Stefan burger (173 résultats)

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New.

Paperback or Softback. Etat : New. Don't Burn Your Brain: EMR, RF Radiation & You. Book.

Etat : As New. Unread book in perfect condition.

Etat : New.

Revised edition. Softcover. 271 pages. A critical examination of the film work of Robert Frank who is perhaps best known for his canonical body of photographs in "The Americans." A fine copy in wrappers. As new and still in the publisher's shrinkwrap.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9783865218155. …

4to, 272 pp, paperback. Profusely illustrated in color. Still sealed in the publisher's original shrinkwrap. Robert Frank turned to filmmaking towards the end of the 1950s, interrupting his swift rise to fame after The Americans. This volume presents essays by Amy Taubin, Philip Brookman, Stefan Grisseman, Thomas Miessgang, Kent Jones, Michael Barchet, Pia Neuman and Bert Rebhandl, an interview with Allen Ginsberg, and new stills made from videotapes to Frank's specifications.,"I put my Leica in a cupboard. Enough of lying in wait, pursuing, sometimes catching the essence of the black and the white, the knowledge where God is. I make films. Now I speak to the people in my viewfinder." Robert Frank Robert Frank turned to filmmaking at the end of the 1950s. Although he has made 27 films, the work is largely a well kept secret. Frank approaches each film project as a new experience, challenging the medium and its possibilities at every turn. He has amalgamated documentary, fiction, and autobiography, cutting across genres. This book offers a visually unique approach to Frank's films: only new stills taken from videotapes have been used and they add up to a visual essay on Frank's cinema that establishes an engaging dialogue with his photographic work. Each film is introduced with detailed analysis, discussing the history and the aesthetics of Frank's film work. An interview with Allen Ginsberg provides an insider view. Together the texts and images offer an innovative and in-depth approach to the oeuvre of one of the greatest and most restless artists of the 20th century." - From the publisher.…

Hardcover. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Soft cover. Etat : New.

Paperback. Etat : Fine. A nice, bright copy. ; Color illustrations; 6.6 X 0.8 X 9.4 inches; 272 pages.

Paperback. Etat : Near Fine. Clean and solid. ; Illustrations; 8vo; 272 pages.

Soft cover. Etat : New. Bright, unopened copy in publisher's shrink wrap. 272 pages. No marks or flaws; no defects. Softcover film and video book.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Etat : New. In.

Couverture souple. Etat : Très bon.

Hardcover. Etat : Fine. No Jacket. 1st Edition. Frank Films: The Film and Video Work of Robert Frank. Utzer, Brigitta Burger; Grissemann, Stefan (eds.) Scalo. 2003. 298p. hardcover no dust jacket, boards bumped/scuffed, tight binding, text clean, fine condition--30.00--3908247756 ISBN 13: 9783908247753. …

OBroschur. Etat : Gut. 8 S. mit Stab u. Besetzung, geheft. OBroschur, 8°, Einbandillustration u. Zeichnungen: Horst Kliebisch. Texte u. Preisausschreiben zum Stück. Broschur zum Abheften gelocht. Sonst sehr gut. Broschüre.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : New.

Hardback. Etat : New. Stefan Burger's photographic work, made for his exhibition at Kunsthalle Bern in 2017, stems from a long-term interest in the subtle charm of botanical objects. His images achieve a depth that still deceives, however, for it seems to also consist of almost magical surfaces. Flat depths, which may not directly resist verbalization, but from which the attempt to put them into words repeatedly slides off; for example, one can describe how an extremely scanty tendril appears suddenly as a vis-à-vis, or how entrancing certain manifestations of light or luster in the pictures are, since analog photography can achieve a different diversity than digital photography; one could speak about their chromatic auras, about the moodiness of chemical baths. But the attempt to verbalize formal manifestations, to translate the material into language, reaches its limits. For what can language add to the intensity of these photos? Their impact is based on something that can unfold beyond text and external content, in the joy of contemplation. Yet the images also lead away from themselves, their self-referentiality shifts and intertwines with other realities. The pictures are anything but pleasant, yet they bear the potentiality of beauty in that they open themselves up to the uniqueness of something that is-a plant, the light. They attempt to penetrate reality by drawing from sensuousness, to then return in the form of an artwork. …