Stephanoff james (10 résultats)

No Binding. Etat : Very Good. A splendid original antique engraving . mounted - matted - and ready to frame . Very good condition . Printed circa 1830 - somewhat uncommon . Shows a fine view of Rembrandt in his study with his family - after a painting by James Stephanoff. James Stephanoff (illustrateur).…

Etat : Good. Engraving on rag. Image 10" x 8.25". Good with minor tear at bottom edge, not near image, else VG. In mylar protective sleeve. Scarce.Image from "The History of the Royal Residences of Windsor Castle.".

Etat : Good. Engraving on rag. Image 10" x 8.25". Good with tear at right edge, not near image, else VG. In mylar protective sleeve. Scarce.Image from "The History of the Royal Residences of Windsor Castle.".

Etat : Good. 10" x 8.25" Very Good. Engraving. Mounted on mat board.

Etat : Good. Large folio.38 x 50 cm. Contemporary two colour cloth with leather label on cover. Endpapers foxed but text and plates fresh.56 pages, [9] leaves of plates : illustrations, facsimiles ; 54 c With eight full-page engraved aquatints, three are richly coloured and incl. a line-proof key-plate by Murray and Dubourg after Stothard and Stephanoff. 56 pp. A beautifully illustrated account of the trial of Queen Caroline in the House of Lords and the subsequent coronation of George IV. The uncoloured aquatints respectively show a tribute to the late King George III, a view of the interior of the House of Lords during the investigation, the facsimile signatures of the Royal Family and the Peers who voted against the Queen, and a key-plate with directions for placing the plates and explanations to the coronation plate and the plates of the House of Lords. Includes a view of the Villa d'Este on the Lake of Como, where Queen Caroline was to spend the rest of her life. The beautifully coloured aquatints show impressive views of the Address of the Watermen at the Brandenburgh House, the Queen leaving the House of Lords, and the Splendid Coronation of George the Fourth. Colour plates in order: 1. Arrival at Brandenburgh House of the Watermen &c, with an address to The Queen on October 3, 1820. 2. The Queen returning from The House of Lords. 3. The Coronation of His Majesty, George The Fourth: taken at the time of the Recognition. July 19, 1821.References: Abbey Scenery no. 259; Tooley 99. Prideaux, 328.OCLC Number: 5503828.…

Bristol, 13 August 1853. James Stephanoff (1788-1874), painter in watercolours, executed some of the drawings for Pyne's Royal Residences and Nayler's Coronation of George IV. He was one of the founders of the Sketching Society.

Undated. James Stephanoff (1788-1874), painter in watercolours, executed some of the drawings for Pyne's Royal Residences and Nayler's Coronation of George IV. He was one of the founders of the Sketching Society.

Two prints from Pyne's The History of the Royal Residences (from paintings by James Stephanoff), each 10 ¾ x 13 inches (on 11 ½ x 15 inch sheets), hand-colored engravings (one by J. Baily, the other by R. Reeves), picturing the Royal Library from two perspectives. Tear into lower margin of one print (not affecting text or image), some browning and storage soiling to margins. Ready for matting and framing. For the pair.…

No Binding. Etat : Please contact seller. Black chalk, watercolor and bodycolor on paper; provenance: acquired from Henry Sotheran Ltd., London, March 1988 Size: 13 1/4 x 21 1/4 inches. Painting.

A View of the Court of Claims in the Early Nineteenth Century Stephanoff, James [1788-1874], After. Reynolds, S[amuel] W[illiam] [1773-1835], Engraver. The Court of Claims, In the Painted Room of the Palace of Westminster. London: Published by Sir George Naylor, [1839]. Glazed and matted hand-colored mezzotint. Image size: 16" x 13-1/2" (40.5 x 34.2 cm). Housed in a handsome 27-1/2" x 15" (70 x 38 cm) wood frame. Light, uniform toning to margins; the hand-colored image remains exceptionally vivid and clean. An attractive, well-preserved piece. $950. * A choice plate from Sir George Nayler's monumental work, The Coronation of His Most Sacred Majesty King George the Fourth (London, 1839). While the majority of the volume's architectural views were executed in aquatint, this striking depiction of the Court of Claims stands out as a dedicated color mezzotint by S.W. Reynolds. Established in 1377, this historic court is traditionally convened following the accession of a new British sovereign. It sits to judge the validity of petitions from nobles and dignitaries claiming the hereditary right to perform honorary services during the coronation ceremony. James Stephanoff was a premier British watercolorist who specialized in grand ceremonial occasions, pageantry, and historical scenes. Samuel William Reynolds was one of the most celebrated master engravers of the 19th century, particularly renowned for his technical brilliance in mezzotint work Whitman, Samuel William Reynolds 449.…