Taro gerda (28 résultats)

Magazine. First edition. Near Fine magazine with a touch of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The Fall Travel 2011 issue of the Sunday New York Times Style Magazine (September 25, 2011) with: Lara Stone returns to the Netherlands to give us a tour of her old stomping grounds, with text by Lynn Yaeger and photographs by Angelo Pennetta; a pictorial on an architectural theme park in Provence with works by Gehry, Ando, and Nouvel, photographed by Adrian Gaut; Diana Taylor spreads the gospel of microfinance in Brazil, by Abby Aguirre; Jeremy Irons reveals his Budapest; a travel diary of life on the road by Casey Spooner, of the art-rock group Fischerspooner; a piece on an Iroquois tribe's heritage corn and why it matters to agriculture, by Verlyn Klinkenborg; articles on Perry Ferrell, Gerda Taro, Ashley Fiolek, The Kills, Tokyo, Beirut, retail therapy in Jerusalem, and much more. Perfect-bound magazine; 122 pages; color and b&w reproductions throughout; 8.75 x 10.75 inches.…

Poster. This is not the book. The original announcement poster for an exhibition of work by Robert Capa titled "This is War! Robert Capa at Work" and held at International Center of Photography, NYC, September 26, 2007 - January 6, 2008. Concurrently, the museum held three other related exhibitions: work by Gerda Taro; "Other Weapons: Photography and Print Culture During the Spanish Civil War;" and "Dark is the Room Where We Sleep: A Project by Francesc Torres." Single sheet, printed both sides; 15 x 21 inches. Condition: Fine, machine-folded as issued. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. …

Magazine. The third issue of Camera Arts magazine, March/April 1981, Vol. 1/No. 2, with articles on and portfolios of work by Hiroshi Sugimoto; Jacques-Henri Lartigue; Spanish Civil War photographs of Robert Capa, David Seymour, and Gerda Taro; Neil Leifer; Dewitt Jones; and Scott MacLeay. Also includes an article on the controversy over the authenticity of Robert Capa's Death of a Spanish Soldier; photographs as investments; Myron Wood; and much more. Edited by Jim Hughes. Staple-bound; 114 pages; color and b&w illustrations throughout; 8 x 10.75 inches. Condition: Very Good minus magazine with a light crease and light soiling/staining to the front cover; otherwise, the interior is clean and bright. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

octavo hardcover in dustwrapper (FINE); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.…

Encuadernación de tapa blanda. Etat : Como Nuevo. Público, 2009. Arte. Fotografía. Historia. Profusamente ilustrado. 16 hojas sin paginar. 27 x 21. Tapa blanda de editorial ilustrada con solapas. Como nuevo.

Trade Paperback. Etat : Very Good+. No Jacket - Wraps. 1st Edition. 176 pages - in English - nearly 150 full or double-page b/w heliogravure illustrations - a classic work of wartime photography featuring images of WWII captured by legendary Hungarian-born photojournalist Robert Capa (1913-1954), one of the founders of the Magnum photojournalism agency - the photographs are accompanied by texts by Capa - intro. by John Steinbeck - Indo-China. Book is clean. …

Hardcover. Etat : Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Trade Paperback. Etat : Very Good. second edition. light reading wear. a light stain at the foot of the text block only mildly intrusive, otherwise unmarked, solid, clean.

paperback. Etat : Very Good. 2nd. Second edition. Paperback. Clean and unmarked. Binding strong. Minimal wear. Nice copy in very good condition.

1. ed., 2 vol, 4° (30x25), 160; 431 p., publisher's pictorial softcover, tight and clean, well cared, * * * EU-AUSLAND: Wir versenden nach Österreich und nach Frankreich - kein Versand in die restlichen EU-Länder möglich ** due to EPR-Restrictions NO SHIPPING within the EU except to France and to Austria * * * BTC on-chain & lightning accepted * * *.…

Hardcover. Etat : Very Good. First Edition. First Edition. As-new, without dust jacket, as issued, still in publisher's original shrink-wrap.The first major collection of Gerda Taro's photographs ever published.

Rilegato. Etat : nuovo. New. Sealed.

Hardcover. Etat : gut. 2007. Gerda Taro [Begleitpublikation zur gleichnamigen Ausstellung des International Center of Photography, New York, 26. 9. 2007 - 6. 1. 2008] In deutscher Sprache. pages.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Profusely illustrated with 148 monochrome photos. First edition. 4to., unpaginated; endpaper, 47ll., endpaper, profusely illustrated with 148 b&w photographs, in the original drab olive cloth, titles in reverse on black labels, dustjacket illustrated photographically, initialled 'NC' in pen on front free endpaper, ink stamp on verso of last leaf. New York, Covici Friede, 1938.  Endpapers endemically browned, backstrip of cloth foxed or perhaps browned from glue seepage, jacket browned, slight restoration on lower portion and recently a front hinge split has been neatly reinforced, the dust jacket also conserved by laying on to backing paper which is colour matched to small areas of loss on the head and foot of spine, the edges and the photograph on the rear panel (not affecting image). The truly iconic dustjacket, in any condition, is very rare and this is far better than it sounds. p-139 Parr & Badger Volume I, p-252 - Guerra Grafica: Espagne, 1936-1939: photographes, artistes et écrivains en guerre and probably this copy. Provenance: the stamp denoting the book as from the library of Michael Lefebvre - author of Guerra Grafica. This truly great photobook, documenting the Spanish Civil War, is a memorial to Capa's lover Gerda Taro who was killed by a tank in 1937. The printed dedication, accompanied by a photomontage portrait of Taro, reads:  ' For Gerda Taro, who spent one year at the Spanish front, and who stayed on. RC". Capa and Taro 'captured' 'people' in wartime and how they're affected by the conflict and not just the mechanics of war (Parr and Badger op. cit.). Lefebvre, whose copy this was, agrees, writing in Guerra Grafica of how, out of all the books on the conflict that this one, produced as a catalogue for an exhibition at the New School, is the most emotional of them all and of how Falling Soldier, the jacket photo of a militiaman, who has gone 'over the top' in the split second in which he was shot and died is "particularmente eficaz" (op cit), and some consider it to be the ".single most famous Spanish Civil War photograph" (p-313 Carey Nelson -The Aura of The Cause: Photographs from the Spanish Civil War in The Antioch Review, Vol. 55, No. 3, 1997, The soldier is:  "Hurled backward by the force of the bullet that has just struck his head, his body has not yet given up the gestural memory of his forward motion. Caught in mid-air, his hand still half clinging to his rifle, his leather cartridge boxes still ready at his waist, he seems at once to stride forward and collapse in death. He is eerily in between, at an impossible place of transition between life and death. The camera has somehow caught a moment that would ordinarily pass too quickly for human perception (op. cit.). The image first appeared in the French magazine VU two years before this book was published, and was then reprinted by Life, with a circulation of 1,600,000, on July 12, 1937. As one of the most superfamous battelfield images it is perhaps inevitable that it has ".intermittently been a source of controversy, a victim of rumors spread that it is a hoax, a staged event" (p-314 ibid). However, International Brigaders recalled a fearless photographer, always in the thick of the conflict with many of his photographs published during the war by the Republic uncredited, because he had a collective sense of authorship and eschewed personal fame. CAPA (illustrateur).…

Paperback. Etat : New.

Hardcover. Etat : New. In 1934, after reading John Dos Passos' 1919, Gerda Taro left her home in Stuttgart for Paris. There she met the now legendary photographer Robert Capa, with whom she traveled to Spain at the start of the Civil War. As his lover and photographic partner--and as his manager--she is often credited with launching his career. She was also the first woman photojournalist to enter the heat of battle. The couple worked together until Taro was killed while photographing a crucial clash near Madrid in July 1937, just six days shy of her twenty-sixth birthday. The International Center of Photography holds by far the world's largest collection of Taro's work, including approximately 200 prints as well as original negatives. This selective survey of the ICP's holdings is organized chronologically, and set in context with the inclusion of magazine layouts; it is the first major collection of Gerda Taro's photographs ever published.…

Etat : Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Etat : Muy buen estado. Editorial: La Fábrica Editorial. Ciudad: España. Año: 2011. Encuadernación: Dos tomos en plástico. Dimensiones: 31x25. Idioma: Castellano. Fundación Pablo Iglesias. Historia de España, Guerra Civil Española, Fotografía. Un acontecimiento editorial: Las fotografías redescubiertas de la Guerra Civil española. La maleta mexicana reproduce los 126 rollos de película de los tres legendarios fotógrafos, ROBERT CAPA, GERDA TARO y CHIM, que permanecían en paradero desconocido desde 1939. Las cajas con negativos viajeron durante décadas por Francia y México hasta su recuperación en 2007. Las imágenes, tomadas entre 1936 y 1939, registran episodios claves de la contienda como el frente de Aragón, la batalla de Brunete y el confinamiento de los vencidos en campos de concentración del Sur de Francia. También contiene retratos desconocidos de La Pasionaria, Ernest Hemingway, André Malraux y Federico García Lorca, así como imágenes de Gerda Taro realizadas por Fred Stein que Capa conservó tras su muerte. Los dos tomos del libro incluyen todos los negativos reaparecidos y ensayos de 22 especialistas coo Paul Preston, Simon Dell, David Balsells, Cynthia Young y Juan José Lahuerta. Una coedición del ICP-Internacional Center of Photography coeditado en español por La Fábrica Editorial y la Fundación Pablo Iglesias. Muy buen estado.…

Etat : Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9791095821281.

Couverture rigide. Etat : Très bon. Ouvrages en très bon état. Coffret de protection abîmé (déchirure de 10 cm + angles du coffret).

Couverture souple. Etat : Bon. Paris, Regards , 1936-37, numéros 104 (janvier 1937), 138, 139, 147, 148, 152, 154, 162, 163, 181, 187, 190 et 217. Agrafés, 27 cm x 37 cm, 24 pages, nombreuses photos noir et blanc ou sépia in et hors-texte. Photos de Chim (David Seymour), Henri Cartier (Cartier-Bresson), Gerda Taro et Robert Capa (signées Capa) consacrées à la guerre d'Espagne; à partir de juillet 1937( mort de Gerda Taro), Capa seul, . Textes de Jean Lurçat, Aragon, Ilya Ehrenbourg, Paul Nizan, Tristan Tzara, Arthur Koestler (son arrestation), J.-E. Pouterman, Bon état.…

Paperback. Etat : Fine. First Edition, First Printing. New York, ICP International Center of Photography / G?ttingen, Steidl, (2010).2 softcover volumes housed in thin paper slipcase. First Edition. Vol 1 with 192 pages. Vol 2 with 400 pages. With essays by David Balsells, Simon Dell, Kristen Lubben, Michel Lefebvre and Bernard Lebrun, Paul Preston, Brian Wallis, and Cynthia Young. Text in English. "In late December 2007, three small cardboard boxes arrived at the International Center of Photography from Mexico City after a long and mysterious journey. These tattered boxes the so-called Mexican Suitcase contained the legendary Spanish Civil War negatives of Robert Capa, Gerda Taro, and David Seymour (known as "Chim"). Rumors had circulated for years of the survival of the negatives, which had disappeared from Capa's Paris studio at the beginning of World War II. Together, these roles of film constitute an inestimable record of photographic innovation and war photography, but also of the great political struggle to determine the course of Spanish history and to turn back the expansion of global fascism. BOOK CONDITION: Fine (the set) in a Near Fine slipcase showing slight splitting at paper corners.…

First Edition. First edition and first printing. Hardcover. Features a preface by Jay Allen who also translated Capa's captions. Legendary collection of black and white photographs by Robert Capa and Gerda Taro of the Spanish Civil War. The book's layout was arranged by Andre Kertesz. A clean very near fine copy in oatmeal colored cloth with the typical toning to the gutters of the endpapers and in a very good plus dust jacket with some slight toning along the edge of the front panel near the spine, some small chips to the spine ends some other tiny edge chips and tears and with a nickel sized spot to the front panel. Still, easily one of the nicest copies I've ever seen and one that is free of any repairs. (Parr & Badger v1, 139).…

paperback. Etat : Very Good. Etat de la jaquette : Fair. 1st Edition. VERY GOOD CONDITION IN fair UNCLIPT(S2.50) DUST JACKET. Clean, solid, bright hardcovers & book. DJ has 1" strip across top edge front panel & dj torn away.removes tops on some of title letters. Back dj panel has 3x3" chip top near spine & 1" chips at back fold of dj. Inner flaps are fine.Bottom DJ spine strip missing 3". OW quite clean book & DJ.with some minor wear along edges of DJ. DRAMATIC DJ COVER PHOTO IS CLEAN & COMPLETE. HAS 2" CLOSED TEAR INTO GREY SKY COMING DOWN FROM WORD IN TITLE "DEATH". ; Tan titles on Black spine & cover boxes.TAN CLOTH HARD COVERS. all very nice as are endpapers and text papers.(text is on Matte textured paper, not glossy).Inner front gutter & entire binding is very sturdy, but does show a bit of coloring due to nature of binding glue.very limited .dj IS NOW UNDER PROTECTIVE VINYL COVER & HAS A MUCH NICER APPEARANCE. ; Classic Cover Photo Of Dying Soldier In White. Illustrated by B&W PHOTOS (illustrateur).…

Encuadernación de tapa blanda. Etat : Muy bueno. 1ª Edición. Barcelona: Industries Grafiques Seix I Barral Empresa Col-Lectivitzada, 1937. Rústica ilustrada, 29 x 23 cm, 97 fotos en B/N y 3 fotomontajes en colores. Texto en Catalan, Español, Francés e Inglés. Fotografías de David 'Chim' Seymour, Gerda Taro y Robert Capa. Algunas pintas de óxido. …

Etat : Gut. Erstausgabe. Unpag., quarto, brochure, cover with photo-montage, with b/w photographs, documenting the toll on Spain wielded by Nazi bombing of Madrid, text in Catalan, Spanish, French and English. Sprache(n)/language(s): deCover worn, with Part-loss of spine, loss of 1/3 title page (cut off), staples rusty, book block slightly browned, but otherwise intact and clean.…

Etat : PERFECTO EJEMPLAR. Primera edició. Català / Castellano Pág: 210 29x23 Profusión de fotografías b/n. E-18-1 Cartulina editorial iluistrada.

First Edition. First Printing. Quarto (28cm); taupe cloth, blocked and titled in black on spine and front cover; dustjacket; unpaginated [96]pp; photographically illustrated. Gently spine-sunned, lightly shelfworn, with foxing to spine, joints, board edges, and upper edge of textblock; pronounced offsetting to gutters at endpapers from binder's glue, though text and illustrations are mostly clean; triangular loss to upper right corner of p.50-51 (3.5" x 3.25" x 1 5/8", with the torn corner loosely laid in); just Very Good. Dustjacket is unclipped (priced $2.50), spine-sunned, showing moderate wear, several chips, tears, and attendant creases, with a half-dozen or so tears archivally reinforced on verso; Good or better. One of the definitive photobooks of the 20th century and an essential title in any collection of books on the Spanish Civil War. The untitled jacket image, capturing the moment of death of a militiaman on the Cordoba front, established Capa's reputation as one of the great battlefield photographers of all time and remains one of the most recognizable photographs of the Twentieth Century. PARR-BADGER I:139. 81496.…