Toedtemeier (23 résultats)

Paperback. Etat : Very Good. Clean and solid. ; B&W Illustrations; Oblong 4to; 134 pages.

Paperback. Etat : Very Good. First Edition. Minor shelf wear to binding. Inscribed by author on half title page. Text and images unmarked. Signed by Author.

Paperback. Etat : Very Good. Vol 94, No 1, Spring, 1993, pp. 37-76, Photos, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, else VG.

Paperback. Etat : Near Fine. First Edition. A nice, bright copy. ; B & W Photographs; 10.55 X 0.47 X 9.05 inches; 134 pages.

hardcover. Etat : New. Brand New.

Paperback. Etat : Very Good. Vol 109, No 3, Fall, 2008 pp. 358-412, Photos, Orig Brn Photo Illus Paperback of Journal (Entire Issue), Fine.

Softcover. Oblong 4to. Unpaginated. Original wrappers. Heavy water damage to right third of front wrapper extending through title-page. Illustrated with b/w reproductions of photographs. Wraps in poor, interior in very good condition.

Etat : New. 1997. Illustrated. paperback. . . . . .

Etat : New. 1997. Illustrated. paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Boards in black cloth with gilt stamped lettering. Internally clean and unmarked. Dust jacket in an archival mylar sleeve. Fine/Fine. Illustrated. pp. xviii, 134 . Oblong 9 x 10.5 inches. Uncommon hardcover edition. A ground-breaking biography of Myra Albert Wiggins, the successful early 20th-century Oregon photographic artist with connections to Alfred Stieglitz and the Photo-Secession. Myra Wiggins (1869-1956) embodied the ideal of the ''new woman''--independent, energetic, and ambitious--as depicted by the Eastman Kodak Company's ''Kodak Girl'' and promoted as ''The Witchery of Kodakery.'' ''It not only thoroughly chronicles the life of an important regional photographer, it also provides many insights into the development of fine art photography on the national and international level. The author also includes important information about other women photographers from Oregon (Lily White, Sarah Ladd, and Maud Ainsworth) for which there is no comprehensive published document.'' Contents: Acknowledgments. Foreword. Preface. Part One, 1869-1890. Part Two, 1891-1896. Part Three, 1897-1899. Part Four, 1900. Part Five, 1901-1903. Part Six, 1904. Part Seven, 1905-1910. Part Eight, 1911-1956. References. Selected Bibliography. Index to the Artwork.…

Soft cover. Etat : Very Good. 1st Edition. Includes works by Heinz Hebeisen ; Michael Disfarmer ; Terry Toedtemeier ; Gareth Jones. Paginated pages 397-432, illustrations. Slight shelf wear to edges, staples starting to rust, no inscriptions. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Folio. [10], 345, [3] pp. With 134 photo plates, 2 maps (1 double-page). Black cloth, blue metallic lettering front cover & spine (minor shelfwear), w/ d.j. cover art photo by Arthur M. Prentiss (minor shelfwear), still NF/NF copy, from the library of Tom Koenninger (1932-2010), former editor, managing editor, journalist for The Columbian newspaper, and board member on the Vancouver National Historic Trust. First edition of this lavishly illustrated work on photographs and photographers of the Columbia River, including Carleton Watkins, Fred Haynes, Benjamin Gifford, William H. Partridge, Fred Kiser, Edward Curtis, Sarah Hall Ladd & Lily E. White, as well as George Weister, the Kinseys, and many others. …

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. 1st edition. Hardbound in dust jacket. [ Heavy. Contact for overseas shipping quote.].

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. Cloth, square folio. 1st edition. 345 pp. Black boards. Full page color & B&W photos.

Hardcover. Etat : Brand New. 1st edition. 192 pages. 9.75x10.50x1.00 inches. In Stock.

Soft cover. Etat : Very good +. 1st Edition. Wraps. Square 4to. First edition. Very good +. Illustrated in black & white with photographs Oregon-based photographer Terry Toedtemeier. Text by Toedtemeier and an afterword by Robert Adams. INSCRIBED by Toedtemeier on the title page: "For Tom and Linda with love.".…

Etat : New. KlappentextThe Witch of Kodakery is the ground-breaking biography of Myra Albert Wiggins, the successful early 20th-century Oregon photographic artist with connections to Alfred Stieglitz and the Photo-Secession. Myra Wiggins (1869-1956).

Hardcover. Etat : new. New Copy. Customer Service Guaranteed.

Hardcover. Etat : Brand New. 360 pages. 12.40x12.00x1.50 inches. In Stock.

Etat : Very Good. Etat de la jaquette : Very Good. Larger 4to pp. 345, "The photography of Watkins and his successors is a significant piece of the cultural heritage of the Pacific Northwest. Readers interested in the history of the Columbia River and the photography of the developing American West will be enthralled by the book's scope and artistry. And those who love the Gorge's stunning beauty. book.…

Hardcover. Etat : Good. Etat de la jaquette : Not issued. 1st Edition. 108 pp colour plates throughout, large format hardback with illustrated covers. Edges to covers rubbed, corners a little bumped, some indentations and scratches to front cover, pages clean and firmly held. Heavy book will need extra postage outside UK.…

Hardcover. Etat : Fine. First Edition. This is a lot of two (2) items, the second being a Very Good condition copy housed in a Mylar sleeve of The West Shore magazine for January of 1889, and that features duotone illustrations of both "Salem, Oregon - Asylum of the Insane" and "Oregon - State Penitentiary, Salem," and suffuse with articles and news about Oregon and especially the Willamette Valley and the Oregon Coast. Simple brown printed wraps, chipping at spine bottom, stapled prior dealer's For Salem card inside front flap. News about the genealogy of the State of Oregon and of Oakland, Newberg, Baker, Salem, McMinnville and other Oregon towns and villages. Library of Dust is one of "those" books that will dent your psyche (in a good way). "Dust is a peculiar substance. Less a material in its own right, with its own characteristics or color, dust is a condition . . . Dust is a potpourri of ingredients, varied to the point of indefinability. Dust includes 'dead insect parts, flakes of human skin, shreds of fabric, and other unpleasing materials'" (Geoff Manaugh quoting Joseph Amato). Library of Dust is a somber, sobering, fascinating, photographic, right-thinking rumination in humane terms on a non-human, perhaps even inhumane collection: the decomposing copper canisters that carried the cremated remains of the former Oregon State Hospital inmates that had gone unclaimed. Library of Dust is comprised of four stellar essays and arresting, full color, full page photographs of the copper-coated tins, oceanic of appearance, encrusted in unique patinas of color and texture, that somehow invoke perhaps the former human beings captured inside them. Bound handsomely in illustrated black pictorial boards in folio hardcover format, measuring 17 1/2" x 13 1/4" in height and width, respectively. (Note: what appear to be scuffings of and rubbings to tips and extremities are in fact not so, but rather, a faithful mimesis of the burnishings of the canisters themselves, according to a publisher rep.). Miniscule, faint title font at front cover, slightly larger at spine and at endpapers is just as meaningful--barely there, but necessary. The heavy black card stock endpapers, however, feature a sort of typographic constellation: each tiny number (from a single number to four numbers) appears in dark space so as to denote a former human being. Assembled jointly by David Maisel and three interlocutors, and with apparent editorial freedom from the publisher. Essays by Geoff Manaugh ("Mineral Kinship"), Terry Toedtemeier ("The Soul Remains: a mineralogical account of the remarkable transformation of the cremation canisters at the Oregon State Hospital") and Michael S. Roth ("Graves of the Insane, Decorated"), then Maisel's "The Library and its Self-Contained Double." Most of them being being larger at their bases than at their heads, the copper canisters are not unlovely but have, instead, a worker-like, handmade quality to them. Some are burnished brightly; others are depressingly dull. From some of them bloom colorful corrosion, and some of the seams are well-nigh unto splitting. Some have numbers stamped into them, like shotgun shell casings, and yet others have abraded paper labels still affixed to them. The lowest number registered is 01, and the highest is 5,121. Uncommon in this fine state.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Hardcover. Etat : Good. 1st Edition. Folio. 108pp. Pictorial boards. Illustrated throughout; 71 colour reproductions of Maisel's work. Some moderate rubbing to boards' edges. Internally pristine. The following is a quote from The New York Times' 2008 review: "Library of Dust, from the photographer David Maisel, may well be this years most haunting book of images. It is a collection of photographs of copper canisters, each containing the unclaimed remains of a patient from a psychiatric hospital in Oregon (the same one used for filming One Flew Over the Cuckoos Nest). Rivulets of chemical corrosion, almost oceanic in their intense coloring, run down the sides. Mr. Maisels book is a fevered meditation on memory, loss, and the uncanny monuments we sometimes recover about what has gone before." Scarce.…