tamara trodd (56 résultats)

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Etat : Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Etat : As New. Unread book in perfect condition.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780719084638.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780719084638.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks.

hardcover. Etat : Very Good. Etat de la jaquette : very good. A very good hardcover in a very good dust jacket. No markings.

Paperback. Etat : new. Paperback. Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks. -- . Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : New. In.

Etat : New. 2011. UK ed. Paperback. Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. Editor(s): Trodd, Tamara. Series: Rethinking Art's Histories. Num Pages: 240 pages, 33 black & white illustrations. BIC Classification: ACXJ; AFK; AJRD. Category: (UF) Further/Higher Education. Dimension: 232 x 157 x 14. Weight in Grams: 506. . . . . .

Etat : As New. Unread book in perfect condition.

Etat : New.

2011, 214pp, paperback. T/m blz. 7 zijn er wat zinnen onderstreept en aantekeningen in de kantlijn geplaatst met potlood. Verder netjes.

Etat : New. 2011. UK ed. Paperback. Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. Editor(s): Trodd, Tamara. Series: Rethinking Art's Histories. Num Pages: 240 pages, 33 black & white illustrations. BIC Classification: ACXJ; AFK; AJRD. Category: (UF) Further/Higher Education. Dimension: 232 x 157 x 14. Weight in Grams: 506. . . . . . Books ship from the US and Ireland.

Paperback. Etat : Brand New. 1st edition. 240 pages. 9.25x6.25x0.75 inches. In Stock.

Paperback. Etat : New.

Hardcover. Etat : New. 1st Edition. Large-format hardcover volume, measuring approximately 9" x 10.5", is new, still in shrinkwrap. 368 pages. ""The Art of Mechanical Reproduction" presents a striking new approach to how traditional art mediums?painting, sculpture, and drawing?changed in the twentieth century in response to photography, film, and other technologies. Countering the modernist view that the medium provides advanced art with "resistance" against technological pressures, Tamara Trodd argues that we should view art and its practices as imaginatively responding to the potential that artists glimpsed in mechanical reproduction, putting art into dialogue with the commercial cultures of its time. "The Art of Mechanical Reproduction" weaves a rich history of the experimental networks in which artists as diverse as Paul Klee, Hans Bellmer, Ellsworth Kelly, Robert Smithson, Gerhard Richter, Chris Marker, and Tacita Dean have worked, and it shows for the first time how extensively technological innovations of the moment have affected their work. Original and broad-ranging, "The Art of Mechanical Reproduction" challenges some of the most respected and entrenched criticism of the past several decades?and allows us to think about these artists anew.".

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Etat : Very Good. Etat de la jaquette : Good. In a grey cloth hardcover with black titles to spine. With an unclipped dust jacket with black and blue titles to spine and front and black and white drawings to front. Blue end papers. 302 pp., extensively illustrated, mainly in colour. The book is in very good condition. The cover is free of shelf-wear and the binding is tight. The top corner to the front matter and first 30 pages has been slightly damaged by damp. There is very light tanning to the extremities of the pages which are otherwise clean and unmarked. The dust jacket is good with moderate shelf-wear to the top edge which is creased, lightly marked and has a 1" tear to the front top corner alongside the spine; there is very minor shelf-wear to the bottom edge.

Hardcover. Etat : new. Hardcover. The Art of Mechanical Reproduction presents a striking new approach to how traditional art mediumspainting, sculpture, and drawingchanged in the twentieth century in response to photography, film, and other technologies. Countering the modernist view that the medium provides advanced art with resistance against technological pressures, Tamara Trodd argues that we should view art and its practices as imaginatively responding to the potential that artists glimpsed in mechanical reproduction, putting art into dialogue with the commercial cultures of its time.The Art of Mechanical Reproduction weaves a rich history of the experimental networks in which artists as diverse as Paul Klee, Hans Bellmer, Ellsworth Kelly, Robert Smithson, Gerhard Richter, Chris Marker, and Tacita Dean have worked, and it shows for the first time how extensively technological innovations of the moment have affected their work. Original and broad-ranging, The Art of Mechanical Reproduction challenges some of the most respected and entrenched criticism of the past several decadesand allows us to think about these artists anew. Presents a fresh approach to how traditional art mediums - painting, sculpture, and drawing - changed in the twentieth century as a result of photography, film, and other technologies. Thsi book challenges some of the most respected and entrenched criticism of the past several decades - and allows us to think about these artists anew. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Etat : Brand New. 368 pages. 12.00x10.00x1.00 inches. In Stock.

Paperback. Etat : new. Paperback. Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks. -- . Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Etat : As New. Unread book in perfect condition.

Etat : New. Presents a fresh approach to how traditional art mediums - painting, sculpture, and drawing - changed in the twentieth century as a result of photography, film, and other technologies. Thsi book challenges some of the most respected and entrenched criticism of the past several decades - and allows us to think about these artists anew. Num Pages: 368 pages, 72 colour plates, 62 halftones. BIC Classification: ACX. Category: (G) General (US: Trade). Dimension: 228 x 266 x 28. Weight in Grams: 1428. . 2015. Hardcover. . . . .

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : new. Hardcover. The Art of Mechanical Reproduction presents a striking new approach to how traditional art mediumspainting, sculpture, and drawingchanged in the twentieth century in response to photography, film, and other technologies. Countering the modernist view that the medium provides advanced art with resistance against technological pressures, Tamara Trodd argues that we should view art and its practices as imaginatively responding to the potential that artists glimpsed in mechanical reproduction, putting art into dialogue with the commercial cultures of its time.The Art of Mechanical Reproduction weaves a rich history of the experimental networks in which artists as diverse as Paul Klee, Hans Bellmer, Ellsworth Kelly, Robert Smithson, Gerhard Richter, Chris Marker, and Tacita Dean have worked, and it shows for the first time how extensively technological innovations of the moment have affected their work. Original and broad-ranging, The Art of Mechanical Reproduction challenges some of the most respected and entrenched criticism of the past several decadesand allows us to think about these artists anew. Presents a fresh approach to how traditional art mediums - painting, sculpture, and drawing - changed in the twentieth century as a result of photography, film, and other technologies. Thsi book challenges some of the most respected and entrenched criticism of the past several decades - and allows us to think about these artists anew. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.