Torok peter (97 résultats)

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Near Fine. Prestel, March 1999. Paperback. Near Fine. Unmarked. Interior pristine. Spine straight, tight and uncreased. Light rubbing to covers. Light reading wear to corners with a curl to bottom corner. A book that clearly has been used, but remains in very nice condition. Not from a library. No remainder mark. Not clipped. More than 600 photographs, nine detailed maps, bibliography, index of ethnic groups. 620 pages. 9.75 x 11.75 x 1.75 inches Heavy item (7 pounds): extra charges for expedited or international shipping. First published on the occasion of an exhibition held October 4, 1995 - January 21, 1996 at the Royal Academy of Arts, London. This magnificent celebration of the world's oldest and most diverse artistic traditions is the definitive book on African art. Ranging from the oldest known human artifact, circa 1.6 million BC, to pieces made within living memory, the objects collected in this extraordinary volume reflect a continent of enormous cultural and historical scope. Arranged chronologically within seven geographical sections, it offers an astonishing array of sculptures in wood, bronze, stone, and gold, as well as mural paintings, ceremonial pieces, ceramics, jewelry, and textiles culled from private and public collections around the world. Commentary by renowned scholars illuminates the cultural and historical significance of these pieces, and in-depth authoritative texts highlight critical aspects of each region. Together these words and images take readers on an artistic grand tour through a continent of unparalleled diversity, and towards the thrilling discovery of not one Africa, but many. Contents: Preface by Cornel West; Why Africa? Why Art? by Kwame Anthony Appiah; Europe, African Art, and the Uncanny by Henry Louis Gates, Jr.; The African Past by Peter Garlake; Ancient Egypt and Nubia (89 objects) by Edna R. Russmann and Laslo Torok; Eastern Africa (67 objects) by John Mack; Southern Africa (48 objects) by Patricia Davison; Central Africa (140 objects) by Daniel Biebuyck and Frank Herreman; West Africa and the Guinea Coast (142 objects) by John Picton; Sahel and Savanna (60 objects) by René A. Bravmann; Northern Africa (67 objects) by Timothy A. Insoll, M. Rachel MacLean, R. J. A. Wilson, Nadia Erzini and Rachel Ward.…

Soft cover. Etat : Very Good. Appears to be signed by the author George Torok in marker on first page. Minor shelf wear. Binding tight, pages clean. Pictures available upon request. Signed by Author(s).

Ex-library copy. 619 pages. Large paperback: H 30cm x L 24.5cm. Black stiff paper covers rubbed with slight curling and wear at fore-edge corners, light impression from removed library sticker near top of front cover, slight residue from removed shelf sticker near spine heel, mild scuffing and wear at spine heel with glue repair to short tear at head, some vertical creasing to spine. Some soiling to edges; library stamp and two stickers on half-title page; stamp on title page. No other library marks readily apparent upon a quick perusal and interior pages are otherwise clean. Binding is still firm. Originally published as the catalog for an exhibition "Africa: The Art of a Continent" held at the Royal Academy of Arts in London from October 4 1995 to January 21, 1996. With Preface by Cornel West, Introduction by editor Tom Phillips, Appendix (with Bibliography, Index of Ethnic Groups, Lenders to the Exhibition, and Photographic Credits), and three introductory essays: "Why Africa, Why Art?" by Kwame Anthony Appiah, "Europe, African Art and the Uncanny" by Henry Louis Gates, Jr., and "The African Past" by Peter Garlake. Features seven chapters titled as: "Ancient Egypt and Nubia" by Edna R. Russmann and Laslo Torok; "Eastern Africa" by John Mack; "Southern Africa" by Patricia Davison; "Central Africa" by Daniel Biebuyck and Frank Herreman; "West Africa and the Guinea coast" by John Picton; "Sahel and Savanna" by Rene A. Bravmann; "Northern Africa" by Timothy A. Insoll, M. Rachel MacLean, R.J.A. Wilson, Nadia Erzini, and Rachel Ward. Please note that this thick book has an approximate shipping weight of 7.5 pounds (3.4 kg) and will require additional postage for any postal class other than domestic Media Mail (parcel airmail to most European countries will be US$58). ISBN 3791320041.…

softcover. Etat : very good. Very goodcondition. Light wear. Binding tight, pages clean. Picturesavailableupon request. nd.

1st ed. 16 x 24 cm. 395 pages. Hardcover Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New. In English.

Etat : New. Anyone interested in promoting themselves in their market needs to be aggressive, creative, and clever in today's competitive world. With the barrage of marketing messages, success will come to those who can cut through the clutter to grab the attention of prospective customers or clients. This universal lesson applies, of course, regardless of your field of endeavor.-Roger E. Herman.…

Soft cover. Etat : Good. See photos. Some few underlines in pen in first pages. Spine uncreased, binding tight.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. 1.

Hardcover. Etat : Gut. Ex-library with stamp and library-signature. GOOD condition, some traces of use. C-02261 9783540434931 Sprache: Englisch Gewicht in Gramm: 1150.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Original hardcover binding, in very good / fine condition. Texts in English. Please see description or ask for photos.

Etat : New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Etat : New.