Stutterheim sydney (103 résultats)

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Paperback or Softback. Etat : New. Artist, Audience, Accomplice: Ethics and Authorship in Art of the 1970s and 1980s. Book.

hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Etat : new.

Etat : New.

Etat : New.

Etat : New.

Etat : New.

Etat : New.

Hardcover. Etat : new. Hardcover. For fifty years, American artist Linda Lighton has created a powerful body of subversive ceramic sculptures that explore desire in all its complex forms. Her work uses wit and seduction as conceptual weaponry to mine the relationship between sex, power and politics. Linda Lighton: Love and War is a richly illustrated monograph that gives a comprehensive overview of Linda Lighton's pioneering career. The book delves into the ways that her highly original and often rebellious work pushes the boundaries of ceramic sculpture. Accompanied by new scholarship on the artist's practice, this publication situates her sculptures - which use a feminist visual language to address social issues, such as gun violence, environmental degradation and gender conformity - within the context of broader art-historical developments. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Etat : As New. Unread book in perfect condition.

Softbound. Etat : Very Good. Oblong quarto, stapled paper covers, 48 pp., color illustratons Articles are "Documentary Contradictions: "I Don't Like Fiction, I Like History," Sidney Stutterheim and "Unreal Americans," Benjamin Nugent.

Paperback. Etat : New. In Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice. Occupying roles including eyewitness, romantic partner, studio assistant, and documenter, this figure is situated between the conventional subject positions of the artist and the audience. The unseen and largely unacknowledged contributions of such accomplices exceed those performed by a typical audience because they share in the responsibility for producing artworks that entail potential ethical or legal transgressions. Stutterheim analyzes the art of Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O'Grady, showing how each cannily developed strategies of shared culpability that evoked questions about the accomplice's various rights and roles. In this way, Stutterheim argues that the artist's authority is not sovereign, total, or exclusive but, rather, fluid and relational. By examining the development of an alternative model of participatory art that relies on a network of accomplices, Stutterheim radically revises current understandings of artistic agency, aesthetic property, and acknowledged authorship.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. In Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice. Occupying roles including eyewitness, romantic partner, studio assistant, and documenter, this figure is situated between the conventional subject positions of the artist and the audience. The unseen and largely unacknowledged contributions of such accomplices exceed those performed by a typical audience because they share in the responsibility for producing artworks that entail potential ethical or legal transgressions. Stutterheim analyzes the art of Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O'Grady, showing how each cannily developed strategies of shared culpability that evoked questions about the accomplice's various rights and roles. In this way, Stutterheim argues that the artist's authority is not sovereign, total, or exclusive but, rather, fluid and relational. By examining the development of an alternative model of participatory art that relies on a network of accomplices, Stutterheim radically revises current understandings of artistic agency, aesthetic property, and acknowledged authorship.…

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New. In English.

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : new.

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Etat : New. For fifty years, American artist Linda Lighton has created a powerful body of subversive ceramic sculptures that explore desire in all its complex forms. Her work uses wit and seduction as conceptual weaponry to mine the relationship between sex, power and politics. Linda Lighton: Love and War is a richly illustrated monograph that gives a comprehensive overview of Linda Lighton's pioneering career. The book delves into the ways that her highly original and often rebellious work pushes the boundaries of ceramic sculpture. Accompanied by new scholarship on the artist's practice, this publication situates her sculptures - which use a feminist visual language to address social issues, such as gun violence, environmental degradation and gender conformity - within the context of broader art-historical developments.…

Etat : New. 2025. 1st Edition. hardcover. . . . . .

Etat : New.