T robert smithson smithson (21 résultats)

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Beauty (Whitechapel: Documents of Contemporary Art)
Beech, Dave [Editor]; Hickey, Dave [Contributor]; Higgins, Kathleen Marie [Contributor]; Scarry, Elaine [Contributor]; Steiner, Wendy [Contributor]; Hudson, Suzanne P. [Contributor]; Ostrow, Saul [Contributor]; Danto, Arthur C. [Contributor]; Alberro, Alexander [Contributor]; Costello, Diurmuid [Contributor]; Dezeuze, Anna [Contributor]; Donougho, Martin [Contributor]; Duve, Thierry de [Contributor]; Elkins, James [Contributor]; Raskin, David [Contributor]; Willsdon, Dominic [Contributor]; Woodfield, Richard [Contributor]; Adorno, Theodor W. [Contributor]; Derrida, Jacques [Contributor]; Pollock, Griselda [Contributor]; Bernstein, Jay [Contributor]; Jameson, Fredric [Contributor]; Gaiger, Jason [Contributor]; Clark, T. J. [Contributor]; Jones, Caroline A. [Contributor]; Roberts, John H. [Contributor]; Cousins, Mark [Contributor]; Hutchinson, Mark [Contributor]; O'Sullivan, Simon [Contributor]; Krauss, Rosalind E. [Contributor]; Buchloh, Benjamin H. D. [Contributor]; Smithson, Robert [C
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paperback. Etat : near fine. Photographic illustrations throughout, some in color. 167 pages. Small 4to, pictorial wrappers with gilt lettering at the front cover and spine (lightly sunned at edge). Los Angeles: Los Angeles Museum of Art, (1993). A near fine copy. SMITHSON, Robert (illustrateur).

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Autres imagesBeauty: (Documents of Contemporary Art)
Dave Beech (Editor), Dave Hickey, Kathleen Marie Higgins, Elaine Scarry, Wendy Steiner, Suzanne Perling Hudson, Saul Ostrow, Arthur C. Danto, Alexander Alberro, Diarmuid Costello, Anna Dezeuze, Martin Donougho, Thierry de Duve, James Elkins, David Raskin, Dominic Willsdon, Richard Woodfield, Theodor Adorno, Jacques Derrida, Griselda Pollock, Jay Bernstein, Fredric Jameson, Jason Gaiger, T.J. Clark, Caroline A. Jones, John Roberts, Mark Cousins, Mark Hutchinson, Simon O'Sullivan, Rosalind Krauss, Benjamin H.D. Buchloh, Robert Smithson, Andy Warhol, Rasheed Araeen, Gerhard Richter, Paul Wood, Leon Golub, Nancy Spero, Agnes Martin, Alex Katz, John Currin, Art & Language, Rudolf Sagmeister, Christoph Grunenberg, Vito Acconci, Leo Fitzmaurice.
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Paperback. Etat : Very Good. 2009 Whitechapel Gallery paperback edition. Light reading wear else very good condition. Contents: THE REVIVAL OF BEAUTY Dave Hickey Enter the Dragon: On the Vernacular of Beauty Kathleen Marie Higgins Whatever Happened to Beauty? A Response to Danto Elaine Scarry On Beauty and Being Just Wendy Steiner Venus in Exile: The Rejection of Beauty in Twentieth-Century Art Suzanne Perling Hudson Beauty and the Status of Contemporary Criticism Saul Ostrow The Eternal Problem of Beauty's Return Arthur C. Danto The Aesthetics of Brillo Boxes Alexander Alberro Beauty Knows No Pain Diarmuid Costello, Arthur C. Danto, Anna Dezeuze, Martin Donougho, Thierry de Duve, James Elkins, David Raskin, Dominic Willsdon, Richard Woodfield The Art Seminar CONCEPTS AND CONTEXTS Theodor Adorno On the Concept of the Beautiful Jacques Derrida The Sans of the Pure Cut Griselda Pollock Woman as Sign: Psychoanalytic Readings Jay Bernstein Beauty and the Labour of Mourning Fredric Jameson Transformations of the Image in Postmodernity Thierry de Duve Kant after Duchamp Jason Gaiger Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde T.J. Clark Vulgarity Caroline A. Jones The Discourse of the Studio Meets the Technological Sublime John Roberts Replicants and Cartesians Mark Cousins The Ugly Mark Hutchinson Nausea: Encounters with Ugliness Simon O'Sullivan Art and the Political: Minor Literature, War Machines and the Production of Subjectivity POSITIONS Rosalind Krauss The Photographic Conditions of Surrealism Benjamin H.D. Buchloh Robert Morris's Paradoxes Robert Smithson An Aesthetics of Disappointment Andy Warhol On Beauty Rasheed Araeen Cultural Imperialism: Observations on Cultural Situation in the Third World Gerhard Richter Notes Paul Wood Truth and Beauty: The Ruined Abstraction of Gerhard Richter Leon Golub and Nancy Spero Interview with Adrian Searle Agnes Martin Interview with Irving Sandler Alex Katz Interview with David Sylvester John Currin Interview with Robert Rosenblum Wendy Steiner On Marlene Dumas Art & Language On Painting Rudolf Sagmeister Endangered Beauty: On Gary Hume Christoph Grunenberg Attraction-Repulsion Machines: The Art of Jake and Dinos Chapman Vito Acconci Interview with Bryant Rousseau Leo Fitzmaurice Beauty (a list of possibilities).…

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Taschenbuch. Etat : Neu. Neuware.

Edité par Museum of Contemporary Art / Specific Object Chicago / New York, IL / NY 1969 / 2008, 1969
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Ajouter au panier[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New. …

Edité par Dwan Gallery New York, NY 1967, 1968, 1969, 1970, 1967
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Ajouter au panier4 vol. : [1] pp. ; [2] pp. ; [1] pp. ; [1] pp.; 4 vol. : 12.5 x 17.5 cm. ; 14.5 x 14.5 cm. ; 16 x 21.3 cm. ; 16 x 21 cm.; loose card[s]; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Complete set of four announcement cards published in conjunction with the "Language" exhibitions at Dwan Gallery: "Language to be looked at and / or things to be read [aka : Language I]," opening June 3, 1967, including artists Carl Andre, Arakawa, Walter De Maria, Marcel Duchamp, Dan Flavin, Dan Graham, Robert Indiana, Jasper Johns, On Kawara, Edward Kienholz, Sol LeWitt, Roy Lichtenstein, Rene Magritte, Filippo Marinetti, Robert Morris, Claes Oldenburg, Francis Picabia, Ad Reinhardt, Robert Smithson, Kenneth Snelson. "Language II," held May 25 - June 22, 1968, including Bill Copley, Hanne Darboven, Robert Indiana, Arakawa, Robert Morris, Dan Graham, Dan Flavin, Dennis Oppenheim, On Kawara, Lawrence Weiner, Carl Andre, Joseph Kosuth, Robert Rauschenberg, Michael Heizer, Robert Smithson, Ray Johnson, Sol LeWitt, Marcel Duchamp, Edward Kienholz, Walter De Maria, Allan Kaprow, William Anastasi, Bernar Venet, James Lee Byars, Jackson MacLow, William T. Wiley, Nikolai Kozlov, Elaine Sturtevant, Rosemarie Castoro, Dick Higgins, H.C. Westermann, Lila Katzen, Mel Bochner, Peter Hutchinson, Geoff Hendricks, Rentersward, Dunn, Freifeld, Meeneley, Katz. "Language III," May 24 - June 18, 1969, including Jim Richmond, Luis Camnitzer, Roger Cutforth, Ronald Gross, Schuldt, Michael Benedikt, Charles Frazier, Ruth Jacoby, Joseph Kosuth, Fred Sandback, Walter De Maria, Sol LeWitt, Robert Smithson, Robert Rauschenberg, Robert Newman, John Perreault, Vito Acconci, Lawrence Weiner, Robert Barry, Douglas Huebler, John Baldessari, Adrian Piper, Hannah Weiner, John Giorno, Terry Atkinson, Michael Baldwin, Iain Baxter, Hanne Darboven, On Kawara, Christine Kozlov. "Language IV," held June 2 - June 25, 1970, including Arakawa, Joseph Kosuth, Kenneth Snelson, Robert Morris, William Anastasi, Mel Bochner, Bernar Venet, Francis Picabia, Fillipo T. Marinetti, Johnson, Jasper Johns, Marcel Duchamp, Walter De Maria, Robert Smithson, Ross, Claes Oldenburg, Michael Heizer, Terry Fugate-Wilcox, Wilson, Reinhardt Bryant, Denes, Gins, Edward Kienholz, Carl Andre, Novak, Adrian Piper, Lawrence Weiner, HoJo, Dorothea Rockburne, Jonathan Borofsky. Fine. All four cards clean and unmarked as issued. …

Edité par Museum of Contemporary Art Chicago, IL, 1969
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Ajouter au panier[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.…

Edité par Museum of Contemporary Art Chicago, IL, 1969
Vendeur : Specific Object / David Platzker, New York, NY, Etats-UnisSpecific Object / David Platzker
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Ajouter au panier[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.…