Stephen c wicks (68 résultats)

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. 4th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. 4th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Etat : Fine. 4th Edition. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Very Good. Illustrated. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Etat : Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : good. Used - Good: A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.…

Hardcover. Etat : Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Etat : Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Etat : Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.…

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Very Good. 4th Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

NEW. 4to hardcover. Blue boards. The Columbus Museum - Columbus, Georgia. Dust jacket. Still in unopened publisher's shrinkwrap. NEW.

Etat : like_new.

Paperback. Etat : New. . . . . 4to, paperback. NEW. No wear inside or out: crisp, clean - pristine. 86 pp., color illus.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Hugely illustrated. Printed on quality matte paper. Nice crisp jacket. Oversize and heavy book.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

softcover. Etat : Collectible; Like New. First Edition; First Printing. As New. Numerous full page plates in color and black and white. With an essay by Stephen C. Wicks. Published on the occasion of the exhibition at the Knoxville Museum of Art, March 16 - June 13, 1993. ; Tight, clean and crisp. No inscriptions. No remainder mark. Not ex-library. In excellent condition. As New. …

Paperback. Etat : new. Paperback. Higher Ground: A Century of the Visual Arts in East Tennessee documents the Knoxville Museum of Art's core collection of works by artists from or with close ties to East Tennessee from roughly the mid nineteenth to the late twentieth century. The book accompanies a permanent exhibition of the same name. Both book and exhibition make the case that the visual culture of Knoxville and its Appalachian environs is far more sophisticated, diverse, nuanced, and connected than most believe. KMA curator Stephen Wicks sets out the rationale behind Higher Ground and introduces the broad themes around which the book and exhibition are organized. Jack Neely, executive director of the Knoxville History Project, assembles a fascinating and richly detailed history of the visual arts in Knoxville. Dr. Robert Booker, an expert in local Black history, unearths a wealth of new information about Black artists in Knoxville, the hardships they endured, and their contributions to the story told by Higher Ground. And finally Dr. Susan Knowles surveys the history of the Tennessee marble industry, which is so closely intertwined with the region's economic and cultural history. Following the essays, the catalogue, with text by Wicks and lavishly illustrated with seventy-five full-page color plates, fixes around broad themes. "Grand Ambitions: Forging an Arts Community," which encompasses the formation of a community of professional artists and their dialogue with contemporary currents of American art in the late nineteenth and early twentieth century, is built around pioneering Impressionist Catherine Wiley who, with Hugh Tyler and Lloyd Branson, organized some of the first major art exhibitions in the South. "Shaping a Regional Identity: Mountain Vistas and Urban Life," features artists who documented the hardscrabble reality of industrial Knoxville (and includes such great photographers as Henri Cartier-Bresson and Danny Lyon) as well as majestic mountain landscapes (by Charles Krutch, Rudolph lngerle, and Ansel Adams) of the nearby Great Smoky Mountains. "Joseph and Beauford Delaney'' celebrates the achievements of two prodigious Black artists who left their Knoxville hometown to achieve national and international prominence, with a particularly rich selection from Beauford's Paris years of the 1950s and 1960s. "The Knoxville 7'' focuses on a progressive group of disparate artists united by their common interest in cultivating Modernism in local soil in the 1950s and 1960s. A final section is dedicated to the work of Black artist Bessie Harvey, an East Tennessee visionary who rose from poverty to achieve national recognition late in the twentieth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Softcover. Softcover format, with art by 12 artists considered "environmentally sensitive. "..

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. History of American drawing illustrated from works at the Colombus Museum. Num Pages: 252 pages, 234 colour illustrations. BIC Classification: 1KBB; AFF. Category: (G) General (US: Trade). Dimension: 279 x 229 x 31. Weight in Grams: 1637. . 2006. 1st Edition. Hardcover. . . . .

Hardcover. Color illus. dj.; Blue paper over boards; 251 pp.; 126 color and duotone figures, 97 color and duotone plates. Accompanied the traveling exhibition of the same name, held in 2006 and 2007; Includes works by Robert Motherwell, Benjamin West, Winslow Homer, William Zorach, Paul Cadmus, Gray Foy, and many others; Extensive annotations. VG- (Ex-lib., label on dj. at bottom of spine, pencil marking at title page).…

Hardcover. Etat : new. Hardcover. Lines of Discovery: Four Centuries of American Drawing presents a major new thematic and chronological catalogue survey of the Columbus Museum's most significant holdings of drawings and works on paper, including examples in graphite, charcoal, monotype and pastel. At the heart of the Columbus Museum's collection, and of this volume, is the work of a remarkable individual, Dr. Phillip L. Brewer, who has amassed a truly significant collection of American works on paper both in terms of its depth and breadth. For the first time this volume presents nearly 200 of these master drawings, 120 of the most important of which are grouped into six chapters, illustrated in full colour, and accompanied by extended catalogue entries written by leading experts. A further 79 works are presented as colour and mono thumbnails interspersed amongst the images of the key works. Included are images by Copley, West and Cole that date from the earliest years of American nationhood; works by Oscar Bluemner, Arthur Dove and Morton Schamberg which herald the advent of modernism; while others by Hans Hoffmann, Yasuo Kuniyoshi, Blanche Lazzell and Rico Lebrun confirm its continued presence through such varied expressions as social realism, surrealism and abstraction. While artists like Milton Avery, Jack Beal, Paul Cadmus, Philip Evergood, Nancy Grossman, and Louise Nevelson explore the strength and beauty of the human form, James Valerio and Andrew Wyeth document the changing faces of the natural world. Together these works, and Lines of Discovery, offer a comprehensive survey of the history of American art. AUTHOR: Stephen C.Wicks is curator of Collections and Exhibitions at the Columbus Museum. Charles T. Butler is director of the Columbus Museum. Theodore E. Stebbins, Jr. is John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston. 155 colour & 80 b/w illustrations History of American drawing illustrated from works at the Colombus Museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …