Suga kishio (54 résultats)

Etat : New.

Hardback or Cased Book. Etat : New. Kishio Suga: Writings: Volume 2, 1980-1989. Book.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : As New. Unread book in perfect condition.

Softcover, 264 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Hardback. Etat : New. 1st.

Hardback. Etat : New. 1st.

Hardcover. Etat : new. Hardcover. The second volume devoted to one of the key figures of his generation in Japan.One of the key figures in Japan's pivotal Mono-ha phenomenon of the late 1960s and early 1970s, artist Kishio Suga has realized a visionary practice of ephemeral, sites-pecific installations and performative interventions into the everyday environment. Throughout Suga's career, writing has been an important element in his artistic process, as he uses his texts to interrogate the institution of art and anthropocentric conceptions of the world.This volume collects Suga's writings from the period 1980-89, when the Japanese art scene was transformed by a museum-building boom triggered by the country's rise to unprecedented economic heights. Having challenged conventional definitions of art through his formulations of the "[thing]" and "being left" a decade prior, Suga shifts his focus in the 1980s toward working with the collective logic of the world. In particular, he embarks on a sustained investigation into the dynamics of "[periphery] surroundings" as the basis for an approach to artmaking in which subject and object are equalized and the marginal or unseen takes on as much significance as that which is centered or seen. Included here are the aphoristic fragments that Suga compiled for his retrospective monograph Kishio Suga, 1988-1968, short statements composed for exhibition catalogues, and long-form essays published in art journals and other magazines during the period, many of which appear in English for the first time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : new.

Etat : New.

Etat : New. 2025. 1st Edition. hardcover. . . . . .

Etat : New.

Etat : New.

Etat : New. In English.

Etat : New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Etat : New.

Paperback. Etat : New. Etat de la jaquette : New. A clean crisp well preserved 2017 Trustees of the National Galleries of Scotland softcover in a fine tight binding. Dust jacket is spun polyester with gray and silver lettering. Although Karla Black (b.1972) and Kishio Suga (b.1944) work on opposite sides of the world and were unaware of each other's art until their new exhibition at Modern One was conceived, they are united by their use of everyday materials to create sculptural works of sublime beauty, complexity and originality, which they make in response to specific spaces. Karla Black and Kishio Suga: A New Order is Suga's first major showing in the UK. Based in Glasgow, Black is one of the country's leading contemporary artists, and represented Scotland at the 2011 Venice Biennale. She is renowned for large-scale abstract sculptures, which are often composed of delicate and ephemeral materials, such as cellophane, soap, eye shadow, petroleum jelly, toothpaste, chalk powder and soil. Suga was born in Morioka in Northern Japan, and was a key member of Mono-ha ('School of Things'), a pioneering artistic movement which emerged in the late 1960s and early 1970s. His radical adoption of simple everyday materials, such as stone, wire , iron, zinc and paraffin in temporary, site-specific sculptural arrangements, which he calls 'situations', makes Suga one of the most thought-provoking and original artists working anywhere in the world today. Suga has re-created some of his most celebrated works, and has made an entirely new piece conceived especially for the show.…

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Brand New. 224 pages. 9.50x6.50x1.06 inches. In Stock.

Hardcover. Etat : Brand New. 256 pages. 9.50x6.50x1.89 inches. In Stock.

hardcover. Etat : New. Special order direct from the distributor.

Etat : Ottimo (Fine). 1092 Kishio Suga Kishio Suga writings Vol. 1.: 1969-1979, Skira, 2021. , Skira 2021 italiano, in ottavo 261 415151092Titolo{Kishio Suga writings} Vol. 1.: 1969-1979PubblicazioneMilano : Skira ; São Paulo : Mendes Wood DM ; Los Angelse : Blum & Poe, 2021Descrizione fisica261 p. : in gran parte ill. ; 25 cmbrossuraOttimo. Book. …

Hardcover. Etat : Brand New. 256 pages. 9.50x6.50x1.89 inches. In Stock.

Softcover, 96 pages, in English and Japanese, very good condition, light rubbing to covers; no internal marks.

Hardcover. Etat : new. Hardcover. The second volume devoted to one of the key figures of his generation in Japan.One of the key figures in Japan's pivotal Mono-ha phenomenon of the late 1960s and early 1970s, artist Kishio Suga has realized a visionary practice of ephemeral, sites-pecific installations and performative interventions into the everyday environment. Throughout Suga's career, writing has been an important element in his artistic process, as he uses his texts to interrogate the institution of art and anthropocentric conceptions of the world.This volume collects Suga's writings from the period 1980-89, when the Japanese art scene was transformed by a museum-building boom triggered by the country's rise to unprecedented economic heights. Having challenged conventional definitions of art through his formulations of the "[thing]" and "being left" a decade prior, Suga shifts his focus in the 1980s toward working with the collective logic of the world. In particular, he embarks on a sustained investigation into the dynamics of "[periphery] surroundings" as the basis for an approach to artmaking in which subject and object are equalized and the marginal or unseen takes on as much significance as that which is centered or seen. Included here are the aphoristic fragments that Suga compiled for his retrospective monograph Kishio Suga, 1988-1968, short statements composed for exhibition catalogues, and long-form essays published in art journals and other magazines during the period, many of which appear in English for the first time. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Etat : Neu. Neuware - The second volume devoted to one of the key figures of his generation in Japan. One of the key figures in Japan's pivotal Mono-ha phenomenon of the late 1960s and early 1970s, artist Kishio Suga has realized a visionary practice of ephemeral, sites-pecific installations and performative interventions into the everyday environment. Throughout Suga's career, writing has been an important element in his artistic process, as he uses his texts to interrogate the institution of art and anthropocentric conceptions of the world. This volume collects Suga's writings from the period 1980-89, when the Japanese art scene was transformed by a museum-building boom triggered by the country's rise to unprecedented economic heights. Having challenged conventional definitions of art through his formulations of the '[thing]' and 'being left' a decade prior, Suga shifts his focus in the 1980s toward working with the collective logic of the world. In particular, he embarks on a sustained investigation into the dynamics of '[periphery] surroundings' as the basis for an approach to artmaking in which subject and object are equalized and the marginal or unseen takes on as much significance as that which is centered or seen. Included here are the aphoristic fragments that Suga compiled for his retrospective monograph Kishio Suga, 1988-1968, short statements composed for exhibition catalogues, and long-form essays published in art journals and other magazines during the period, many of which appear in English for the first time.…

Etat : NEW.

Hardcover. Etat : new. Hardcover. The second volume devoted to one of the key figures of his generation in Japan.One of the key figures in Japan's pivotal Mono-ha phenomenon of the late 1960s and early 1970s, artist Kishio Suga has realized a visionary practice of ephemeral, sites-pecific installations and performative interventions into the everyday environment. Throughout Suga's career, writing has been an important element in his artistic process, as he uses his texts to interrogate the institution of art and anthropocentric conceptions of the world.This volume collects Suga's writings from the period 1980-89, when the Japanese art scene was transformed by a museum-building boom triggered by the country's rise to unprecedented economic heights. Having challenged conventional definitions of art through his formulations of the "[thing]" and "being left" a decade prior, Suga shifts his focus in the 1980s toward working with the collective logic of the world. In particular, he embarks on a sustained investigation into the dynamics of "[periphery] surroundings" as the basis for an approach to artmaking in which subject and object are equalized and the marginal or unseen takes on as much significance as that which is centered or seen. Included here are the aphoristic fragments that Suga compiled for his retrospective monograph Kishio Suga, 1988-1968, short statements composed for exhibition catalogues, and long-form essays published in art journals and other magazines during the period, many of which appear in English for the first time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Softcover, 64 pages, in English and Japanese, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.