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Etat : New. Brand New.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Etat : New. 1st.

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

hardcover. Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : new.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New. Examines the visual arts within the Portuguese empire between the sixteenth and eighteenth centuries. With a focus on the appropriation of Portuguese-Christian art within the colonies, this book looks at how these and other objects could be staged to generate layers of meaning. Num Pages: 384 pages, 60 colour plates, 120 halftones. BIC Classification: 1DSP; 3JB; 3JD; 3JF; ACN; ACQ. Category: (G) General (US: Trade). Dimension: 245 x 167 x 25. Weight in Grams: 814. . 2017. Illustrated. Hardcover. . . . .…

Etat : New.

Etat : Sehr gut. 304 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 800.

Buch. Etat : Neu. Neuware -In this volume, we follow the coat of arms into situations and zones of contact. Since inception, communication has been in the very nature of the heraldic phenomenon. Hence its remarkable ability to adapt to the circumstances that, from the 15th century onwards, brought populations from all over the world into contact. Our overarching question serves as an attempt to learn more about the modalities of negotiation in contact zones. To what extent were local actors able to develop their own attitude towards invasive and invading colonizers and missionaries by adopting and transforming the European image form of the coat of arms This departure point leads even further: to think of heraldic emblems as a visual instrument capable of establishing communication not only between different cultures, but also between different eras, and even between the human and divine spheres. The book's interdisciplinarity, the temporal breadth of the collected case studies, and the variety of methodological approaches reflect the dynamism and diversity of the topic itself. 216 pp. Englisch.…

Buch. Etat : Neu. Neuware -In this volume, we follow the coat of arms into situations and zones of contact. Since inception, communication has been in the very nature of the heraldic phenomenon. Hence its remarkable ability to adapt to the circumstances that, from the 15th century onwards, brought populations from all over the world into contact. Our overarching question serves as an attempt to learn more about the modalities of negotiation in contact zones. To what extent were local actors able to develop their own attitude towards invasive and invading colonizers and missionaries by adopting and transforming the European image form of the coat of arms This departure point leads even further: to think of heraldic emblems as a visual instrument capable of establishing communication not only between different cultures, but also between different eras, and even between the human and divine spheres. The book's interdisciplinarity, the temporal breadth of the collected case studies, and the variety of methodological approaches reflect the dynamism and diversity of the topic itself. 216 pp. Englisch.…

Hardcover. Etat : Brand New. 216 pages. 9.45x6.50x9.41 inches. In Stock.

Etat : As New. Unread book in perfect condition.

Buch. Etat : Neu. Neuware -In this volume, we follow the coat of arms into situations and zones of contact. Since inception, communication has been in the very nature of the heraldic phenomenon. Hence its remarkable ability to adapt to the circumstances that, from the 15th century onwards, brought populations from all over the world into contact. Our overarching question serves as an attempt to learn more about the modalities of negotiation in contact zones. To what extent were local actors able to develop their own attitude towards invasive and invading colonizers and missionaries by adopting and transforming the European image form of the coat of arms This departure point leads even further: to think of heraldic emblems as a visual instrument capable of establishing communication not only between different cultures, but also between different eras, and even between the human and divine spheres. The book¿s interdisciplinarity, the temporal breadth of the collected case studies, and the variety of methodological approaches reflect the dynamism and diversity of the topic itself.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : As New. Unread book in perfect condition.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. Brand New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Hardback. Etat : New. Images play a key role in political communication and the ways we come to understand the power structures that shape society. Nowhere is this more evident than in the process of empire building, in which visual language has long been a highly effective means of overpowering another culture with one's own values and beliefs. Visualizing Portuguese Power examines the visual arts within the Portuguese empire between the sixteenth and eighteenth centuries. With a focus on the appropriation of Portuguese-Christian art within the colonies, the book looks at how these and other objects could be staged to generate new layers of meaning.…

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : New.

Buch. Etat : Neu. Neuware - The invention of depicting figures participating in an event - nameless bystanders, beholders, and onlookers - marks an important change in the ways artists addressed the beholder of the artworks themselves. This shift speaks to a significant transformation of the relationship between images and their audience. The public in the picture acts as mediator between times, persons, and contents. The contributions of this volume describe this moment from a diachronic and transcultural perspective, while each of them focuses on a specific group of works revealing a new moment in this history. They explore the cultural contexts of the political and religious public, and relate the rise of the public in the picture to the rise of perspectival representation (Panofsky's space-box and Kemp's Chronotopos).; Das Auftauchen von Figuren, die an einem dargestellten Ereignis partizipieren, die man jedoch nicht mit Namen benennen kann, zeugt von einem Wandel im Verhältnis zwischen Bildern und ihren Betrachtern. Diese Betrachterfiguren agieren als Vermittler zwischen Zeiten, Personen und Inhalten. So schart sich auf den sogenannten 'volkreichen' Kalvarienbergen Publikum um Maria, die Apostel, Longinus und die Schergen; an Grabmälern sind Trauernde zu sehen und auf Kanzelreliefs richten Einzelpersonen ihren Blick auf den Betrachter; auf byzantinischen Darstellungen des Marientodes sowie dann bei Duccio und Giotto folgen Trauernde dem Sarkophag der toten Maria. Während es bereits relativ früh die 'Anderen' gab, z.B. als Gruppen von Fremden, Armen, Kranken, Andersgläubigen oder Feinden, gehören die Figuren der Betrachter zunehmend der Gemeinschaft der zentralen Protagonisten im Bild an. Diese Figuren fördern nicht nur die Aufmerksamkeit für das Ereignis im Bild und überbrücken Zeitdifferenzen, sie fordern auch selbst Aufmerksamkeit ein. Inwieweit lassen diese Erweiterungen des Personals, das die Protagonisten begleitet, Rückschlüsse auf veränderte Bedingungen in der Welt außerhalb des Bildes zu Der vorliegende Band möchte diese Veränderung aus der Perspektive des westlichen Mittelalters, der byzantinischen Kunst, der islamischen Kunst und auch mit Blick auf ihre Vor- und Nachgeschichte diskutieren.…