Tuttle alan robert (11 résultats)

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New. pp. 144.

Etat : New.

Etat : New. pp. 144.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 1st edition. 144 pages. 10.25x7.25x0.50 inches. In Stock.

Hardcover. Etat : Near fine condition. Etat de la jaquette : Near fine condition. First Edition. A collection of ten Dark Harvest DELUXE FIRST EDITION limited editions, each signed by various contributors on a limitation page, and each being number 7 within editions of 200, 300, 400, 450 and 500 copies. All have slipcases; some are slightly worn and/or slightly sun-faded and one has a few chips to the edge. Overall condition of the books is Near Fine with no bumping to corners or damage. Overall condition of most of the dustjackets is Near Fine and all are unfaded, with several of the dustjackets being Very Good Plus condition as there is slight shelfwear, including small indentations, minor creasing tiny tears and one dustjacket has a tiny perforation on the spine, and another has a small scuff with two tiny perforations also on the spine. Includes 1) Ryan NIGHT VISIONS 1 1984 (300 copies); 2) Ryan CAST A COLD EYE 1984 (200 copies); 3) Grant NIGHT VISIONS 2 1985 (300 copies); 4) Martin NIGHT VISIONS 3 1986 (400 copies); 5) Brin THE RIVER OF TIME 1986 (400 copies); 6) Varley BLUE CHAMPAGNE 1986 (300 copies); 7) Banker NIGHT VISIONS 4 1987 (500 copies); 8) Martin PORTRAITS OF HIS CHILDREN 1987 (450); 9) Wagner WHY NOT YOUR AND I 1987 (300 copies); 10) Lansdale THE NIGHTRUNNERS 1987 (300 copies). These will be sold as an intact group and not individually. There are no previous owner's names or markings. First editions. Signed by Author(s).…

Etat : New. pp. 144 This item is printed on demand.

[18] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held December 7 - January 25, 1981. Watercolors selected by Brooks Adams, Martha Beck, Jack Boulton, Paul Cummings, Donald Droll, Klaus Kertess, Beatrix Medinger and Roberta Smith. Artists included Alan Saret, Gary Bower, William Allan, Mimmo Paladino, Barbara Novak, Richard Tuttle, Robin Bruch, Stephen Mueller, Michael Tetherow, Robert Kushner, George Sugarman, Judy Pfaff, Carroll Dunham, Stephen Ellis, Nancy Mitchnick, John Torreano, Nancy Spero, Judith Linhares, Wes Disney, Ellen Phelan, Lucio Pozzi, Edith Gauthmey, Frank Moore, Gioia Timpanelli, Sondra Freckelton, Saul Steinberg, Jack Youngerman, Robert Kitchen, William Garbe and Thomas Lo Cicero. Fair. Significant wear to bottom edges of publication including yellowing, soiling and bumping. 4 mm. tear to right side recto edge. 4 mm. tear to left side edge of verso. 7 mm. dog-ear to upper right corner of recto and 1.2 cm. dog-ear to bottom left corner of recto. 3.3 cm. of yellow to bottom edge of verso, continuing through to interior pages. Additional handling wear and rubbing.…

Vintage oversize borderless double weight satin finish reference photograph of Alan Ladd from the 1942 film. An exceptionally scarce oversize portrait photograph of Ladd in his breakthrough role as the stoic, cat-loving hit man Philip Raven. Based on the 1942 novel "A Gun for Sale" by Graham Greene, the first of several films in the noir cycle to be adapted from novels by Greene. The film was stuck in development purgatory for 6 years, and thankfully was not made until Paramount had the benefit of the influx of German craftsman from the great exodus under Hitler's campaign-the visual underpinnings of a new style. David Spicer (2010) notes that ". in his determination to cut costs, [former UFA art director Hans] Drier encouraged director Frank Tuttle and cameraman John Seitz to use mirrors, odd angles, low-key lighting and fog-bound exteriors to obscure the limited number of sets available. Seitz's [resulting] expressionist photography helps to create the sense of schizophrenia and entrapment in the psychologically damaged Raven (Ladd)." Set in San Francisco. 16 x 20 inches. Light edgewear, else Near Fine. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Selby US Master List, Canon. Silver and Ward US. Spicer US. …