Speaks elyse (27 résultats)

Softcover. Etat : Very Good. [ART HISTORY]. Ed. Judith F. Rodenbeck. Contributors: Hajime Nakatani, Seth McCormick, Patricia Kelly, Jane McFadden, Elyse Speaks, et al. "Art Journal, Vol. 68, No. 3, Fall 2009." New York: College Art Association, 2009. English language. Softcover magazine with spine. Text with black and white photos. 115 pp. Creasing at bottom of spine. Indentation on bottom right-hand corner of front cover. Text clean. Very Good. No ISBN. No ASIN. ISSN: 0004-3249."The mission of Art Journal, founded in 1941, is to develop rigorous and shared methods by which modern and contemporary art can be understood; to engage critically with twentieth- and twenty-first-century art and art history in national and global frameworks; to encourage broad and rigorous contributions to our disciplines and to institute, in our peer review and editorial structures, an inclusive, critical, and collaborative approach to the development of new and emerging forms of thought and communities of practice; to address and redress exclusionary histories of art and art history as fields of practice and scholarship; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production as well as within the fields of art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in and beyond the arts; and to promote dialogue and debate.". …

hardcover. Etat : Fine.

Etat : new.

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New. 2025. hardcover. . . . . .

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Hardback. Etat : New. What can art offer as it extends beyond aesthetic categories and their boundaries? Examining the work of three major American contemporary artists, Jessica Stockholder, Liza Lou, and Sarah Sze, this book explores their installation-specific practice in rich detail, connecting it to wider issues surrounding feminist art, everyday objects, DIY spaces and practice in the 1990s and broader contemporary period.Feminist art practice has long invested in the shape, routines, and materials of everyday life but the 1990s saw a significant return of handwork and process-driven practice within installation art. This book highlights the capacity for artwork to promote alternate categories of aesthetic experience through investigations of inventive and alternative materials and processes. By looking across these artists' contrasting practices and approaches to intermediality, the book shows how their work makes connections between the mundane and surprising, the banal and transformed, and the real and imaginary.Richly illustrated and drawing on interviews with Stockholder, Lou and Sze, each chapter presents a case study for how these artists have questioned the aesthetics of the everyday through their provocative use of everyday objects, craft materials and making techniques. Each artwork is situated within broader issues surrounding materiality and contemporary art, and each artist examined in relation to their contemporaries, including Abraham Cruzvillegas, Haegue Yang, Rachel Harrison, Thomas Hirschhorn, Cady Noland, Gabriel Orozco, Rikrit Tiravanija and Do Ho Suh. What emerges is a new understanding of aesthetic and material value, and the legacy of experimental forms of artistic production.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : new. Hardcover. What can art offer as it extends beyond aesthetic categories and their boundaries? Examining the work of three major American contemporary artists, Jessica Stockholder, Liza Lou, and Sarah Sze, this book explores their installation-specific practice in rich detail, connecting it to wider issues surrounding feminist art, everyday objects, DIY spaces and practice in the 1990s and broader contemporary period.Feminist art practice has long invested in the shape, routines, and materials of everyday life but the 1990s saw a significant return of handwork and process-driven practice within installation art. This book highlights the capacity for artwork to promote alternate categories of aesthetic experience through investigations of inventive and alternative materials and processes. By looking across these artists' contrasting practices and approaches to intermediality, the book shows how their work makes connections between the mundane and surprising, the banal and transformed, and the real and imaginary.Richly illustrated and drawing on interviews with Stockholder, Lou and Sze, each chapter presents a case study for how these artists have questioned the aesthetics of the everyday through their provocative use of everyday objects, craft materials and making techniques. Each artwork is situated within broader issues surrounding materiality and contemporary art, and each artist examined in relation to their contemporaries, including Abraham Cruzvillegas, Haegue Yang, Rachel Harrison, Thomas Hirschhorn, Cady Noland, Gabriel Orozco, Rikrit Tiravanija and Do Ho Suh. What emerges is a new understanding of aesthetic and material value, and the legacy of experimental forms of artistic production. Explores the function of everyday materials and processes in the work of contemporary installation artists during the 1990s using three major US artists as primary case studies, situated in relation to contemporary art making, aesthetics and modernist value systems. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Etat : New.

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Brand New. 256 pages. 9.21x6.14x1.00 inches. In Stock.

Etat : New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New. In English.

Etat : NEW.

Hardcover. Etat : new. Hardcover. What can art offer as it extends beyond aesthetic categories and their boundaries? Examining the work of three major American contemporary artists, Jessica Stockholder, Liza Lou, and Sarah Sze, this book explores their installation-specific practice in rich detail, connecting it to wider issues surrounding feminist art, everyday objects, DIY spaces and practice in the 1990s and broader contemporary period.Feminist art practice has long invested in the shape, routines, and materials of everyday life but the 1990s saw a significant return of handwork and process-driven practice within installation art. This book highlights the capacity for artwork to promote alternate categories of aesthetic experience through investigations of inventive and alternative materials and processes. By looking across these artists' contrasting practices and approaches to intermediality, the book shows how their work makes connections between the mundane and surprising, the banal and transformed, and the real and imaginary.Richly illustrated and drawing on interviews with Stockholder, Lou and Sze, each chapter presents a case study for how these artists have questioned the aesthetics of the everyday through their provocative use of everyday objects, craft materials and making techniques. Each artwork is situated within broader issues surrounding materiality and contemporary art, and each artist examined in relation to their contemporaries, including Abraham Cruzvillegas, Haegue Yang, Rachel Harrison, Thomas Hirschhorn, Cady Noland, Gabriel Orozco, Rikrit Tiravanija and Do Ho Suh. What emerges is a new understanding of aesthetic and material value, and the legacy of experimental forms of artistic production. Explores the function of everyday materials and processes in the work of contemporary installation artists during the 1990s using three major US artists as primary case studies, situated in relation to contemporary art making, aesthetics and modernist value systems. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

hardcover. Etat : New. Special order direct from the distributor.

Hardcover. Etat : Brand New. 256 pages. 9.21x6.14x1.00 inches. In Stock.

Hardback. Etat : New. What can art offer as it extends beyond aesthetic categories and their boundaries? Examining the work of three major American contemporary artists, Jessica Stockholder, Liza Lou, and Sarah Sze, this book explores their installation-specific practice in rich detail, connecting it to wider issues surrounding feminist art, everyday objects, DIY spaces and practice in the 1990s and broader contemporary period.Feminist art practice has long invested in the shape, routines, and materials of everyday life but the 1990s saw a significant return of handwork and process-driven practice within installation art. This book highlights the capacity for artwork to promote alternate categories of aesthetic experience through investigations of inventive and alternative materials and processes. By looking across these artists' contrasting practices and approaches to intermediality, the book shows how their work makes connections between the mundane and surprising, the banal and transformed, and the real and imaginary.Richly illustrated and drawing on interviews with Stockholder, Lou and Sze, each chapter presents a case study for how these artists have questioned the aesthetics of the everyday through their provocative use of everyday objects, craft materials and making techniques. Each artwork is situated within broader issues surrounding materiality and contemporary art, and each artist examined in relation to their contemporaries, including Abraham Cruzvillegas, Haegue Yang, Rachel Harrison, Thomas Hirschhorn, Cady Noland, Gabriel Orozco, Rikrit Tiravanija and Do Ho Suh. What emerges is a new understanding of aesthetic and material value, and the legacy of experimental forms of artistic production.…

Hardcover. Etat : new. Hardcover. What can art offer as it extends beyond aesthetic categories and their boundaries? Examining the work of three major American contemporary artists, Jessica Stockholder, Liza Lou, and Sarah Sze, this book explores their installation-specific practice in rich detail, connecting it to wider issues surrounding feminist art, everyday objects, DIY spaces and practice in the 1990s and broader contemporary period.Feminist art practice has long invested in the shape, routines, and materials of everyday life but the 1990s saw a significant return of handwork and process-driven practice within installation art. This book highlights the capacity for artwork to promote alternate categories of aesthetic experience through investigations of inventive and alternative materials and processes. By looking across these artists' contrasting practices and approaches to intermediality, the book shows how their work makes connections between the mundane and surprising, the banal and transformed, and the real and imaginary.Richly illustrated and drawing on interviews with Stockholder, Lou and Sze, each chapter presents a case study for how these artists have questioned the aesthetics of the everyday through their provocative use of everyday objects, craft materials and making techniques. Each artwork is situated within broader issues surrounding materiality and contemporary art, and each artist examined in relation to their contemporaries, including Abraham Cruzvillegas, Haegue Yang, Rachel Harrison, Thomas Hirschhorn, Cady Noland, Gabriel Orozco, Rikrit Tiravanija and Do Ho Suh. What emerges is a new understanding of aesthetic and material value, and the legacy of experimental forms of artistic production. Explores the function of everyday materials and processes in the work of contemporary installation artists during the 1990s using three major US artists as primary case studies, situated in relation to contemporary art making, aesthetics and modernist value systems. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Buch. Etat : Neu. Neuware - What can art offer as it extends beyond aesthetic categories and their boundaries Examining the work of three major American contemporary artists, Jessica Stockholder, Liza Lou, and Sarah Sze, this book explores their installation-specific practice in rich detail, connecting it to wider issues surrounding feminist art, everyday objects, DIY spaces and practice in the 1990s and broader contemporary period.Feminist art practice has long invested in the shape, routines, and materials of everyday life but the 1990s saw a significant return of handwork and process-driven practice within installation art. This book highlights the capacity for artwork to promote alternate categories of aesthetic experience through investigations of inventive and alternative materials and processes. By looking across these artists' contrasting practices and approaches to intermediality, the book shows how their work makes connections between the mundane and surprising, the banal and transformed, and the real and imaginary.Richly illustrated and drawing on interviews with Stockholder, Lou and Sze, each chapter presents a case study for how these artists have questioned the aesthetics of the everyday through their provocative use of everyday objects, craft materials and making techniques. Each artwork is situated within broader issues surrounding materiality and contemporary art, and each artist examined in relation to their contemporaries, including Abraham Cruzvillegas, Haegue Yang, Rachel Harrison, Thomas Hirschhorn, Cady Noland, Gabriel Orozco, Rikrit Tiravanija and Do Ho Suh. What emerges is a new understanding of aesthetic and material value, and the legacy of experimental forms of artistic production. …