Turel noa (34 résultats)

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Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New. 2020. Hardcover. . . . . .

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Hardback. Etat : New. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390-1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck's pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not "from life" but "into life." Animation, not representation, drove Van Eyck and his contemporaries. Turel's interpretation reverses the commonly held belief that these artists were inspired by the era's burgeoning empiricism, proposing instead that their "living pictures" helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works' key role in shaping, rather than simply mirroring, the early modern world.…

Etat : New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

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Hardcover. Etat : new. Hardcover. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 13901441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eycks pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not from life but into life. Animation, not representation, drove Van Eyck and his contemporaries. Turels interpretation reverses the commonly held belief that these artists were inspired by the eras burgeoning empiricism, proposing instead that their living pictures helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works key role in shaping, rather than simply mirroring, the early modern world. A significant new interpretation of the emergence of Western pictorial realism Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. In English.

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Hardcover. Etat : Brand New. 189 pages. 11.00x8.50x1.00 inches. In Stock.

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Etat : Nuovo. Ril. in tela con sovr., cm 29x22, pp 189, ill. a col. - ISBN: 9780300247572.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition/First Printing. cloth, hardcover in dust jacket., no flaws or wear. clean. no markings. no bumps, tears, creases. strong binding.; english text.; ix-189pp., 94 illustrations, mostly color. looks at the impact of van eyck's painting, particularly the ghent altarpiece, on his contempraries and those who worked in its aftermath. Size: 4to - over 9¾" - 12" tall. …

Hardcover. Etat : new. Hardcover. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 13901441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eycks pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not from life but into life. Animation, not representation, drove Van Eyck and his contemporaries. Turels interpretation reverses the commonly held belief that these artists were inspired by the eras burgeoning empiricism, proposing instead that their living pictures helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works key role in shaping, rather than simply mirroring, the early modern world. A significant new interpretation of the emergence of Western pictorial realism Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardback. Etat : New. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390-1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck's pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not "from life" but "into life." Animation, not representation, drove Van Eyck and his contemporaries. Turel's interpretation reverses the commonly held belief that these artists were inspired by the era's burgeoning empiricism, proposing instead that their "living pictures" helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works' key role in shaping, rather than simply mirroring, the early modern world.…

Hardcover. Etat : new. Hardcover. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 13901441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eycks pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not from life but into life. Animation, not representation, drove Van Eyck and his contemporaries. Turels interpretation reverses the commonly held belief that these artists were inspired by the eras burgeoning empiricism, proposing instead that their living pictures helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works key role in shaping, rather than simply mirroring, the early modern world. A significant new interpretation of the emergence of Western pictorial realism Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

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HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

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Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : New. &Uumlber den AutorStephen Perkinson, Ph.D. (1998, Northwestern University), is Professor of Art History and Associate Dean for Academic Affairs at Bowdoin College. He is the author of The Likeness of the King (Chicago, 2009) and .