Stuart gilbert translator camus (34 résultats)

Mass Market Paperback. Etat : Fair.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Mass Market Paperback. Etat : Very Good. lifted cover.

Etat : Good. The Modern Library New York 12mo. 278 pages. green cloth boards. binding tight. underlining and notes in margins by previous owner.

Library Binding. Etat : Very Good. No Jacket. The cover of this all-in-French book is in excellent condition. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Etat : Near Fine. Etat de la jaquette : Good. Hardcover 12th printing (1961) in plain black boards has minor shelf-wear, top text-block darkened, tight and unmarked. Unclipped dramatically illustrated jacket in new mylar cover has two inch vertical tear to top front cover, moderate edge-wear, rear flap torn and still attached. A solid copy, not ex-library.…

Hardcover. Etat : Fine. Etat de la jaquette : Very Good. First Publisher's Edition. Translated by Stuart Gilbert, and considered the finest translation of this work in English. Early printing of the Modern Library edition, with $2.45 price on flap, 408 titles on jacket verso, and Rockwell Kent ML logo on cover and endpapers, with the scythe illustration on the jacket. A near fine copy, clean and unmarked with mild rubbing to jacket corners. Archival Mylar cover provided on request.…

Hardcover. Etat : Fine. Etat de la jaquette : Good+. Modern Library Edition. The Modern Library, New York, New York, U.S.A., Printed in the Spring of 1967, per the books listed on the inverse of the Dust Jacket, that include Faulkner, As I Lay dying, but not Faulkner, Pylon. ML 109.1; Toledano Binding Style 11, Dust Jacket Back J1, dark gray Rockwell Kent endpapers. Fine in a Good+ Dust Jacket. The Text Block is clean, white, tight, straight and square with no markings of any kind. The Binding is full green cloth, color uniform throughout, with bright gilt title, etc., to the spine, gray Rockwell Kent endpapers with a prior owner's name faintly on the front free endpaper and no other markings, and all corners square and mostly sharp. The Dust Jacket is bright with colors uniform throughout, and mostly intact with considerable wear at the corners and folds, and a large tear across the front panel closed from behind with archival, pH neutral materials, but only after removal of scotch tape that left a stain on the inside of the panel. The original price ($2.45) is intact on the front flap. See the photos. 278, [ii] pages. 4 3/4" x 7 1/4". An absurdist novel set in Oran, Algeria, originally published in French in 1947 by Gallimard as La Peste, the novel stresses the inability of individuals to affect their own destinies. The Stuart Gilbert translation first appeared in 1948 in the British publication by Hamish Hamilton.…

Etat : New.

Etat : Good. Alfred A. Knopf New York 1958 tenth printing, december 1958. black cloth boards slightly rubbed and stained. previous owner inscription to ffep. binding tight, pages bright.

Softcover. First Edition Thus; First Printing. Very Good+ in wraps. Owner name inked on front pastedown.

Paperback. Etat : Good.

Paperback. Etat : Fair.

Paperback. Etat : Fair.

Paperback. Etat : Good.

Hardcover. Etat : Good. No Jacket. 1st US Edition. Black cloth with gilt lettering to spine. Spine ends and corners bumped and frayed, with small splits to cloth. Maroon topstain. Binding shaken and cracked. Text with pen marking and underlining throughout. Interior lightly toned. Prev owner name to ffep, and their blindstamp to an early page. No stickers. Not ex-library. 278 pp.…

Softcover. First Edition Thus; First Printing. Very Good+ in wraps. "75" inked on front panel and FEP. Small bumps on spine crown and heel.

Paperback. Etat : Brand New. reissue edition. 308 pages. 7.75x5.25x0.50 inches. In Stock.

Paperback. Etat : Very Good. Paperback. Very Good. Note: Gently used with minor wear. Binding is in excellent condition. Pages clean and unmarked. All orders shipped securely in a bubble envelope or box/hard mailer.

1st edn 1st printing. 8vo. Original red lettered blue cloth (casing cocked and spine and edges of boards faded), no dustwrapper. Pp. 285 (faint spotting on page edges and endpapers; previous owner's bookplate on front paste-down).

Cloth. Etat : Very Good. Very Good (Protective Cover). Tenth Printing. This book is in very good condition for its age. It features deckle edges and the pages are sprayed purple at the head. The cloth is in great condition, with little edgewear. There is an owner's mark on the free front endpaper, and some foxing at the front and back endpapers. The unclipped dust jacket has been placed in a protective vinyl cover. There are some small tears on the spine of the jacket, and some light foxing overall. Size: 12mo - over 6¾" - 7¾" tall. Tenth Printing. …

Hardcover. First Edition Thus; First Printing. Near Fine in a Near Fine slipcase. Sandglass by publisher neatly laid in. Illustrated by Daniel Maffia (illustrateur).

Hardcover. Etat : Very Good. No Jacket. 1st Edition. First U.K. Edition, in very good condition; no dj. In the original green cloth (gilt titles to spine) with fading around the extremities of front board. Booksellers original writing inside front - tight binding. Camus's first novel, and the first to be published in English, preceding the American edition published by Knopf, and with an introduction by Cyril Connolly not present in the American edition.…

Hardcover. Etat : Good+. Etat de la jaquette : Good. First American Edition. CLEAN Good+ 1948 First American Edition First Printing with Good price clipped dust jacket.

Cloth. Etat : Very Good. Etat de la jaquette : Very Good. First edition. The first English language translation of Albert Camus's absurdist existentialist classic, in the striking original Michael Ayrton dust wrapper. First published in the original French the year prior, this is the first edition, first impression of the first English language edition, translated by Stuart Gilbert. In the original unclipped first impression dust wrapper. Camus's novel is set in the French Algerian city of Oran as it combats a plague outbreak and is put under a quarantine. The novel stresses the powerlessness of the individual characters to affect their own destinies. With a library stamp to the verso of the title page, with ink marks to pastedowns. Camus was awarded the Nobel Prize for Literature in 1957, largely due to this novel. In the publisher's original cloth binding, with unclipped dust wrapper. Externally, handsome, with a touch of fading to back strip head and tail. Small ink mark to front board. Major ink marks to front pastedown, and stamps to rear pastedown. Spotting and handling marks to dust wrapper, with losses to back strip head and tail, and small closed tears to rear wrap head. Small closed tears to fold at front flyleaf. Internally, firmly bound. Library stamp to verso of title page, with pages otherwise clean and bright. Very Good. None (illustrateur). book. …

Hardcover. First American Edition, First Printing. Octavo, 278 pages. In Good condition with a Good minus condition dust jacket. Blue-grey and black spine with black, red, and white lettering. Dust jacket is wrapped in a mylar covering, price is uncut "$3.00 net", has moderate shelving wear, mild to moderate wear along the extremities, chipping along the joints and fore edges, scratches on the rear cover, tears along the head edges and spine, and moderate age-toning. Boards have mild age-toning along the head and tail edges, mild wear along the extremities, stains on the rear board, and bending wear along the spine head and tail edges. Text block has mild splitting to the gutter pages 89-121, stains on the rear end-page and paste-down, moderate age-toning throughout, mild wear along the edges, and faded dark red inking along the head edge. DL consignment. Shelved in Case 6. Albert Camus was born November 7, 1913 in Dréan, Algeria (then French Algeria). Camus' mother was deaf and illiterate, his father killed in acting in 1914 serving in World War I and he would grow up very poor pied-noir (a slang term for French and other European people born in Algeria). Camus would be diagnosed with tuberculosis in 1930, at which time he moved in with his uncle Gustave Acault. Living with his uncle, Camus found a great love for philosophy, taking particularly to Greek philosophers and Nietzsche. This love of philosophy would push Camus to completing a degree in philosophy in 1936. During and after his time in university, Camus would join the Algerian Communist Party and Algerian People's Party, both of which sought freedom from colonial rule in Algeria. Camus' work with the ACP greatly involved organizing the "Théâtre du Travail" [Worker's Theater] which would be renamed "Théâtre de l'Equipe" [Theater of the Team] after Camus and the ACP split. Some of the scripts written for "Théâtre de l'Equipe" would become the basis for his later novels. In 1938 Camus solidified his anti-colonial feelings, working for a leftist newspaper which spoke out against the colonial regime as well as the rising fascist regimes across Europe. In 1940 Camus moved to Paris after the banning of the newspaper, there producing his "first cycle" of works on the absurd, including his most famous work "L'Étranger" ("The Stranger"). With the outbreak of World War II and the German invasion of France, Camus fled Paris, moving first to Lyon in southeast France, then to Algeria, and then to the Frech Alps to recover from a flare up of tuberculosis. It was in the Alps that Camus began work on his "second cycle" of works, now dealing more with revolt. "La Peste" or "The Plague" would be published in 1947 in France, and in 1948 in the US riding on Camus' infamy gained both for his earliest works and for his role in the French Resistance against German occupation. It depicts the Algerian city of Oran amidst a devastating plague and many different people's reactions to it, from feelings of despair to those who fight bravely against the illness. Both Camus' own tuberculosis and a cholera epidemic which killed a large portion of Oran in 1849 were inspirations for the novel, though it was set in the 1940's. The novel has been noted as allegorical for the French resistance to Nazi occupation during World War II. Upon it's release, "The Plague" received generally positive critical reception with moderate commercial success. However, during the COVID-19 pandemic in 2020, the novel became a best-seller with publisher Penguin Classics reporting difficulties matching demand. Many hailed "The Plague" as a reflection of the time, with lockdown measures compared to the novel's cordon sanitaire, and Camus' own daughter noting that it should be inspiration for people to take responsibility in how they reacted to the pandemic. 1387500. Shelved Dupont Bookstore.…

Hardcover. dj. First American edition. First American edition, first printing. vi, 278, [2] pp. Bound in publisher's black cloth with blindstamped front board, gilt lettering on spine. Near Fine with tiny stain to front board, old bookstore ticket on front free endpaper, in a Very Good dust jacket, price-clipped, rubbed along edges, tiny chip in top of front panel, a few tape mends to verso. Camus' existentialist novel, La Peste in the original French, set in Oran, Algeria. …