Valerio william (64 résultats)

Soft cover. Etat : Very Good. Binding sound, text clean, light shelfwear. 44 page, oversize, color illustrated exhibition catalogue. Book.

First Edition. First edition. Softcover. 64 pages. Exhibition catalog with an essay on each artist respectively Mary Matthews Gedo on Conger, Michelle Vishny on Paschke and John Arthur on Valerio. Illustrated throughout with most in color. A clean very near fine copy in wrappers.

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

hardcover. Etat : Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Hardcover. Etat : Very Good. Anniversary. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Etat : New.

Soft cover. Etat : As New. 1st Edition. Stiff color pictorial wraps. As issued. 2013 exhibition catalog. 1st ed. 32 pp., illus. Size: 4to - over 9¾" - 12" tall. Book.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. Large 4to softbound volume small corner bump lower left else near fine condition. 180 pages with no markings.

Trade Paperback. Etat : Fine. 1st Edition. Large paperback exhibition catalogue in excellent condition, no remarkable flaws to this clean, attractive copy, "Woodmere contracts with outside conservators on an as-needed basis and in working on this exhibition, paper conservator Corine McHugh and paper conservator Steven B. Erisoty have earned special mention for generously stepping up to this project with personal investment in making Biddle's work look its best for this first comprehensive presentation of his career in many decades" ; 84 pages.…

Soft cover. Etat : Fine. 1st Edition. Stiff color pictorial wraps. As issued. 2012 exhibition catalog. 1st ed. 64 pp., illus., with erratum letter laid in. Size: 4to - over 9¾" - 12" tall. Book.

Hardback. Etat : Very Good. This retrospective catalogue presents the first comprehensive resource on Syd Carpenter (b. 1953), a nationally recognized Philadelphia-based ceramic artist Syd Carpenter (b. 1953) is a nationally recognized, Philadelphia-based ceramic artist whose work gives sculptural form to African American farming and gardening traditions. Drawing inspiration from farms, gardens, and the tools and landscapes that sustain them, she transforms clay into abstracted, biomorphic structures that evoke both the natural world and the histories of the people who have shaped it. Carpenter's art honors the resilience of African American agricultural communities while also advancing the expressive possibilities of ceramics, situating her practice at the intersection of craft, cultural memory, and environmental consciousness. This retrospective catalogue, accompanying the first major survey of Carpenter's career, presents the full scope of her achievement. Featuring more than one hundred color reproductions of ceramic sculptures as well as garden projects, it documents the evolution of her visual language over four decades. Essays by leading scholars explore Carpenter's engagement with African American material culture, the legacies of land stewardship, and the broader histories of contemporary craft and sculpture, including Carpenter's mutually supportive relationships within a network of Black and women artists. The volume provides the first comprehensive resource on Carpenter's art, establishing her significance as a major voice in American ceramics and illuminating the enduring cultural resonances of her vision.…

Softcover, 180 pages,very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover. Etat : new. Hardcover. This retrospective catalogue presents the first comprehensive resource on Syd Carpenter (b. 1953), a nationally recognized Philadelphia-based ceramic artistSyd Carpenter (b. 1953) is a nationally recognized, Philadelphia-based ceramic artist whose work gives sculptural form to African American farming and gardening traditions. Drawing inspiration from farms, gardens, and the tools and landscapes that sustain them, she transforms clay into abstracted, biomorphic structures that evoke both the natural world and the histories of the people who have shaped it. Carpenter's art honors the resilience of African American agricultural communities while also advancing the expressive possibilities of ceramics, situating her practice at the intersection of craft, cultural memory, and environmental consciousness.This retrospective catalogue, accompanying the first major survey of Carpenter's career, presents the full scope of her achievement. Featuring more than one hundred color reproductions of ceramic sculptures as well as garden projects, it documents the evolution of her visual language over four decades. Essays by leading scholars explore Carpenter's engagement with African American material culture, the legacies of land stewardship, and the broader histories of contemporary craft and sculpture, including Carpenter's mutually supportive relationships within a network of Black and women artists. The volume provides the first comprehensive resource on Carpenter's art, establishing her significance as a major voice in American ceramics and illuminating the enduring cultural resonances of her vision. Retrospective catalogue highlighting a Philadelphia ceramic artist who transforms clay into organic, biomorphic structures inspired by African American farming traditions and resilient landscapes. Spanning four decades, the work is illustrated through vivid images and essays that explore cultural memory and environmental insight. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Etat : Very Good. This retrospective catalogue presents the first comprehensive resource on Syd Carpenter (b. 1953), a nationally recognized Philadelphia-based ceramic artist Syd Carpenter (b. 1953) is a nationally recognized, Philadelphia-based ceramic artist whose work gives sculptural form to African American farming and gardening traditions. Drawing inspiration from farms, gardens, and the tools and landscapes that sustain them, she transforms clay into abstracted, biomorphic structures that evoke both the natural world and the histories of the people who have shaped it. Carpenter's art honors the resilience of African American agricultural communities while also advancing the expressive possibilities of ceramics, situating her practice at the intersection of craft, cultural memory, and environmental consciousness. This retrospective catalogue, accompanying the first major survey of Carpenter's career, presents the full scope of her achievement. Featuring more than one hundred color reproductions of ceramic sculptures as well as garden projects, it documents the evolution of her visual language over four decades. Essays by leading scholars explore Carpenter's engagement with African American material culture, the legacies of land stewardship, and the broader histories of contemporary craft and sculpture, including Carpenter's mutually supportive relationships within a network of Black and women artists. The volume provides the first comprehensive resource on Carpenter's art, establishing her significance as a major voice in American ceramics and illuminating the enduring cultural resonances of her vision.…

Etat : New.

paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Square white wraps with color illustration, gray lettering. 54 pp. Chiefly color illustrations. Catalogue of a February 4-28, 2015 exhibition. As New. Still in shrinkwrap, though is slightly bowed in tight wrapping.

Paperback. Etat : Very Good+. Paperback. Binding sound, text clean, very slight shelfwear. 96-page, oversize, color illustrated exhibition catalogue. Hard-to-find title. Heavy book: priority or international shipping may be extra. Book.

Hardcover. Etat : New. To celebrate the Neue Galerie's twentieth-anniversary year, an exhibition will be presented of selections from the collection of its co-founder. The accompanying book continues with the theme of the tenth anniversary exhibition. Whereas the earlier show and publication focused on pieces from the third century BC to the twentieth century AD from Austria, France, and Germany, this exhibition and book will represent various centuries and media, highlighting Greek and Roman works, and Italian thirteenth- and fourteenth-century gold-ground paintings. Essays by distinguished art historians and curators will reflect on the breadth of these special fields, providing a background for various works, and their incorporation into the collection of the Neue Galerie's co-founder.…

Etat : New.

Soft cover. Etat : As New. 1st Edition. Stiff color pictorial wraps. As issued. 2012 exhibition catalog. 1st ed. 56 pp., illus., with erratum letter laid in. Size: 4to - over 9¾" - 12" tall. Book.

Softcover. Etat : VG. Quarto. Softcover. Color illustrated paper wraps. 56 pages : color illustrations, portraits. Catalogue of an exhibition held at Woodmere Art Museum July 28 - September 30, 2012.

Paperback. Etat : VG. Gray and color-illustrated wraps with white lettering. 32 pp. Color and BW illustrations. Catalogue of an exhibition from April 6 to June 30, 2013.

Softcover. Etat : VG. Shade of gray & illus. wraps, 64 pp., color illus. Issued in conjunction with a 2012 exhibition of artwork by Philadelphia artist Elaine Kurtz (1928-2003), along with work by more than 20 other Philadelphia artists. With an interview of Kurtz's widower Jerome Kurtz, conducted by William R. Valerio, as well as an illustrated essay on the larger topic, also by Valerio. The checklist for Kurtz's portion cites 63 pieces, and most, if not all, are pictured here, though some are small. The larger exhibition includes at least one work per artist. Uncommon.…

Softcover. Etat : As New. Color-illustrated celery wraps. 32 pp. with 24 color illus. and numerous bw photos and illus. Making a Big Impressionism marks the first major exhibition of the work of Raymond Theel (1891?1952). A relatively obscure artist, Theel painted large-scale, impressionistic landscapes of his hometown in Jarrettown, Pennsylvania, and the surrounding area. Tragically, a fire in 1943 destroyed most of his work. Woodmere?s exhibition is a rare opportunity to see the artist?s surviving paintings. Expressive experiments with color, line, and perspective characterize his large depictions of wooded areas. This catalogue is the first publication to present and analyze Theel?s accomplishments. In addition to a detailed artist chronology, the catalogue will reproduce a majority of the known paintings by this enigmatic artist. From the exhibition of July to November 2015.…

Softcover. Etat : VG. Black & color illus. wraps, 32 pp., color illus. Issued in conjunction with a 2013 exhibition of artwork rendered by and collected by Pennsylvania artist Philip Jamison (b. 1925). With an artist interview conducted by William Valerio, a chronology, and many full-color examples of Jamison pieces as well as others he collected. He gifted 84 to the Woodmere Art Museum.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Etat : VG+. White wraps with color illustration and black/green lettering. 180 pp. with color images throughout and color thumbnails of the 71 works in the exhibition. Catalogue from the exhibition of September 18, 2014 to January 25, 2015. "Early in his career, Walter Elmer Schofield (American, 1866-1944) was identified as a leader among the artists who came to be know as the Pennsylvania Impressionsits. He was also a central firgure in the broader phenomenon of American Impressionism. With the word "international" in our title, we call attention to the broad, trans-American and transatlantic nature of Schofield's career"--Foreword. Contents as follows: A great-grandson's acknowledgments -- A conversation with Schofield's family members : with James D.W. Church and Margaret E. Phillips -- A conversation about the artist : with James D.W. Church, Therese Dolan, Thomas Folk, Kathleen A. Foster, Valerie Livingston, Brian Peterson -- A conversation about painting conservation : with Steven B. Erisoty -- Selected chronology -- Works in the exhibition.…

Softcover. Quarto. Softcover. Illustrated wraps. 83 pages : illustrations ; 28 cm. George Biddle (18851973) was a leading American artist whose work engaged with the human condition, in particular the social injustices he encountered in his journeys across the United States and abroad. He served in World War I, was an artist correspondent for Life magazine in World War II, attended the Nuremberg trials, and participated in various federal committees that shaped the politics of twentieth-century American art. Once a schoolmate of President Franklin Delano Roosevelt, Biddle helped form the mural project of the Works Project Administration. Biddle himself created murals for the U.S. Department of Justice Building in Washington, DC, and, as part of an official effort to promote Pan-American progress and cooperation, for the National Library in Rio de Janeiro and the Supreme Court in Mexico City. This exhibition includes some seventy works that explore Biddle's creative engagement with a full spectrum of social change during his lifetime: the cultural resonances of both World Wars, the Russian Revolution, the executions of anarchists Nicola Sacco and Bartolomeo Vanzetti, the Great Depression, the Holocaust, and white supremacy. Biddle was ahead of his time in addressing issues of race, exploitation, and social class, and was a lifelong advocate of the arts as a healing force for a turbulent planet. A prolific author, he argued with figures such as Alfred Barr of New York's Museum of Modern Art, who championed an understanding of modernism in the arts as divorced from socially committed subjects. The exhibition will also showcase important works by Biddle that are recent gifts from his family to Woodmere. VG. Light edge wear, otherwise clean and unmarked.…

hardcover. Etat : New. Special order direct from the distributor.