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover with dustjacket, 70 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardback. Etat : New. How leading American artists reflected on the fate of humanity in the nuclear era through monumental sculptureIn the wake of the atomic bombings of Japan in 1945, artists in the United States began to question what it meant to create a work of art in a world where humanity could be rendered extinct by its own hand. The New Monuments and the End of Man examines how some of the most important artists of postwar America revived the neglected tradition of the sculptural monument as a way to grapple with the cultural and existential anxieties surrounding the threat of nuclear annihilation.Robert Slifkin looks at such iconic works as the industrially evocative welded steel sculptures of David Smith, the austere structures of Donald Judd, and the desolate yet picturesque earthworks of Robert Smithson. Transforming how we understand this crucial moment in American art, he traces the intersections of postwar sculptural practice with cybernetic theory, science-fiction cinema and literature, and the political debates surrounding nuclear warfare. Slifkin identifies previously unrecognized affinities of the sculpture of the 1940s and 1950s with the minimalism and land art of the 1960s and 1970s, and acknowledges the important contributions of postwar artists who have been marginalized until now, such as Raoul Hague, Peter Grippe, and Robert Mallary.Strikingly illustrated throughout, The New Monuments and the End of Man spans the decades from Hiroshima to the Fall of Saigon, when the atomic bomb cast its shadow over American art.…

Etat : New.

Paperback / softback. Etat : New. New copy - Usually dispatched within 2 working days.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. The newest book from the widely revered Japanese artist Yayoi Kusama features her latest monumental and vibrant work and is the first to explore the experience of seeing it from the lens of the visitor"My entire life has been painted here. Every day, any day. I will never cease dedicating my whole life to my love for the universe." -Yayoi KusamaOne of the most influential artists of the twentieth and twenty-first centuries, Yayoi Kusama occupies a unique position within recent art history. Since the 1950s, she has created a profoundly personal oeuvre that resonates with a global audience. Distinctly recognizable, her works frequently deploy repetitive elements-such as dots-to evoke both microscopic and macroscopic universes.Celebrating the visitor experience, this publication offers an immersive tour of Kusama's 2023 exhibition at David Zwirner, New York. Illustrating thirty-five paintings, a gigantic sculptural installation of pumpkins, a trio of towering, colorful flower sculptures, and a fan-favorite Infinity Mirror Room, I Spend Each Day Embracing Flowers is a vivid document with varying perspectives that echo Kusama's own.New scholarship by Robert Slifkin looks at how Kusama innovates and complicates art historical traditions of image production and how her art seeks to connect humans with the greater cosmos. An essay by Lynn Zelevansky reflects on her own long-standing engagement with Kusama's work and the ways in which it, across the decades, can be seen as a record of love in all its complexity: full of humanity, generosity, affection, sadness, and pain.…

Etat : New.