Storr robert contributor (32 résultats)

Paperback. 1st Edition. Clean pages, tight binding as unread, clean boardsPlease contact us about shipping costs for international orders of over-sized books or multi-book sets. We are happy to provide accurate quote prior to purchase. Clean pages, tight binding as un.

paperback. Etat : Used: Very Good. Very good glossy paper wraps; light rubbing along edges. Binding tight; contents clean and unmarked. Second printing. 144 pages. Clear plastic dust jacket very good over the paper wraps.

paperback. Etat : ACCEPTABLE. 143 mostly clean, unmarked, tight pages but there are instances of ink underlining and margin marks, and light tanning on edges; sturdy plastic wrap over paper cover.

hardcover. Etat : As New. Hardcover. Near Fine condition. For any additional information or pictures, please inquire.

Paperback. Etat : As New. New looking text, tight clean unmarked with bright white pages, paperback with a dust jacket, dj undamaged, Near Fine/Very Good Plus.

paperback. Etat : Very Good. Modest shelfwear to cover, clean pages and sound binding.

Paperback. Etat : As New. The MIT Press; Cambridge, 2009. Trade paperback. NEW and in factory shrink-wrap. A Fine, binding firm, interior and extremities tidy, a nice, clean and unmarked copy in wraps. 8vo[octavo or approx. 6 x 9], 373pp. We pack securely and ship daily w/delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Hardcover. Etat : As New. Bound in publisher's pictorial cloth. Hardcover. Good binding and cover. Light wear. Clean, unmarked pages. "Elizabeth Murray was an artist at the forefront of American painting for five decades and is considered one of the most important postmodern abstract artists of her time. Her drive and determination produced a singularly innovative body of work characterized by a Cubist-informed Minimalism and streetwise Surrealism. Throughout her career, she reveled in the physicality of paint and approached her work through the constructive vocabulary of sculpture, warping, twisting, splintering, and knotting her canvases. In her innovative and deeply imaginative body of work, Murray not only reclaimed the medium of paint as her own but shared personal evocations of birth and death, laughter and confusion, fullness and loss." This is an oversized or heavy book, which requires additional postage for international delivery outside the US.…

hardcover. Etat : Very Good. Very good condition. Text looks free of notations/underlining. Tight spine. Light wear to the exterior.

Hardcover. Etat : Brand New. blg rep edition. 199 pages. 9.25x6.50x1.00 inches. In Stock.

Soft cover. Etat : Fine. Etat de la jaquette : None, As Issued. 1st Edition. 1st Printing. 24 pages. Published in 1983. Rare Peter Schjeldahl collectible item. A fine copy of the Art Institute of Chicago's Profile Magazine Volume 3, Issue Number 4 Bi-Monthly. The single most comprehensive and illuminating Interview given by the art critic in his lifetime. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Magazine Issue is now rare. The magazine is in a small-size volume format. Pictorial softcovers, with photographic portrait of Peter Schjeldahl on the cover, as issued. Interview conducted by the eminent art historian and scholar Robert Storr. Printed on pristine-white, archival stock paper in the United States to the highest standards. Without DJ, as issued. Presents "Peter Schjeldahl: The Profile Magazine Interview". The longest and most insightful Interview of the writer while he was the Art Critic of Vanity Fair Magazine, after having written for a variety of publications, principally The Village Voice, and before becoming the Art Critic of the New Yorker Magazine, a position he held until his untimely death. As such, it is an indispensable companion to the collections of art criticism he published. It is complacent to regard Peter Schjeldahl as the most adept art chronicler for our time (which he was). He was much more than this. More than any other art critic in recent memory, he patiently asked the same unanswerable, eternal questions: What is art? What is beauty? What does it mean to be an artist? What does the art we produce and admire tell us about ourselves? They are worth asking nonetheless as there are (far too) many theory-driven art critics actively writing drivel today. Alas, there was only one Peter Schjeldahl. Our most important art critic since Harold Rosenberg, Clement Greenberg, Robert Hughes, and Arthur C. Danto, for Schjeldahl, there was still such a thing as art in a world that only talks and cares about the art market, is fixated on identity politics, and yet is finally only interested in money. Schjeldahl was also a brilliant poet (of the New York School, which he also discusses at length in the Interview). Two long, celebrated poems, "The Artist", and "Dear Profession of Art Writing", are reproduced alongside the Interview. "The idea that there are only 'the great' is crazy to me. But there is such a thing as great. Irony isn't new. It is our modern condition" (Peter Schjeldahl). An absolute "must-have" title for Peter Schjeldahl collectors. This title is a great Issue. As far as we know, this is the only copy available online and is in especially fine condition: Clean, crisp, and bright. A rare copy thus. One of the greatest art critics of our time. A fine copy. no.…

Hardcover. Etat : Brand New. 168 pages. 11.26x9.26x11.50 inches. In Stock.

First edition. 13.25 x 8.5 inches. 176 pages. Profusely illustrated in color. Original pictorial boards. Catalog of the exhibition held at David Zwirner, New York, September 13-October 21, 2017. New in shrinkwrap.

First edition. 11 x 9.75 inches. 128 pages. Profusely illustrated in color. Original cloth; pictorial dust jacket. Includes 62 color illustrations. "Luc Tuymans (b. 1958) is a painter engaged with "figuration," using imagery that he reworks in a critical or self-critical way. He combines images from various sources--photographs, film stills, mirror images--with a spare palette, unexpected cropping, and blurring to reinforce the painted image's status as a replica. Perhaps more than any other genre, portraiture allows Tuymans to explore the balance between revealing and concealing, and to comment on history and its perpetrators. Portraits. Luc Tuymans presents 35 paintings from bodies of work ranging over the artist's entire career. Most seem conventional portraits --Himmler, 1997/98, A Flemish Intellectual, 1995--but others, such as Bloodstains, 1993, and Fingers, 1995, exhibit the artist's elliptical approach to re-presentation. Tuymans's canvases are placed in counterpoint to his selections from the Menil Collection: masks, statuary, and paintings from African, ancient Mediterranean, and Native American cultures, as well as European figurative works. The assembly explores such themes as death and memorials, ritual or religion, power, evildoers and altruism" (the publisher). Generally a clean copy.…

hardcover. Etat : Good.

Hardcover. Etat : Brand New. 168 pages. 11.26x9.26x11.50 inches. In Stock.

Hardcover. Etat : Brand New. 168 pages. 11.26x9.26x11.50 inches. In Stock.

Hardcover. Etat : Brand New. 216 pages. 11.00x9.50x1.00 inches. In Stock.

hardcover. Etat : Very Good.

Hardcover. Etat : Brand New. 256 pages. 11.43x10.01x11.65 inches. In Stock.

Hardcover. Etat : Brand New. 256 pages. 12.00x10.00x0.75 inches. In Stock.

Revised and reprinted. 11.5 x 9.75 inches. 224 pages. Profusely illustrated in color. Original cloth; pictorial dust jacket. "The famous David Zwirner Gallery in New York has been a base of operations for the Belgian painter Luc Tuymans since 1994. At the start of his career, Tuymans committed himself to showing a new series of works there once every two years--a promise that he kept, and continues to keep, 18 years on, as his tempered style and political content have steadily garnered him worldwide acclaim. Tuymans' thematic exhibitions at the Zwirner Gallery have tackled controversial topics, ranging from the Holocaust to Belgium's colonial past and the hypocrisy of the Disney empire. Luc Tuymans: Exhibitions at David Zwirner 1994-2012 presents the artist's major works, together with brief commentary, photographs and archival documentation. Interviews with four leading U.S. critics--Ann Temkin, Brice Marden, Peter Schjeldahl and Robert Storr--that were conducted specially for this publication by Lynne Tillman discuss Tuymans' presence in the U.S" (the publisher). A clean copy.…

Hardcover. Etat : Brand New. 2nd exp rev edition. 336 pages. 11.75x10.00x1.50 inches. In Stock.

hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

Hardcover. Etat : Brand New. 288 pages. 9.35x1.25x11.85 inches. In Stock.

Hardcover. Etat : Brand New. 207 pages. 12.00x9.50x1.00 inches. In Stock.

Hardcover. Etat : Brand New. 2nd edition. 281 pages. 12.00x9.25x1.00 inches. In Stock.

Hardcover. Etat : Brand New. 256 pages. 12.00x10.00x1.25 inches. In Stock.

Hardcover. Etat : Brand New. slp edition. 525 pages. 12.00x0.25x2.25 inches. In Stock.

Hardcover. Etat : Brand New. new title edition. 304 pages. 13.25x11.25x1.25 inches. In Stock.