Sullivan mark w (94 résultats)

Etat : very_good.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : very_good. Book has little sign of wear or use.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

paperback. Etat : LikeNew. B&w Illus (illustrateur).

Etat : good. Paperback Book.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. B&w Illus (illustrateur).…

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Good. Clean text, light wear to edges. Ships next business day from NC.

Etat : good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Hardcover. Etat : Very Good. Very Good, clean pages, binding square and tight, minor shelf wear.

Paperback. Etat : New.

Paperback. Etat : New.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : New.

Paper. Etat : Good. 11 page article on John F. Kensett at Newport: The Making of a luminist painter, 5 4/C illustrations, 3 2/C figure illustrations.

Hardcover. Etat : Good. No Jacket. 265 pages. Ex-library. No dust jacket.

Etat : New. Brand New.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st. xii, 163 pages, [16] pages of plates, colour illustrations, colour maps; 24 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "This new account of the Darby School of Art overturns Philadelphia's long-held unwarranted reputation as artistically stodgy - unwilling and unable to embrace Impressionism, post-Impressionist, and abstract art. Through the lens of the Darby School, a summer art school program that upended the area's long-held artistic traditions, author Mark W. Sullivan demonstrates that the Philadelphia are was far more avant-garde than originally thought." - Publisher. Size: 8vo. Collectible.…

Etat : New.

Hardcover. Etat : new. Hardcover. This first full-length account of the Darby School of Art overturns Philadelphia's long-held unwarranted reputation as artistically stodgy - unwilling and unable to embrace Impressionism, post-Impressionist, and abstract art. This is the story of an almost completely forgotten summer art school that flourished first in Darby, PA, and then in Fort Washington, PA, between 1898 and 1918. The Darby School of Art was founded and operated by Thomas Anshutz and Hugh Breckenridge, two artists who taught during the academic year at the Pennsylvania Academy of the Fine Arts. Anshutz and Breckenridge brought a lot of new ideas about painting back to Philadelphia after their European sojourns, and introduced those ideas to a public that was initially not very responsive to Impressionism, Post-Impressionism, and semi-abstract art. But an appreciation for modern styles of painting began to slowly grow among Philadelphia artists and collectors, and Anshutz and Breckenridge were in the forefront of this development. They also sympathized with what some have called the "New Woman" movement, which backed women who wanted to pursue careers outside of the home. In this new history, expert Mark Sullivan argues that the Philadelphia area was a genuine hub of avant-garde painting in the early twentieth century, even though it has earned the reputation of lagging far behind New York City in its openness to new styles of painting. It also discusses how the Darby School should be recognized as an institution that got behind the idea of women as professional artists at a time when that concept was quite radical. AUTHOR: Mark W. Sullivan earned a Ph. D. in art history from Bryn Mawr College, and taught at Rutgers University and Rosemont College (PA), before landing a full-time position at Villanova University. He spent 37 years at Villanova, and was the co-founder and director of its art history program. He specializes in the history of American painting, and has written and lectured extensively on the art and architecture of the Philadelphia area. He lives in the Philadelphia suburb of Fort Washington, not far from the art school that Thomas Anshutz and Hugh Breckenridge established there after re-locating from Darby, PA. 38 illustrations This first full-length account of the Darby School of Art overturns Philadelphias long-held unwarranted reputation as artistically stodgy - unwilling and unable to embrace Impressionism, post-Impressionist, and abstract art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : Near Fine. No Jacket. 1971 Paper Ed. B&w Illus (illustrateur).

Hardback. Etat : New. This is the story of an almost completely forgotten summer art school that flourished first in Darby, PA, and then in Fort Washington, PA, between 1898 and 1918\. The Darby School of Art was founded and operated by Thomas Anshutz and Hugh Breckenridge, two artists who taught during the academic year at the Pennsylvania Academy of the Fine Arts. Anshutz and Breckenridge brought a lot of new ideas about painting back to Philadelphia after their European sojourns, and introduced those ideas to a public that was initially not very responsive to Impressionism, Post-Impressionism, and semi-abstract art. But an appreciation for modern styles of painting began to slowly grow among Philadelphia artists and collectors, and Anshutz and Breckenridge were in the forefront of this development. They also sympathized with what some have called the "New Woman" movement, which backed women who wanted to pursue careers outside of the home.In this new history, expert Mark Sullivan argues that the Philadelphia area was a genuine hub of avant-garde painting in the early twentieth century, even though it has earned the reputation of lagging far behind New York City in its openness to new styles of painting. It also discusses how the Darby School should be recognized as an institution that got behind the idea of women as professional artists at a time when that concept was quite radical.…

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : As New. Etat de la jaquette : As New. Text clean and tight; 8vo 8" - 9" tall; 200 pages.

Soft cover. Etat : Very Good. First Edition. Very good in original wrappers with rubber stamp, sticker on the rear panel, and the date written large at the bottom of the front cover.

Hardback. Etat : New. This is the story of an almost completely forgotten summer art school that flourished first in Darby, PA, and then in Fort Washington, PA, between 1898 and 1918\. The Darby School of Art was founded and operated by Thomas Anshutz and Hugh Breckenridge, two artists who taught during the academic year at the Pennsylvania Academy of the Fine Arts. Anshutz and Breckenridge brought a lot of new ideas about painting back to Philadelphia after their European sojourns, and introduced those ideas to a public that was initially not very responsive to Impressionism, Post-Impressionism, and semi-abstract art. But an appreciation for modern styles of painting began to slowly grow among Philadelphia artists and collectors, and Anshutz and Breckenridge were in the forefront of this development. They also sympathized with what some have called the "New Woman" movement, which backed women who wanted to pursue careers outside of the home.In this new history, expert Mark Sullivan argues that the Philadelphia area was a genuine hub of avant-garde painting in the early twentieth century, even though it has earned the reputation of lagging far behind New York City in its openness to new styles of painting. It also discusses how the Darby School should be recognized as an institution that got behind the idea of women as professional artists at a time when that concept was quite radical.…

Hardcover. Etat : Very Good. No Dust Jacket. First Edition. Inscribed by the author on the front free endpaper, signed Susan & Mark. Bibliography only, no illustrations. ; 225 pages.