Stephan gladieu (47 résultats)

paperback. Etat : Very Good. Used - Very Good.

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Etat : Très bon. Ancien livre de bibliothèque avec équipements. Edition 2002. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Softcover. Etat : Très bon. Ancien livre de bibliothèque. Edition 2002. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Etat : Très bon. Edition 2005. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2005. Ammareal gives back up to 15% of this item's net price to charity organizations.

Etat : New.

Paperback. Etat : New. While undertaking this photographic investigation of North Korea, French photographer Stéphan Gladieu (born 1969) found himself under constant surveillance everywhere he went. Because of these constraints, he managed to invent an ingenious space of freedom. Gladieu created mirror-portraits of people he encountered and was hosted by, often full length, which require a face-on pose and a direct gaze. In this way, he managed to create a form similar to North Korea's propaganda imagery, which made his approach more comprehensible and permissible to the authorities. Fifty years after its foundation, North Korea endures a media portrayal of war, famine, nuclear programs and military parades. Indoors, people are required to display portraits of the regime's founder, Kim Il-sung and his son Kim Jong-Il. Family photos are not allowed; nor are personal portraits. Consequently, Gladieu's work attains an almost historic act of intervention in the country's visual politics.…

Etat : new.

Paperback. Etat : New. Today, waste management - especially plastic - on a global scale is more worrying than ever. The Democratic Republic of Congo stands among countries most affected by the lack of accountability of manufacturers relocating and outsourcing huge landfills on its soil. Ranked as the 8th poorest population in the world despite their country's immense mineral wealth, the Congolese people is overrun by garbage left by goods produced with their own resources and labor but yet designed for others. A folk-art movement was born from the junkyards of Kinshasa. Dressed in masks and costumes made from rubbish, a generation of street children and artists from Kinshasa's Academy of Fine Arts have come together to create "Ndaku ya la vie est belle". Founded in 2015 by visual artist Eddy Ekete, this art collective brings together 25 creators who draw their inspiration from ancestral clothing arts to stand against the ecological disaster their country suffers. To amplify their struggle and celebrate their craft, Stéphan Gladieu creates a series of totemic portraits merging documentary photography with artistic practice. In a live studio set up on the streets of Kinshasa, he highlights the militant artists' surrealist silhouettes and vibrant creations. Introduced by novelist Wilfried N'sondé, these portraits tell a story of creative talent passed on despite the attacks of consumerism.…

Etat : as new. Wie neu/Like new.

Couverture souple. Etat : Tres bon. Editions Tana collection , 2005. 1 volume broché(s) format In-4 très bon pages -.

Softcover. Etat : Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Etat : New. 2020. 01st Edition. Paperback. . . . . .

Paperback. Etat : Brand New. 01 edition. 160 pages. 9.50x7.25x0.75 inches. In Stock.

Etat : New.

Couverture souple. Etat : Très bon. Francais.Couverture rempliee.Nombreuses photos n & b.144 p.Poids 550 gr.Format 25 x 19 cm.

Paperback. Etat : Brand New. bilingual edition. 99 pages. 12.25x9.50x0.75 inches. In Stock.

Etat : New. Shrink wrapped! (culture, people, history) A brand new, unused and unread copy in perfect condition.

Etat : New. Shrink wrapped! (culture, people, history) A brand new, unused and unread copy in perfect condition.

Etat : New. 2020. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Etat : Brand New. 272 pages. 12.00x10.00 inches. In Stock.

Taschenbuch. Etat : Neu. Neuware - While undertaking this photographic investigation of North Korea, French photographer Stéphan Gladieu (born 1969) found himself under constant surveillance everywhere he went. Because of these constraints, he managed to invent an ingenious space of freedom. Gladieu created mirror-portraits of people he encountered and was hosted by, often full length, which require a face-on pose and a direct gaze. In this way, he managed to create a form similar to North Korea's propaganda imagery, which made his approach more comprehensible and permissible to the authorities. Fifty years after its foundation, North Korea endures a media portrayal of war, famine, nuclear programs and military parades. Indoors, people are required to display portraits of the regime's founder, Kim Il-sung and his son Kim Jong-Il. Family photos are not allowed; nor are personal portraits. Consequently, Gladieu's work attains an almost historic act of intervention in the country's visual politics.…

Buch. Etat : Neu. Neuware - Today, waste management - especially plastic - on a global scale is more worrying than ever. The Democratic Republic of Congo stands among countries most affected by the lack of accountability of manufacturers relocating and outsourcing huge landfills on its soil. Ranked as the 8th poorest population in the world despite their country's immense mineral wealth, the Congolese people is overrun by garbage left by goods produced with their own resources and labor but yet designed for others. A folk-art movement was born from the junkyards of Kinshasa. Dressed in masks and costumes made from rubbish, a generation of street children and artists from Kinshasa's Academy of Fine Arts have come together to create 'Ndaku ya la vie est belle'. Founded in 2015 by visual artist Eddy Ekete, this art collective brings together 25 creators who draw their inspiration from ancestral clothing arts to stand against the ecological disaster their country suffers. To amplify their struggle and celebrate their craft, Stéphan Gladieu creates a series of totemic portraits merging documentary photography with artistic practice. In a live studio set up on the streets of Kinshasa, he highlights the militant artists' surrealist silhouettes and vibrant creations. Introduced by novelist Wilfried N'sondé, these portraits tell a story of creative talent passed on despite the attacks of consumerism.…

Etat : fine. Ancien support de bibliothèque.Photo non contractuelle. Envoi rapide et soigné.

couverture reliée. Etat : Bon. Carton Roberta envoi protégé renforcé.

Kartoniert / Broschiert. Etat : New.

Buch. Etat : Neu. Stéphan Gladieu: Homo Détritus | Stéphan Gladieu | Buch | Kartoniert / Broschiert | Englisch | 2023 | Actes Sud | EAN 9782330167486 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Etat : New. While undertaking this photographic investigation of North Korea, French photographer Stéphan Gladieu (born 1969) found himself under constant surveillance everywhere he went. Because of these constraints, he managed to invent an ingenious space of freedom. Gladieu created mirror-portraits of people he encountered and was hosted by, often full length, which require a face-on pose and a direct gaze. In this way, he managed to create a form similar to North Korea's propaganda imagery, which made his approach more comprehensible and permissible to the authorities. Fifty years after its foundation, North Korea endures a media portrayal of war, famine, nuclear programs and military parades. Indoors, people are required to display portraits of the regime's founder, Kim Il-sung and his son Kim Jong-Il. Family photos are not allowed; nor are personal portraits. Consequently, Gladieu's work attains an almost historic act of intervention in the country's visual politics.…

Etat : Neuf.