Sutherland j a (646 résultats)

Paperback. Etat : Fair. Readers of Victorian fiction must often have tripped up on seeming anomalies, enigmas and mysteries in their favourite novels. Does Becky kill Jos at the end of "Vanity Fair"? Why does no one notice that Hatty is pregnant in "Adam Bede"? How, exactly, does Victor Frankenstein make his monster? Why does Dracula come to England rather than neighbouring Germany? Why doesn't the invisible man make himself an invisible suit? Why does Sherlock Holmes, of all people, get the name of his client wrong? In "Is Heathcliff a Murderer?" (well, is he?), John Sutherland investigates 34 conundrums of 19th-century fiction. Applying these "real world" questions to fiction is not in any sense intended to catch out the novelists who are invariably cleverer than their most detectively-inclined readers. Typically, one finds a reason for the seeming anomaly. Not blunders, that is, but unexpected felicities and ingenious justifications.…

Paperback. Etat : Good. In response to appeals from readers and reviewers to "Is Heathcliff A Murderer?", the collection of 19th-century literary anomalies, enigmas and mysteries, John Sutherland turns up more unexpected and brain-teasing aspects from the British and American canon. With bold speculation he investigates 35 literary conundrums, ranging from Daniel Defoe to James Joyce: why does Robinson Crusoe find only "one" footprint? How does Magwitch swim to shore with a great iron on his leg? What is Croy's "unspeakable offence" in "The Wings of the Dove" ? Why don't the Rochesters get a divorce? And who moved the piano in Ulysess ? These questions are answered and the author aims to return the reader with new respect to the great novels that inspire them.…

Paperback. Etat : Good. "Shakespeare loves loose ends; Shakespeare also loves red herrings." - Stephen Orgel. Loose ends and red herrings are the stuff of detective fiction, and under the scrutiny of master sleuths, John Sutherland and Cedric Watts, Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania make love? Does Lady Macbeth faint, or is she just pretending? How does a man putrefy within minutes of his death? Is Cleopatra a deadbeat Mum? And why doesn't Juliet ask 'O Romeo Montague, wherefore art thou Montague?' As Watts and Sutherland explore these and other puzzles Shakespeare's genius becomes ever more apparent. Speculative, critical, good-humoured and provocative, their discussions shed light on apparent anachronisms, performance and stagecraft, linguistics, "Star Trek" and much else. Shrewd and entertaining, these essays add a new dimension to the pleasure of reading or watching Shakespeare. "Few modern academics are doing quite so much as Professor Sutherland to connect the "common reader" with great books." - "Independent.".…

Paperback. Etat : Fair. New edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Etat : Fair. Readers of Victorian fiction must often have tripped up on seeming anomalies, enigmas and mysteries in their favourite novels. Does Becky kill Jos at the end of "Vanity Fair"? Why does no one notice that Hatty is pregnant in "Adam Bede"? How, exactly, does Victor Frankenstein make his monster? Why does Dracula come to England rather than neighbouring Germany? Why doesn't the invisible man make himself an invisible suit? Why does Sherlock Holmes, of all people, get the name of his client wrong? In "Is Heathcliff a Murderer?" (well, is he?), John Sutherland investigates 34 conundrums of 19th-century fiction. Applying these "real world" questions to fiction is not in any sense intended to catch out the novelists who are invariably cleverer than their most detectively-inclined readers. Typically, one finds a reason for the seeming anomaly. Not blunders, that is, but unexpected felicities and ingenious justifications.…

Paperback. Etat : Good. In response to appeals from readers and reviewers to "Is Heathcliff A Murderer?", the collection of 19th-century literary anomalies, enigmas and mysteries, John Sutherland turns up more unexpected and brain-teasing aspects from the British and American canon. With bold speculation he investigates 35 literary conundrums, ranging from Daniel Defoe to James Joyce: why does Robinson Crusoe find only "one" footprint? How does Magwitch swim to shore with a great iron on his leg? What is Croy's "unspeakable offence" in "The Wings of the Dove" ? Why don't the Rochesters get a divorce? And who moved the piano in Ulysess ? These questions are answered and the author aims to return the reader with new respect to the great novels that inspire them.…

Paperback. Etat : Fair. Readers of Victorian fiction must often have tripped up on seeming anomalies, enigmas, and mysteries in their favourite novels. Does Becky kill Jos at the end of Vanity Fair? Why does no one notice that Hetty is pregnant in Adam Bede? How, exactly, does Victor Frankenstein make his monster? Why does Dracula come to England rather than himself an invisible suit? Why does Sherlock Holmes, of all people, get the name of his client wrong? In Is Heathcliff a Murderer? (well, is he?) John Sutherland investigates 34 conundrums of nineteenth-century fiction. Applying these 'real world' questions to fiction is not in any sense intended to catch out the novelists who are invariably cleverer than their most detectively-inclined readers. Typically, one finds a reason for the seeming anomaly. Not blunders, that is, but unexpected felicities and ingenious justifications. In Is Heathcliff a Murderer? John Sutherland, recently described by Tony Tanner as 'a sort of Sherlock Holmes of literature', pays homage to the most rewarding of critical activities, close reading and the pleasures of good-natured pedantry.…

Paperback. Etat : Good. "Shakespeare loves loose ends; Shakespeare also loves red herrings." - Stephen Orgel. Loose ends and red herrings are the stuff of detective fiction, and under the scrutiny of master sleuths, John Sutherland and Cedric Watts, Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania make love? Does Lady Macbeth faint, or is she just pretending? How does a man putrefy within minutes of his death? Is Cleopatra a deadbeat Mum? And why doesn't Juliet ask 'O Romeo Montague, wherefore art thou Montague?' As Watts and Sutherland explore these and other puzzles Shakespeare's genius becomes ever more apparent. Speculative, critical, good-humoured and provocative, their discussions shed light on apparent anachronisms, performance and stagecraft, linguistics, "Star Trek" and much else. Shrewd and entertaining, these essays add a new dimension to the pleasure of reading or watching Shakespeare. "Few modern academics are doing quite so much as Professor Sutherland to connect the "common reader" with great books." - "Independent.".…

paperback. Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Etat : good.

Paperback. Etat : Very Good. London With Kids This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Etat : Fair. Readers of Victorian fiction must often have tripped up on seeming anomalies, enigmas, and mysteries in their favourite novels. Does Becky kill Jos at the end of Vanity Fair? Why does no one notice that Hetty is pregnant in Adam Bede? How, exactly, does Victor Frankenstein make his monster? Why does Dracula come to England rather than himself an invisible suit? Why does Sherlock Holmes, of all people, get the name of his client wrong? In Is Heathcliff a Murderer? (well, is he?) John Sutherland investigates 34 conundrums of nineteenth-century fiction. Applying these 'real world' questions to fiction is not in any sense intended to catch out the novelists who are invariably cleverer than their most detectively-inclined readers. Typically, one finds a reason for the seeming anomaly. Not blunders, that is, but unexpected felicities and ingenious justifications. In Is Heathcliff a Murderer? John Sutherland, recently described by Tony Tanner as 'a sort of Sherlock Holmes of literature', pays homage to the most rewarding of critical activities, close reading and the pleasures of good-natured pedantry.…

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

paperback. Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

paperback. Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Very Good. Readers of Victorian fiction must often have tripped up on seeming anomalies, enigmas and mysteries in their favourite novels. Does Becky kill Jos at the end of "Vanity Fair"? Why does no one notice that Hatty is pregnant in "Adam Bede"? How, exactly, does Victor Frankenstein make his monster? Why does Dracula come to England rather than neighbouring Germany? Why doesn't the invisible man make himself an invisible suit? Why does Sherlock Holmes, of all people, get the name of his client wrong? In "Is Heathcliff a Murderer?" (well, is he?), John Sutherland investigates 34 conundrums of 19th-century fiction. Applying these "real world" questions to fiction is not in any sense intended to catch out the novelists who are invariably cleverer than their most detectively-inclined readers. Typically, one finds a reason for the seeming anomaly. Not blunders, that is, but unexpected felicities and ingenious justifications. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Etat : Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Hardback. Etat : Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Etat : Very Good.