taylor printer (190 résultats)

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. New copy - Usually dispatched within 4 working days.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New.

Paperback. Etat : Brand New. Jean-Paul Avisse (illustrateur). 111 pages. 9.10x6.00x0.50 inches. In Stock.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Etat : New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Etat : Fine. Illustrated (illustrateur). First Edition. First edition. Original printed wrappers, string-tied. One of approximately 85 copies, signed by Joanna Taylor, the printer. By Joanna Taylor.

Etat : New.

Etat : New. KlappentextLays Of The Minnesingers: Or German Troubadours Of The Twelfth And Thirteenth Centuries is a book written by Richard Taylor Printer and published in 1825. The book provides an in-depth look into the poetry and music of the Ger.

15 + [1]pp., 8vo. In good condition, lightly-aged, no wraps, disbound. Includes speeches by Jacob Bright, Peter A. Taylor, Mr Arnold, John Hinde Palmer, H. N. Mozley, Miss Downing, Mrs A. Arnold, Mrs Venturi. No copy found on either COPAC or OCLC WorldCat.

Etat : Good. 4to. 21x 29.7cm. Sheets loose as issued in original silver printed chemise and box. 28pp. text; poster and 50 signed broadsides, folded from 59.5 x 42cm. to 8 pages. Fine condition. .The deluxe portfolio, 2000-01, comprising 50 offset lithographs, on smooth wove paper, with title-page and text, each signed by the respective artist, the sheets folded (as issued), within the original silver Solander box with debossed cover and spine.Richard Hamilton, Gavin Turk, Tim Stoner, Philip Treacy, Caruso St John, John Hilliard, Liam Gillick, Georgie Hopton & Josephine Soughton, Jake & Dinos Chapman, Mark Hosking, Grayson Perry, Simon Patterson, Runa Islam, Anish Kapoor, Bella Freud, Tacita Dean, Antony Gormley, Carey Young, Marine Hugonnier, Will Self, Fiona Rae, Tracey Emin, Christopher Le Brun, Liam Gillick, Douglas Gordon, Carsten Holler, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija, Nigel Shafran, Anya Gallaccio, James White & Tim Sheward, Mark Lewis, Richard Deacon & Martin Kreyssig, Wolfgang Tillmans, Joao Penalva, Matthew Higgs, Oliver Payne & Nick Relph, John Latham, Gilbert & George, Enrico David, Mona Hatoum, Andrew Lewis, Cerith Wyn Evans, Howard Hodgkin, Tom Gidley, Sam Taylor-Wood, Harland Miller, Peter Doig, Hussein Chalayan, Patti Smith, Darren Almond, Michael Craig-Martin, Jeremy Deller, Bridget Riley."fig-1" was a project initiated by Mark Francis and White Cube founder Jay Jopling, who held 50 one-week exhibitions at a disused venue in Soho, London.The project called together 49 British artists of different generations, from veterans such as Richard Hamilton, Howard Hodgkin, Anish Kapoor, and Bridget Riley, to established YBAs including Jake & Dinos Chapman, Tracey Emin, and Gavin Turk, and up and coming, soon to be illustrious names, such as Peter Doig, Grayson Perry and Harland Miller - each one of them exhibiting for one week, with Richard Hamilton showing twice in the first and last week.Divided into 50 sections, the book chronicles each project in the words of the participants through interviews, essays and visual documentaries. .Arrangment of the prints: 01. Richard Hamilton02. Gavin Turk03. Tim Stoner04. Philip Treacy05. Caruso St. John06. John Hilliard07. Liam Gillick08. Georgie Hopton + Josephine Soughan09. Jake + Dinos Chapman10. Mark Hisking11. Grayson Perry12. Simon Patterson13. Runa Islam14. Anish Kapoor15. Bella Freud16. Tacita Dean17. Antony Gormley18. Carey Young19. Marine Hugonnier20. Will Self21. Fiona Rae22. Tracey Emin23. Christopher Le Brun24. Liam Gillick, Douglas Gordon, Carsten Höller, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija25. Nigel Shafran26. Anya Gallaccio27. James White + Tim Sheward28. Mark Lewis29. Richard Deacon + Martin Kreyssig30. Wolfgang Tillmans31. João Penalva32. Matthew Higgs, Oliver Payne + Nick Relph33. John Latham34. Gilbert + George35. Enrico David36. Mona Hatoum37. Andrew Lewis38. Cerith Wyn Evans39. Howard Hodgkin40. Tom Gidley41. Sam Taylor-Wood42. Harland Miller43. Peter Doig44. Hussein Chalayan45. Patti Smith46. Darren Almond47. Michael Craig-Martin48. Jeremy Deller49. Bridget Riley50. Richard Hamilton.

Etat : New. Print on Demand pp. 66.

Cloth. Etat : Good+. Second illustrated edition, INSCRIBED BY MICHAEL ADAM/ KIM TAYLOR & WARREN ROBERTS. 8vo. Original black cloth, spine lettered in gilt, gilt stamped fork motif by Michael Adam to upper board. Pushing and wear to spine ends, a number of nicks (nibbles?) to rear joint and edges. Clipped front panel of original peach dust jacket pasted to front pastedown, ownership inscription in blue pen to ffep: "Kenneth Hopkins, Austin Texas 18/4/61", Warren Roberts' inscription in blue pen below his Foreword: "For Kenneth Hopkins who subscribes to my view that he & I should always receive books without cost - that by nature we are of that wont", and, finally, inscribed in black ink and an attractive hand below the colophon: "For Kenneth Hopkins, from 'Michael Adam' & Kim Taylor," gently toned, some foxing, heaviest at rear pastedown, else, clean and tight. Good+ An impressive UT Austin-related association copy of this second Ark Press edition of D.H. Lawrence's Look! We Have Come Through! (1959), the cycle of poems celebrating his relationship with Frieda, fondly inscribed to the British poet and UT Austin lecturer Kenneth Hopkins by its illustrator, and Ark Press founder, Kim Taylor (who published under the name Michael Adam), and fellow academic Francis Warren Roberts, a pre-eminent D. H. Lawrence scholar and bibliographer, who commissioned the Ark Press edition and contributed the Introduction. Francis Warren Roberts (19161998) played a key role in the development of what later became the Harry Ransom Humanities Research Center (HRHRC) at UT Austin, including facilitating the acquisition of material for its stellar D. H. Lawrence collection: during his Fulbright lectureship at the University of Pisa in 1956-8, he'd had the thrill of being offered a box of "manuscripts, letters, photographs, and memorabilia related to Lawrence, [Giuseppe 'Pino'] Orioli, and their circle in Florence" by a bookseller in the city. HRHRC also holds the archive of Kenneth Hopkins (1914-1988), the British poet and novelist, publisher and lecturer. Born in Bournemouth, and apprenticed to a builder's merchant at 14, by 1938 Hopkins was selling his poems door to door, eventually reaching London, where he fell in with the anarchist and publisher Charles Lahr and his circle at the Red Lion Street bookshop. Hopkins went on to found two small presses of his own, Grasshopper Broadsheets (1942-45) and Warren House Press (1969-1988), as well as the Saturdays, a London literary club for poetry appreciation. Kim Taylor (1919-) founded the Ark Press in 1953, with its first completed book being D. H. Lawrence's essay Life (1954), illustrated by Ru van Rossem's wood engravings. The following year Warren Roberts commissioned Taylor to design and print Look! We Have Come Through!, the manuscript of which UT Austin had purchased. Following this successful production, which required a second edition (this one), Harry Ransom, then UT Austin's Vice President, as well as Director of HRHRC, offered Taylor the role of Consultant to the University's publications programme. A neat association copy, then.

Leatherbound. Etat : NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 134. A perfect gift for your loved ones. Reprinted from 1869 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 134.

First Edition. Folio (31.5cm); publisher's green cloth-backed decorative card wrappers; [2],ix,[5],127pp.; chiefly sheet music. Spine ends, wrapper extremities rubbed and textblock rather shaken, contemporary ownership signature to front free endpaper ("M.A. Wentworth"). Good or better overall, lacking the scarce dustwrapper. Forms part of the Musicians Library series. Landmark collection of African-American spirituals, by the first musician of African descent to gain true eminence as a composer in the European classical style.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1841 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 30 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 30 Taylor, Ann, 1782-1866, author,Babcock, Sidney, 1797?-1884, publisher, printer,Stearns, James A., former owner. MB.