stuart budgen (16 résultats)

Etat : Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Octavo, 196 pages. In Very Good minus condition. Spine white and blue with black and white lettering. Rubbing to boards. Bumping to board corners. Creasing to spine hinges. Large dent to spine. Age toning and foxing to textblock. Mild scratching to textblock. Age toning to boards. Shelved Literary Criticism. 1413569. Shelved Dupont Bookstore. First Publisher's Edition, First Printing.

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Etat : very good. Taschenbuch. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. 194 Seiten. In englischer Sprache. Einband mit Lesespuren sowie leicht verfärbt. Seiten in gutem Zustand.

Soft cover. Etat : Good. No Jacket. 1st Edition. (1929), First Edition; Good/no dj, octavo, 194pp., off-white softcover wraps chipped all along edges of spine & corners of covers, paper in text slightly browning & brittle o/w unmarked, binding tight, limited edition of 96 copies of this copy unnumbered.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. HARDBACK BOUND IN THE ORIGINAL PUBLISHERS CLOTH BINDING, HALF TITLE PRESENT, PRINTED IN FRANCE WITH ENGLISH TEXT. BOOK MEASURES APPROX 8 x 6 INCHES WITH 194 PAGES. FEW MINOR MARKS TO COVER WITH CORNERS BUMPED, ENDPAPERS BROWNED WITH THE OCCASIONAL TEXT PAGE BROWNED OR OCCASIONAL PAGE MARGIN BROWNED. OVERALL IN VERY GOOD CONDITION EXTRA POSTAGE COSTS MAY APPLY TO OVERSEAS ORDERS. ALL BOOKS POSTED IN STURDY BOOK BOX.

Bross Edit. Etat : Buono. 8vo, br. ed. imgiallimento naturale carta, sottolneature a matita. altrimenti buono. pp. 186. Introduzione a Finnegans Wake. Saggi di: Samuel Beckett (Da Dante a Bruno, da Vico a Joyce), Marcel Brion, Frank Budgen, Stuart Gilbert, Eugene Jolas, Victor Llona, Robert McAlmon, Thomas McGreevy, Elliot Paul, John Rodker, Robert Sage, William Carlos Williams. Prefazione di Sylvia Beach, esaurito. fuori catalogo-.

Softcover. Etat : Poor. First Edition. Front cover evenly detached; chips with loss to leading edges of front & back cover; loss of up to 1" bottom of spine; covers soiled; moderate tanning to text pages. Holding tight in spite it all. ; Printed wrappers. ; 8vo 8" - 9" tall; 194 pages.

Hardcover. Etat : Very Good. No Jacket. I am not sure what to make of this little book. There is little information to identify the date or edition of this publication. Some other sellers have stated that the fact the words "Printed in France" indicate that it is the 2nd edition from 1936. OThers have mentioned the Shakespeare edition from 1929 and the notation on the back overleaf of its printing in Chartres Frances on 5-1929 (stated) as indicating a first edition. I simply don't know so will let the description and pictures speak for themselves. The one thing I am sure of is it a very scarce little work! Book is very good in blue cloth boards with golden lettering on the spine. The front board has a couple of brown stains that look a bit like chocolate on it. There is very light rubbing at the bottom of the spine. Other than that and some toning of the outside of the rough cut pages, a great copy, worthy of any collection!

Hardcover. First English language edition. 191 (2) pages. 19 x 14.5 cm. Published from the original French sheets. Critical essays on Joyce's "Finnegans Wake. Beckett, in Joyce's company at the time, and his essay (the first of the essays here published, by virtue of the alphabet) is his first publication notes, "It takes few intellectual prisoners: " . . . if you don't understand it, Ladies and Gentlemen, it is because you are too decadent to receive it." Clean copy, pencil notations front free endpaper. Orig. azure blue cloth spine lettered in gilt. Near fine in very good dust wrapper with slightly faded spine.

First limited British edition of this collection of critical essays and two letters on James Joyce's book Finnegans Wake. Small octavo, original publisher's cloth. Boldly signed by Samuel Beckett and Marcel Brion on the half-title page, and additionally signed by Beckett above the title of his essay. Samuel Beckett and Marcel Brion both personally knew James Joyce and were early defenders of his experimental work 'Finnegans Wake.' Beckett, a close associate of Joyce in Paris, assisted him with research and contributed an essay to 'Our Exagmination.' Marcel Brion, though more distant, also knew Joyce and played a key role in promoting Finnegans Wake to a French audience, offering interpretive insights that helped frame its reception within European modernism. He also contributed an essay to 'Our Exagmination.' One of 96 numbered copies, this example is unnumbered. Near fine in a near fine dust jacket. Letters of Protest by G.V.L. Slingsby and Vladimir Dixon. From the collection of Robert Duncan. Rare. Our Exagmination Round His Factification for Incamination of Work in Progress (1929) is a landmark critical volume that offers some of the earliest responses to James Joyceâs Finnegans Wake, then still unpublished and known only as Work in Progress. Comprising essays by a range of writersâ"including Samuel Beckett, William Carlos Williams, and Stuart Gilbertâ"the collection attempts to grapple with the experimental form, linguistic density, and philosophical ambition of Joyceâs evolving text. While some essays offer praise and others express bafflement, the volume as a whole reflects the modernist fascination with Joyceâs radical departure from conventional narrative.

Softcover. Etat : Very Good+. Etat de la jaquette : No Dust Jacket. First Edition; First Printing. First trade edition. Limited to 200 copies. Stamped "Made in Great Britain" at base of title page. Very good+ copy in printed paper wrappers. (Bottom inch of spine chipped. Right-hand corner of front cover faintly damp-stained. Binding brittle, but solid. ) Features Samuel Beckett's FIRST appearance in print "Dante. Bruno. Vico. Joyce.".

First edition. [3]-194, [2] p. 191 x 140 mm. (7 1/2 x 5 1/2 in.). Original printed paper wrappers. Copy no. 60 of 96 numbered copies printed on Arches paper. Mogens Boisen's copy (the Danish translator of Ulysses) inscribed to him by Sylvia Beach, and with two letters from him to a former owner, explaining the circumstances. Small chip from rear wrapper edge, light creasing on front wrapper, otherwise a fine copy. In a folding box, with the announcement. "Dante.Bruno. Vico.Joyce" published here constitutes Samuel Beckett's first appearance in print.

Paperback. Etat : new. Paperback. Everyone is in a prison-whether it's built by choices, circumstances, or the expectations of others. But what defines you isn't the walls that surround you; it's your role within them. Are you the warden, enforcing control? The guard, silently upholding the rules? Or the inmate, trapped by forces beyond your power to escape? For Jessie, life has been a relentless journey from one prison to another. A childhood under her mother's brutal reign taught her how to survive; a young adulthood spent in the seductive chaos of the club hardened her resolve. Each new chapter brought a different warden, a different set of rules, and the unshakable feeling that freedom was just out of reach. When she meets Colt Bradlee, a man who promises stability and salvation, Jessie dares to hope for something more. But Colt has his own scars, his own prison shaped by a childhood under a demanding mother and an unyielding need to control. His role as warden feels justified, even loving- until it isn't. As their lives collide in a turbulent storm of love, manipulation, and desperation, Jessie begins to question the prisons they've both created. Colt, consumed by his own insecurities, is determined to hold the keys to their shared cell. And Kieran, Jessie's daughter, becomes the unwitting pawn in a battle between freedom and control, caught between walls she never built. In this powerful exploration, Trading Prisons asks the ultimate question: If everyone is imprisoned by something, how do you choose whether to escape, enforce, or endure? Trading Prisons is a raw, emotionally devastating domestic violence novel that follows a mother trapped in a brutal cycle of abuse, addiction, and systemic betrayal. With gripping realism, it explores the terrifying control of a physically and psychologically abusive relationship, the failures of the court system, and the unraveling of a woman pushed to her breaking point. Perfect for readers drawn to tragic women's fiction, trauma survival stories, and gritty, no-filter depictions of motherhood, mental illness, and justice gone wrong. All proceeds from Trading Prisons are donated to the National Domestic Violence Hotline - the very people who once answered my call. Now I write so someone else can be heard. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.