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Etat : Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Etat : Fine. First Edition. Hardback. Large 4to. pp 232. Original publisher's beige cloth, lettered grey on spine and front cover. Copiously illustrated in colour and black and white throughout. ISBN: 9786054348435 Fine.

Soft cover. Etat : New. Paperback. Large 8vo. In English and Turkish. 240 p. This exhibition celebrates architect Nazimî Yaver Yenal (1904-1987), a unique representative of 20th century Turkish architecture. Based on his exceptional archive that reflects his nearly fifty-year-long career, the exhibition brings light to a typical representative of the Republic generation that epitomized idealist principles. Having spent his adolescence in the final years of the Ottoman Empire, Yenal was trained at the Sanayi-i Nefise Mektebi (School of Fine Arts), particularly under the influence of his teacher Giulio Mongeri's notion of eclecticism and graduated valedictorian from the school. Shaped by the consecutive competitions he won, his career evolved through the experience he gained in Paris and Berlin, where he was sent on a state scholarship, extended as part of the cultural policies of the early Republic years. He thrived and matured during the years he spent as an instructor at the Academy of Fine Arts, as he grew close to a handful of avant-garde German architects that ended up together in Istanbul through extraordinary political conditions. Described in his letters as being "much ahead" by Sedad Hakki Eldem even in his student years, Yenal had talent beyond question and a career in architecture that set off quite successfully at first. Despite all that, virtually none of his designs were actually constructed. His unexecuted designs and the hopes he had created relate a powerful tale along with the disappointments and the reasons behind never being able to bring his creations to fruition. Eventually falling out of the official architectural discourse and forgotten in time, Yenal created for himself an alternative realm of architectural production comprised solely of drawings. The massive archive he created of his drawings was first preserved at his private room at the Academy and later in his house following retirement. After his death, it was dispersed. Nazimî Yaver's depictive fantasies and drawings are in flawless command of both the repertoire of classical architecture and modernism; they correspond to imaginary designs entirely free of the factors associated with construction and derive their strength from this freedom. His unconstructed and unshared designs privatize architecture, a public domain of art. Shaped by imagination, the Yenal aesthetic is inevitably defined in connection with personal codes. In providing a real understanding of Yenal's drawings, this subjectivity forces us to read not only into the designs, but their creator as well. With his avant-garde sketches remaining only on paper, Nazimî Yaver Yenal is perhaps the most important "paper architect" of Turkish architecture from the Republic era.

Soft cover. Etat : New. URAS, BUKE Buyukada. Moris Danon Koleksiyonu. Istanbul: Yapi Kredi Yayinlari, 2023. 4to., 400 p., color and b/w ills. Paperback. New ISBN: 9789750859182 CATALOG: Istanbul / Constantinople KEYWORDS: Prinkipo - Buyukada Istanbul - Constantinople Collection Buyukada tarihi, kahramanlar ya da askeri dehalar tarafindan ortaya konmaz. Tersine, tarihine yon verenler surgunler, muhalifler ve kaybedenlerdir. Istanbul'un yani basindaki konumu, Ada'yi tarih boyunca pek cok kez dunya sahnesine cikarmistir. Imparatorluk baskentiyle kurdugu simbiyotik iliski, Ada'yi merkez alan onemli tarihsel olaylari siklastirir. Boylece sakin bir balikci yerlesimi kimliginden siyrilarak ideal bir surgun yerine, aktif siyasetten dislananlarin zorunlu ya da gonullu ikametgahina, dolayisiyla da bir muhalefet alanina evrilmis ve bu niteligini yuzlerce yil surdurmustur. Buyukada'nin yukselisi, Osmanli Imparatorlugu'nun gerilemesi ve kuresel egemenlik arayisinda meydana gelen dramatik tukenisle es zamanlidir. Yasanan buyuk kulturel ve demografik degisikliklere ragmen, Osmanli modernlesmesinin 19. yuzyilin ortalarindan itibaren goz alici yansimasi ve vitrini olmustur. Kirim Savasi'ndan 1930'lara kadar yasanan toplumsal calkantilara, sonuna gelindigi herkesce malum degerler sistemiyle gelecegin bilinmezligi karsisinda duyulan endiselere ve yasanan gerilimlerle ihtilaflara inat bir huzur ve keyif mekani goruntusu verir. Surgunlerin once varis, sonra cikis noktasi olmustur. Moris Danon tarafindan bir araya getirilen, buyuk kismi 19. yuzyilin ortalarindan 20. yuzyilin ikinci ceyregine uzanan fotograflar, el yazmalari, ithafli ilk baskilar gibi farkli parcalarin ortak noktasi Buyukada'ya ait olmalaridir. Ada'nin cazibesini merkeze alan gundelik yasam goruntuleri, fiziki ayrismisligi sayesinde devlet kontrolunden ve resmi protokolden gorece bagimsiz, ayricalikli bir dunyanin musterek bellegini yansitir. Buyuk olcude Adasiz yazilmis kent tarihini telafi etme denemesinden ibaret olan BUYUKADA: Moris Danon Koleksiyonu, yuzyillar, imparatorluklar, milletler ve en onemlisi insanlar arasindaki iliskileri sasirtici bicimde yeniden tanimlama gucundeki Ada ruhunu anlamak ve anlatmak amaciyla yazilmis.

Hardcover. Etat : New. BUKE, URAS Balyanlar: Osmanli mimarligi ve Balyan Arsivi. Istanbul: Korpus Yayinlari, 2021. 4to., 352 p., color and b/w ills. Printed to 600 copies. Original cloth binding. New ISBN: 9786055495664 CATALOG: Architecture & Urban studies KEYWORDS: Ottoman architecture Ottoman culture Armenians Istanbul - Constantinople Architecture 352 sayfa, ozel kagida sinirli sayida baskili (600 adet), sert kapakli olarak hazirlanan kitap, onemli buyuk boy resimlerin detayli gorulebilmesi amaciyla ikili, uclu ve dortlu kulakli sayfalar halinde okuyucuyla bulusturulmustur. Balyan ailesine ait portre fotograflari, uluslararasi arsivlerden belgeler, muhurler ve birbirinden degerli planlar, kesitler ve cephe gorunusleri ile 158 nadir fotograf icermektedir. ONSOZ Balyan Mimarlik Arsivi'ne Bakmak / Arsen Yarman Balyan Ailesi ve Imparatorluk Mimarlarina Saygiyla / HAYCAR - Hayrat Canlandiran ve Arastiran Mimar ve Muhendisler Dernegi Balyanlar'i Hatirlamak / Kevork Ozkaragoz BASLARKEN 1. Bolum / BALYAN MIMARLIK ARSIVI Islevden Ote: Mit ve Onyargilarla Balyan Mimarligi Balyan Arsivi: Bellegin Istifi, Tasnifin Seruveni Mimar Balyanlar 2. Bolum / BALYAN AILESI: KISISEL TARIHLER Balyan Ailesi ve Kokeni Krikor Bal(i)yan (1764-1831) ve Aile Atolyesinin Dogusu Senekerim Balyan (1768-1833) Son Amira Mimar Garabed Balyan (1800-1866) Garabed Balyan'in Cocuklarinin Egitimi Genc Deha Nigogos Balyan (1826-1858) Mimar, Muhendis ve Cok Yonlu Tanzimat Eliti Sarkis Balyan (1831-1899) Buyuk Haminin Olumu, Donusen Talih ve Balyan Atolyesinin Son Donemi Muhendis-Mekanisyen ve Mucit Olarak Sarkis Balyan Sanat Hamisi, Entelektuel Mimar Hagop Balyan (1837-1875) Cizim Ustasi, Ebniye Ressami Simon Balyan (1846-1894) Balyan Atolyesinin Son Mimari, Levon Balyan (1855-1925) 3. Bolum /BALYAN MIMARLIGI VE TEMSILLERI Imparatorluk Saraylari ve Buyuk Santiyelerin Organizasyonu: Santiyelerin Sessizligi Terakki Iddiasi ve Gorsel Muzakere Olarak Sarkis Balyan Mimarligi Temsilinde Fotograf Mimarin Portresi 4. Bolum / TANZIMAT DONEMINDE BALYAN MIMARLIGI Zamani ve Cografyayi Asmak: Balyan Eklektisizminin Cogul Kaynaklari Balyan Atolyesi Onculugunde Tanzimat Mimarliginda Neo-Gotik Unsurlar Ansiklopedik Kaynak Olarak Tarih Esitlikci Bir Talep: Ciragan ve Beylerbeyi Saraylarinda Etkilenimler Milli Uslup Arayisinda Yeni Metodolojiler ve Osmanli Ronesansi Hassa Mimarindan Saray-i Humayûn Kalfasina: Tanzimat Donemi Mimari Orgutlenmesinde Mimarin Konumu 5. Bolum / BALYAN ARSIVI KATALOGU TANZIMAT DONEMINDE OSMANLI SARAY VE KONUT MIMARLIGI Bogaz Kiyilarinda Hanedan Saraylari Sultan II. Mahmud'un Ciragan Sarayi Tanzimat Saraylarinin Mutlak Modeli: Dolmabahce Eski Sarayin Yeni Komplekse Dahil Edildigi Tasarim Modeli: Beylerbeyi Nigogos Balyan'in Yeni Ciragan Sarayi icin Cephe Onerisi ve Horror Vacui Sarkis ve Hagop Balyan'in Yeni Ciragan Sarayi icin Dogulu, Polikrom Cephe Onerileri Yeni Ciragan Sarayi Ciragan'dan Fer'iye Saraylarina Anitsal Sahil Hatti Sarkis Balyan'in Yildiz Sarayi Buyuk Mabeyn Kosku Genisletme Projesi Balyanlar ve Tanzimat Doneminde Imparatorluk Solenleri Balyan Arsivi'nde Antoine Bourgeois'ya ait bir Proje Ideal Planin Pesinde: Kosk ve Kasir Tasarimlari Kabatas Esma Sultan Konagi Balyan Mimarliginda bir Istisna Olarak Orta Sinifa Yonelik Konut Tasarimlari IMPARATORLUK ICIN DEKORASYON 19. Yuzyil Osmanli Saraylari Dekorasyonu Paris, Nubar Kutuphanesi'nde Bulunan "Serkis Bey"e ait Perspektif Cizimleri Balyan Arsivi'nde Paris Kokenli Mobilya, Avize ve Mefrusat Tasarimlari Kavramsal bir Devsirme: Ciragan Sarayi Sedefli Kapilarinin Yildiz Sale Kosku Ziyafet Salonunda Yeniden Kullanimi OSMANLI DIPLOMASISININ YENI MEKANLARI Sarkis Balyan'in Meclis-i Mebusan Duzenlemesi Sarkis Balyan'in 1878 Yangini Sonrasi Bab-i Ali Plan Onerileri DINI YAPILAR Tanzimat Donemi Camileri ve Balyanlar'in Katkisi Sarkis Balyan'in Dort Minareli Selatin Cami Tasarimi: Aziziye Camisi Balyan Arsivi'nde Yer Alan Ikinci Cami Cizim Grubu Payitaht ile Dogu Arasinda Kilis.

Soft cover. Etat : New. 1st Edition. 400 p. 24x34 cm. Heroes or military geniuses do not explain the history of Büyükada. Conversely, the people who shaped its history are the exiles, the dissidents and the losers. Its location next to Istanbul has brought the Island to the international scene many times throughout history. Thus, by shedding its identity as a quiet fishing settlement, it evolved into an ideal place of exile, a forced or voluntary residence of those excluded from active politics, and therefore into an area of opposition, and it maintained this quality for hundreds of years. The shared elements among many items, especialy form the second quarter of the 19th century to the middle of 20th century, that are brought together in the Moris Danon Colection including photographs, manuscripts, and dedicated first editions. Images of daily life centering on the Island s charm reflect the collective memory of a privileged world that is relatively independent from state control and official protocol thanks to its physical separation. BÜYÜKADA: Moris Danon Collection, which is largely an attempt to compensate for the city history written without islands, was penned to understand and explain the Island spirit, which has the power to surprisingly redefine the relations between centuries, empires, nations and most importantly, people.

Soft cover. Etat : New. URAS, BUKE Buyukada. The Moris Danon Collection. Istanbul: Yapi Kredi Yayinlari, 2023. 4to., 400 p., color and b/w ills. Paperback. New ISBN: 9789750859205 CATALOG: Istanbul / Constantinople KEYWORDS: Prinkipo - Buyukada Istanbul - Constantinople Collection Heroes or military geniuses do not explain the history of Buyukada. Conversely, the people who shaped its history are the exiles, the dissidents and the losers. Its location next to Istanbul has brought the Island to the international scene many times throughout history. Thus, by shedding its identity as a quiet fishing settlement, it evolved into an ideal place of exile, a forced or voluntary residence of those excluded from active politics, and therefore into an area of opposition, and it maintained this quality for hundreds of years. The shared elements among many items, especialy form the second quarter of the 19th century to the middle of 20th century, that are brought together in the Moris Danon Colection including photographs, manuscripts, and dedicated first editions. Images of daily life centering on the Island's charm reflect the collective memory of a privileged world that is relatively independent from state control and official protocol thanks to its physical separation. BUYUKADA: Moris Danon Collection, which is largely an attempt to compensate for the city history written without islands, was penned to understand and explain the Island spirit, which has the power to surprisingly redefine the relations between centuries, empires, nations and most importantly, people.

Hardcover. Etat : New. Hardcover, limited. 26 x 31 cm. 352 p. English version. FOREWORD Looking into the Balyan Architecture Archive / Arsen Yarman With Respect to the Balyan Family and Imperial Architects HAYCAR ? Solidarity Association of Architects and Engineers for the Revitalization and Research of Cultural Assets Remembering the Balyans / Kevork Özkaragöz PROLOGUE Chapter 1 BALYAN ARCHITECTURE ARCHIVE Beyond Function: Balyan Architecture with Myths and Prejudices Balyan Archive: Pile of Memories and Journey of Classification Architect Balyans Chapter 2 BALYAN FAMILY: PERSONAL HISTORIES Balyan Family and Its Origins Krikor Bal(i)yan (1764-1831) and the Birth of a Family Practice Senekerim Balyan (1768-1833) The Last Amira Architect Garabed Balyan (1800-1866) Education of Garabed Balyan s Children A Young Genius: Nigo?os Balyan (1826-1858) Architect, Engineer and Versatile Tanzimat Elite Sarkis Balyan (1831-1899) Death of the Great Patron, Stroke of Fate and Final Period of Balyan Practice Sarkis Balyan as an Engineer-Mechanician and Inventor Art Patron and Intellectual Architect: Hagop Balyan (1837-1875) A Drawing Master and Imperial Draughtsman: Simon Balyan (1846-1894) Last Architect of the Balyan Practice: Levon Balyan (1855-1925) Chapter 3 BALYAN ARCHITECTURE AND ITS REPRESENTATIONS Imperial Palaces and Organization of Large Scale Construction Sites: Silence of the Construction Sites A Pledge of Progress and a Visual Negotiation: Photography in the Representation of Sarkis Balyan s Architecture Portrait of the Architect Chapter 4 BALYAN ARCHITECTURE IN THE TANZ?MAT ERA Beyond Time and Geography: Multiple Sources of Balyan Eclecticism Balyan Practice as a Pioneer of Neo-Gothic Elements in Tanzimat Architecture History as an Encyclopedic Source An Egalitarian Demand: Influences on Ç?ra?an and Beylerbeyi Palaces New Methodologies in the Search of a National Style and Ottoman Renaissance From Imperial Architect to Imperial Palace Master Builder: The Position of Architect in the Architectural Organization of Tanzimat Period Chapter 5 BALYAN ARCHIVE CATALOGUE Ottoman Palace and Residential Architecture in the Tanzimat Era Imperial Palaces on the Banks of Bosphorus The Ç?ra?an Palace of Sultan Mahmud II Dolmabahçe: The Absolute Model of Tanzimat Palaces The Design Model Integrating the Old Palace into the New Complex: Beylerbeyi Nigo?os Balyan s Facade Proposal for the New Ç?ra?an Palace and Horror Vacui Sarkis and Hagop Balyan s Eastern, Polychrome Facade Proposals for the New Ç?ra?an Palace The New Ç?ra?an Palace Monumental Coastal Line from Ç?ra?an to Fer iye Palaces Sarkis Balyan s Expansion Project for Y?ld?z Palace Büyük Mabeyn Kiosk The Balyans and Imperial Feasts in the Tanzimat Period A Project by Antoine Bourgeois in the Balyan Archive In the Pursuit of an Ideal Plan: Kiosk and Pavilion Designs Kabata? Esma Sultan Mansion An Exception of Balyan Architecture: Middle Class Housing Designs Decoration for the Empire Decoration of the 19th Century Ottoman Palaces Perspective Drawings by Serkis Bey in the Nubar Library, Paris Parisian Furniture, Chandelier and Furniture Designs in the Balyan Archive A Conceptual Spolia: Re-use of Ç?ra?an Palace s Mother-of-Pearl Inlaid Doors in Y?ld?z ?ale Kiosk s Dining Hall New Spaces of the Ottoman Diplomacy Sarkis Balyan s Reorganization for Chamber of Deputies Sarkis Balyan s Bâb-? Âli Building Plan Proposals After the 1878 Fire Religious Buildings Tanzimat Period Mosques and Contributions of the Balyans Sarkis Balyan s Four-Minaret Selâtin Mosque Design: Aziziye Mosque The Second Set of Mosque Drawings in the Balyan Archive Church Designs Between the Imperial Capital and the East New Spaces of the Public Life Sarkis Balyan s Display Plan for the Collection of Antique Weapons at Hagia Irene Education Buildings Sarkis Balyan s Galatasaray Imperial High School Plan The Hospital Proje.

Hardcover. Etat : New. URAS, BUKE Buyukada. Moris Danon Koleksiyonu. [HARDCOVER]. Istanbul: Yapi Kredi Yayinlari, 2023. 4to., 400 p., color and b/w ills. Original binding. In the original slip case. New ISBN: 9789750859199 CATALOG: Istanbul / Constantinople KEYWORDS: Prinkipo - Buyukada Istanbul - Constantinople Collection Buyukada tarihi, kahramanlar ya da askeri dehalar tarafindan ortaya konmaz. Tersine, tarihine yon verenler surgunler, muhalifler ve kaybedenlerdir. Istanbul'un yani basindaki konumu, Ada'yi tarih boyunca pek cok kez dunya sahnesine cikarmistir. Imparatorluk baskentiyle kurdugu simbiyotik iliski, Ada'yi merkez alan onemli tarihsel olaylari siklastirir. Boylece sakin bir balikci yerlesimi kimliginden siyrilarak ideal bir surgun yerine, aktif siyasetten dislananlarin zorunlu ya da gonullu ikametgahina, dolayisiyla da bir muhalefet alanina evrilmis ve bu niteligini yuzlerce yil surdurmustur. Buyukada'nin yukselisi, Osmanli Imparatorlugu'nun gerilemesi ve kuresel egemenlik arayisinda meydana gelen dramatik tukenisle es zamanlidir. Yasanan buyuk kulturel ve demografik degisikliklere ragmen, Osmanli modernlesmesinin 19. yuzyilin ortalarindan itibaren goz alici yansimasi ve vitrini olmustur. Kirim Savasi'ndan 1930'lara kadar yasanan toplumsal calkantilara, sonuna gelindigi herkesce malum degerler sistemiyle gelecegin bilinmezligi karsisinda duyulan endiselere ve yasanan gerilimlerle ihtilaflara inat bir huzur ve keyif mekani goruntusu verir. Surgunlerin once varis, sonra cikis noktasi olmustur. Moris Danon tarafindan bir araya getirilen, buyuk kismi 19. yuzyilin ortalarindan 20. yuzyilin ikinci ceyregine uzanan fotograflar, el yazmalari, ithafli ilk baskilar gibi farkli parcalarin ortak noktasi Buyukada'ya ait olmalaridir. Ada'nin cazibesini merkeze alan gundelik yasam goruntuleri, fiziki ayrismisligi sayesinde devlet kontrolunden ve resmi protokolden gorece bagimsiz, ayricalikli bir dunyanin musterek bellegini yansitir. Buyuk olcude Adasiz yazilmis kent tarihini telafi etme denemesinden ibaret olan BUYUKADA: Moris Danon Koleksiyonu, yuzyillar, imparatorluklar, milletler ve en onemlisi insanlar arasindaki iliskileri sasirtici bicimde yeniden tanimlama gucundeki Ada ruhunu anlamak ve anlatmak amaciyla yazilmis.

Hardcover. Etat : New. BUKE, URAS The Balyans: Ottoman Architecture and Balyan Archive. Istanbul: Korpus Yayinlari, 2021. 4to., 352 p., color and b/w ills. Printed to 600 copies. Original binding. New ISBN: 9786055495671 CATALOG: Architecture & Urban studies KEYWORDS: Ottoman architecture Ottoman culture Armenians Istanbul - Constantinople Architecture FOREWORD Looking into the Balyan Architecture Archive / Arsen Yarman With Respect to the Balyan Family and Imperial Architects HAYCAR - Solidarity Association of Architects and Engineers for the Revitalization and Research of Cultural Assets Remembering the Balyans / Kevork Ozkaragoz PROLOGUE Chapter 1 BALYAN ARCHITECTURE ARCHIVE Beyond Function: Balyan Architecture with Myths and Prejudices Balyan Archive: Pile of Memories and Journey of Classification Architect Balyans Chapter 2 BALYAN FAMILY: PERSONAL HISTORIES Balyan Family and Its Origins Krikor Bal(i)yan (1764-1831) and the Birth of a Family Practice Senekerim Balyan (1768-1833) The Last Amira Architect Garabed Balyan (1800-1866) Education of Garabed Balyan's Children A Young Genius: Nigogos Balyan (1826-1858) Architect, Engineer and Versatile Tanzimat Elite Sarkis Balyan (1831-1899) Death of the Great Patron, Stroke of Fate and Final Period of Balyan Practice Sarkis Balyan as an Engineer-Mechanician and Inventor Art Patron and Intellectual Architect: Hagop Balyan (1837-1875) A Drawing Master and Imperial Draughtsman: Simon Balyan (1846-1894) Last Architect of the Balyan Practice: Levon Balyan (1855-1925) Chapter 3 BALYAN ARCHITECTURE AND ITS REPRESENTATIONS Imperial Palaces and Organization of Large Scale Construction Sites: Silence of the Construction Sites A Pledge of Progress and a Visual Negotiation: Photography in the Representation of Sarkis Balyan's Architecture Portrait of the Architect Chapter 4 BALYAN ARCHITECTURE IN THE TANZIMAT ERA Beyond Time and Geography: Multiple Sources of Balyan Eclecticism Balyan Practice as a Pioneer of Neo-Gothic Elements in Tanzimat Architecture History as an Encyclopedic Source An Egalitarian Demand: Influences on Ciragan and Beylerbeyi Palaces New Methodologies in the Search of a National Style and Ottoman Renaissance From Imperial Architect to Imperial Palace Master Builder: The Position of Architect in the Architectural Organization of Tanzimat Period Chapter 5 BALYAN ARCHIVE CATALOGUE Ottoman Palace and Residential Architecture in the Tanzimat Era Imperial Palaces on the Banks of Bosphorus The Ciragan Palace of Sultan Mahmud II Dolmabahce: The Absolute Model of Tanzimat Palaces The Design Model Integrating the Old Palace into the New Complex: Beylerbeyi Nigogos Balyan's Facade Proposal for the New Ciragan Palace and Horror Vacui Sarkis and Hagop Balyan's Eastern, Polychrome Facade Proposals for the New Ciragan Palace The New Ciragan Palace Monumental Coastal Line from Ciragan to Fer'iye Palaces Sarkis Balyan's Expansion Project for Yildiz Palace Buyuk Mabeyn Kiosk The Balyans and Imperial Feasts in the Tanzimat Period A Project by Antoine Bourgeois in the Balyan Archive In the Pursuit of an Ideal Plan: Kiosk and Pavilion Designs Kabatas Esma Sultan Mansion An Exception of Balyan Architecture: Middle Class Housing Designs Decoration for the Empire Decoration of the 19th Century Ottoman Palaces Perspective Drawings by "Serkis Bey" in the Nubar Library, Paris Parisian Furniture, Chandelier and Furniture Designs in the Balyan Archive A Conceptual Spolia: Re-use of Ciragan Palace's Mother-of-Pearl Inlaid Doors in Yildiz Sale Kiosk's Dining Hall New Spaces of the Ottoman Diplomacy Sarkis Balyan's Reorganization for Chamber of Deputies Sarkis Balyan's Bab-i Ali Building Plan Proposals After the 1878 Fire Religious Buildings Tanzimat Period Mosques and Contributions of the Balyans Sarkis Balyan's Four-Minaret Selatin Mosque Design: Aziziye Mosque The Second Set of Mosque Drawings in the Balyan Archive Church Designs Between the Imperial Capital and the East New Spaces of.

Etat : New. History of Büyükada through photos, documents, memorabilia. 24x34 cm.Heroes ormilitary geniuses do not explain the history of Büyükada. Conversely, thepeople who shaped its history are the exiles, the dissidents and the losers.Itslocation next to Istanbul has brought the Island to the international scenemany times throughout history.Thus, byshedding its identity as a quiet fishing settlement, it evolved into an idealplace of exile, a forced or voluntary residence of those excluded from activepolitics, and therefore into an area of opposition, and it maintained thisquality for hundreds of years.The sharedelements among many items, especialy form the second quarter of the 19thcentury to the middle of 20th century, that are brought together in the MorisDanon Colection including photographs, manuscripts, and dedicated firsteditions.Images ofdaily life centering on the Island's charm reflect the collective memory of aprivileged world that is relatively independent from state control and officialprotocol thanks to its physical separation.BÜYÜKADA:Moris Danon Collection, which is largely an attempt to compensate for the cityhistory written without islands, was penned to understand and explain theIsland spirit, which has the power to surprisingly redefine the relationsbetween centuries, empires, nations and most importantly, people. Editors: Translator: 400 pages.

Etat : New. This exhibition celebrates architect Nazimî Yaver Yenal (1904-1987), a unique representative of 20th century Turkish architecture. Based on his exceptional archive that reflects his nearly fifty-year-long career, the exhibition brings light to a typical representative of the Republic generation that epitomized idealist principles. Having spent his adolescence in the final years of the Ottoman Empire, Yenal was trained at the Sanayi-i Nefise Mektebi (School of Fine Arts), particularly under the influence of his teacher Giulio Mongeri's notion of eclecticism and graduated valedictorian from the school. Shaped by the consecutive competitions he won, his career evolved through the experience he gained in Paris and Berlin, where he was sent on a state scholarship, extended as part of the cultural policies of the early Republic years. He thrived and matured during the years he spent as an instructor at the Academy of Fine Arts, as he grew close to a handful of avant-garde German architects that ended up together in Istanbul through extraordinary political conditions. Described in his letters as being "much ahead" by Sedad Hakki Eldem even in his student years, Yenal had talent beyond question and a career in architecture that set off quite successfully at first. Despite all that, virtually none of his designs were actually constructed. His unexecuted designs and the hopes he had created relate a powerful tale along with the disappointments and the reasons behind never being able to bring his creations to fruition. Eventually falling out of the official architectural discourse and forgotten in time, Yenal created for himself an alternative realm of architectural production comprised solely of drawings. The massive archive he created of his drawings was first preserved at his private room at the Academy and later in his house following retirement. After his death, it was dispersed. Nazimî Yaver's depictive fantasies and drawings are in flawless command of both the repertoire of classical architecture and modernism; they correspond to imaginary designs entirely free of the factors associated with construction and derive their strength from this freedom. His unconstructed and unshared designs privatize architecture, a public domain of art. Shaped by imagination, the Yenal aesthetic is inevitably defined in connection with personal codes. In providing a real understanding of Yenal's drawings, this subjectivity forces us to read not only into the designs, but their creator as well. With his avant-garde sketches remaining only on paper, Nazimî Yaver Yenal is perhaps the most important "paper architect" of Turkish architecture from the Republic era. Editors: Translator: 240 pages.

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. 4to., 352 p., color and b/w ills. Printed to special paper 600 copies. Original cloth binding. In order to see important large-size pictures in detail, they are presented to the reader as double, triple and quadruple-eared pages. It includes portrait photographs of the Balyan family, documents from international archives, seals and valuable plans, sections and 158 rare photographs with facade views.

Soft cover. Etat : New. 1st Edition. 400 p. 24 x 34 cm. Büyükada tarihi, kahramanlar ya da askeri dehalar tarafindan ortaya konmaz. Tersine, tarihine yön verenler sürgünler, muhalifler ve kaybedenlerdir. Istanbul un yani basindaki konumu, Ada yi tarih boyunca pek çok kez dünya sahnesine cikarmistir. Imparatorluk baskentiyle kurdugu simbiyotik iliski, Ada yi merkez alan önemli tarihsel olaylari siklastirir. Böylece sakin bir balikci yerlesimi kimliginden siyrilarak ideal bir sürgün yerine, aktif siyasetten dislananlarin zorunlu ya da gönüllü ikametgâhina, dolayisiyla da bir muhalefet alanina evrilmis ve bu niteligini yüzlerce yil sürdürmüstür. Büyükada nin yükselisi, Osmanli Imparatorlugu nun gerilemesi ve küresel egemenlik arayisinda meydana gelen dramatik tükenisle es zamanlidir. Yasanan büyük kültürel ve demografik degisikliklere ragmen, Osmanli modernlesmesinin 19. yüzyilin ortalarindan itibaren göz alici yansimasi ve vitrini olmustur. Kirim Savasi ndan 1930 lara kadar yasanan toplumsal calkantilara, sonuna gelindigi herkesce malum degerler sistemiyle gelecegin bilinmezligi karsisinda duyulan endiselere ve yasanan gerilimlerle ihtilaflara inat bir huzur ve keyif mekani görüntüsü verir. Sürgünlerin önce varis, sonra çikis noktasi olmustur. Moris Danon tarafindan bir araya getirilen, büyük kismi 19. yüzyilin ortalarindan 20. yüzyilin ikinci ceyregine uzanan fotograflar, el yazmalari, ithafli ilk baskilar gibi farkli parcalarin ortak noktasi Büyükada ya ait olmalaridir. Ada nin cazibesini merkeze alan gündelik yasam görüntüleri, fiziki ayrismisligi sayesinde devlet kontrolünden ve resmi protokolden görece bagimsiz, ayricalikli bir dünyanin müsterek bellegini yansitir. Büyük ölcüde Adasiz yazilmis kent tarihini telafi etme denemesinden ibaret olan BUYUKADA: Moris Danon Koleksiyonu , yüzyillar, imparatorluklar, milletler ve en önemlisi insanlar arasindaki iliskileri sasirtici bicimde yeniden tanimlama gücündeki Ada ruhunu anlamak ve anlatmak amaciyla yazilmis.

Etat : New. Editors: Translator: 400 pages.

Hardcover. Etat : New. 1st Edition. 400 p. 24 x 34 cm. Hardcover, in a slipcase. Büyükada tarihi, kahramanlar ya da askeri dehalar tarafindan ortaya konmaz. Tersine, tarihine yön verenler sürgünler, muhalifler ve kaybedenlerdir. Istanbul un yani basindaki konumu, Ada yi tarih boyunca pek çok kez dünya sahnesine cikarmistir. Imparatorluk baskentiyle kurdugu simbiyotik iliski, Ada yi merkez alan önemli tarihsel olaylari siklastirir. Böylece sakin bir balikci yerlesimi kimliginden siyrilarak ideal bir sürgün yerine, aktif siyasetten dislananlarin zorunlu ya da gönüllü ikametgâhina, dolayisiyla da bir muhalefet alanina evrilmis ve bu niteligini yüzlerce yil sürdürmüstür. Büyükada nin yükselisi, Osmanli Imparatorlugu nun gerilemesi ve küresel egemenlik arayisinda meydana gelen dramatik tükenisle es zamanlidir. Yasanan büyük kültürel ve demografik degisikliklere ragmen, Osmanli modernlesmesinin 19. yüzyilin ortalarindan itibaren göz alici yansimasi ve vitrini olmustur. Kirim Savasi ndan 1930 lara kadar yasanan toplumsal calkantilara, sonuna gelindigi herkesce malum degerler sistemiyle gelecegin bilinmezligi karsisinda duyulan endiselere ve yasanan gerilimlerle ihtilaflara inat bir huzur ve keyif mekani görüntüsü verir. Sürgünlerin önce varis, sonra çikis noktasi olmustur. Moris Danon tarafindan bir araya getirilen, büyük kismi 19. yüzyilin ortalarindan 20. yüzyilin ikinci ceyregine uzanan fotograflar, el yazmalari, ithafli ilk baskilar gibi farkli parcalarin ortak noktasi Büyükada ya ait olmalaridir. Ada nin cazibesini merkeze alan gündelik yasam görüntüleri, fiziki ayrismisligi sayesinde devlet kontrolünden ve resmi protokolden görece bagimsiz, ayricalikli bir dünyanin müsterek bellegini yansitir. Büyük ölcüde Adasiz yazilmis kent tarihini telafi etme denemesinden ibaret olan BUYUKADA: Moris Danon Koleksiyonu , yüzyillar, imparatorluklar, milletler ve en önemlisi insanlar arasindaki iliskileri sasirtici bicimde yeniden tanimlama gücündeki Ada ruhunu anlamak ve anlatmak amaciyla yazilmis.

Etat : New. 26x31cm / 2,5 kg. HB Editors: Translator: pages.