Walch peter (44 résultats)

Paperback. Etat : Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

paperback. Etat : Very Good. University of New Mexico Press Albuquerque, NM January 1986 VG+.

Soft cover. Etat : Very Fine. 1st Edition. New Mexico ,1986 Softcover with pictorial wraps,185 pages.Illustrated with black and white photos ,line drawings and charts.Condition ,VERY FINE Size: 6"-9" Tall Size: 12mo - over 6¾ - 7¾" tall. Book.

Etat : good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.

Softcover. Etat : Very Good with no dust jacket. Soundly stapled binding. Clean, bright pages. Wrappers off-white with light shelf wear. Contents: Introductory essay with annotated black and white photographic illustrations of works included in the exhibit. 11" tall; 45 pages.

Softcover. Etat : Very Good with no dust jacket. Soundly stapled binding. Clean, bright pages. Wrappers off-white with light shelf wear. Contents: Walch, André Chénier by David d'Angers, and the politics of neoclassicism. Appel, A new attribution. Downey, A lithograph by Baron Gros. Anderson, Two Spanish colonial saints. Seiberling, Ray Metzker's consideration of light. Coke, Georgio Sommer. 11" tall; 28 pages.…

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. Accompanies exhibits at the Mint Museum of Art in Charlotte NC; Society of the Four Arts in Palm Beach, FL; Arkansas Art Center in Little Rock; and Michael C. Carlos Museum at Emory University, during October 1994 - November 1995. 127 works are shown, by about 85 artists, created over 300 years beginning with baroque era through rococco, romanticism, neoclassicism, and realism. Discussion of esquisse, etude, ebauche, and modello sketches. Very small tear at head of jacket spine has been secured on reverse with removable tape. Book appears unread. 191 pages, 9 1/4" x 12 1/4". Expedited and international orders may require additional mailing fee.…

Softcover, 186 pages, very good condition except ex-museum library copy with stamp to inside front cover; no other internal marks; abrasion on inside rear cover from removed sticker.

Softcover. Etat : VG. Green & color illus. wraps. 191 pp. 127 color & bw plates. Issued in conjunction with a series of 1994-1995 exhibitions. "Offers a cornucopia of styles and techniques by some of the most adept practitioners of oil painting." (intro) A nice, visual catalog.

Softcover. Etat : VG. No Dust Jacket. Large, oversize paperback with mild shelfwear; pages tight, clean, unmarked. Not a former library book. .

Trade Paperback. Etat : Near Fine. Book is in excellent condition with very light shelf wear to covers only. Binding is solid and square, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 150 pages, heavily illustrated in B&W with articles by Davida Rochlin; Jane Bledsoe; Gere Kavanaugh; Dextra Frankel, ; Roger P. Scharmer; Charles W. Moore; Barbara and Arlan Coffman; James Volkert, nancy Walch, Roger A. Hart, Carla Fantozzi, ; Evelyn Hitchcock; Bob Easton; Roibert Winter,; David Gebhard; Kirk Peterson; John Chase; John Beach et al. Keywords: Davida Rochlin; Jane Bledsoe; Gere Kavanaugh; Dextra Frankel, ; Roger P. Scharmer; Charles W. Moore; Barbara and Arlan Coffman; James Volkert, Nancy Walch, Roger A. Hart, Carla Fantozzi, ; Evelyn Hitchcock; Bob Easton; Roibert Winter, ; David Gebhard; Kirk Peterson; John Chase; John Beach ; Architecture; By, Children, Forts, Stucco, Trailers, Ornament.…

Trade Paperback. Etat : Near Fine. No Dust Jacket. First Edition. A Near Fine copy of this slim oblong photo-illustrated paperback exhibition catalogue. A ten-line handwritten note signed by the photographer to a friend is laid in loosely. Clinton Adams, photography (illustrateur). Book.

Paperback. Etat : Near Fine. First Edition. Softcover in illustrated wraps. Folio. First printing. Small nick to bottom of spine, else crisp and clean. Catalogue published to accompany a 1994 traveling exhibit of the same name organized by the American Federation of the Arts and the University Art Museum of the University of New Mexico. Plates are in black-and-white and color. Commentaries by Joanna Barnes and J. Patrice Marandel, et al. 191 pp.…

First Edition. First edition. Oblong softcover. 8 pages. Exhibition catalog for a show that ran January 31 through March 24, 1989. Essay by Dr. Peter Walch. Includes 5 color illustrations. A very good in stapled wrappers and from the Cranbrook Academy of Art Library with their stamp to the verso of the rear cover which also has the original mailing label on the reverse side. Scarce, with only 1 copy listed in OCLC.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. University of New Mexico Press: 1986. Octavo. Hardcover with a dust jacket. First edition. Book and unclipped jacket are both in very good condition.

Softcover. Etat : Very Good. Exhibition catalogue. 192 pages. Color and black and white photos. Solid VG oversize softcover.

Paperback. Etat : Fine. Small 4to, 60 pp, fine in stiff wraps. Nine color and 8 b&w plates + numerous text illustrations. Biographies of 38 abstract or modernist artists working in Albuquerque, New Mexico, in the 1950s. Rare.

Softcover. oblong, textured grey wraps w/ dark blue printing. 31 pgs w/ bw & color illustrations. Illustrated throughout. Bright color plates. Exhibition held at the Kennedy Museum of American Art, Ohio University, Mar. 10-Apr. 17, 1998; University of New Mexico Art Museum, Albuquerque, Oct. 13-Dec. 20, 1998; and at the Long Beach Museum of Art, Jan. 15-Mar. 28, 1999. VG (scuffs, scratches to wraps. corners rubbed w/ light creases.). …

Etat : Very Good.

Etat : New. Satisfaction Guaranteed or your money back.

Hardcover. Etat : Good. Dust Jacket Included. English text.; Hardcover (with dust jacket).; 31 x 23.5 cm.; 1.1 kg.; 191 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket shows edge wear, scuffs and scratches, is slightly faded and shows an air bubble on the laminated layer on the front cover. Edges slightly bumped and turning inwards. Interior with minor signs of wear.; Catalogue from an exhibition organized by The American Federation of Arts and the University Art Museum of the University of New Mexico, Albuquerque held at: Mint Museum of Art, Charlotte, North Carolina, from October 14-December 11, 1994; The Society of the Four Arts Palm Beach, Florida, from January 6-February 5, 1995; The Arkansas Arts Center Little Rock, Arkansas, from March 2-June 4, 1995; Michael C. Carlos Museum, Emory University Atlanta, Georgia from September 22-November 19, 1995.; The oil sketch, in all its various forms. was indispensable to the French artistic tradition. Executed on canvas, paper, or panel, and usually on a relatively small scale, the sketch could serve as a preliminary compositional sketch in preparation for a painting (an esquisse), a detailed examination of a single motif (an llude), the drawing and under-painting on the final canvas (an tbauche), or a presentation piece shown to a patron before undertaking the final version (a modello). Equally as important and popular as a teaching device was the sketch copy, a loosely painted copy of one artist's work by another. While these sketches, which date from the seventeenth through the end of the nineteenth century, may differ in purpose, they reflect both the art historical styles of the times in which they were made-from Baroque to Rococo to Neoclassicism to Romanticism to Realism and the artist's response to the requirements of subject matter and of patronage. The Academie Royale de Peinture et de Sculpture, founded in Paris in 1648 as an alter-native to the old guild system, was the center for art instruction through the end of the nineteenth century, and the most skilled practitioners of oil painting - and the majority of artists included in the catalogue - belonged to the Académie. Membership in the Académie provided artists with the only opportunity to exhibit their work and was, therefore, crucial for professional success. Because the oil sketch played an important role in the planning and execution of finished works, these artists were well-versed in the practice of oil sketching. This catalogue explores the diversity and evolution of the oil sketch within the French academic tradition, with detailed discussions of 127 works, all of which are drawn from a private collection currently on loan to the University Art Museum of the University of New Mexico, Albuquerque. Among the artists whose works are included are François Boucher, Henri Fantin-Latour, Jean-Baptiste Hilaire, Adelaïde Labille-Guiard, Jean-Baptiste Le-prince, Jacques Sablet, and Simon Vouet.…

Etat : New. Satisfaction Guaranteed or your money back.

Etat : New. Satisfaction Guaranteed or your money back.

Hardcover. Etat : Very Good. 2024 Edinburgh University Press hardcover edition. Unread copy in very good condition. Contents: 1. Introduction: reading fictional languages by Israel A. C. Noletto, Jessica Norledge, and Peter Stockwell, 2. Conlanging with non-conlangers: the art of language invention in television and media by David J. Peterson and Jessie Sams, 3. On the inner workings of language creation: using conlangs to drive reader engagement in fictional worlds by Benjamin Johnson, Anthony Gutierrez, and Nicolas Matias Campi, 4. Dialects in constructed languages by Harry Cook, 5. Alien typographies in sf and the influence of Asian languages by Victor Fernandes Andrade and Sebastiao Alves Teixeira Lopes, 6. Design intentions and actual perception of fictional languages: Quenya, Sindarin, and Na'vi by Bettina Beinhoff, 7. The phonaesthetics of constructed languages: results from an online rating experiment by Christine Mooshammer, Dominique Bobeck, Henrik Hornecker, Kieran Meinhardt, Olga Olina, Marie Christin Walch, and Qiang Xia, 8. Tolkien's use of invented languages in 'The Lord of the Rings' by James K. Tauber, 9. Changing tastes: reading the cannibalese of Charles Dickens' 'Holiday Romance' and nineteenth-century popular culture by Katie Wales, 10. Dialectal extrapolation as a literary experiment in Aldiss' 'A spot of Confrontation' by Israel A. C. Noletto, 11. Women, fire, and dystopian things by Jessica Norledge, 12. Building the conomasticon: names and naming in fictional worlds by Rebecca Gregory, 13. The language of Lapine in 'Watership Down' by Kimberley Pager-McClymont, 14. Unspeakable languages by Peter Stockwell.…

kart. Etat : Sehr gut. en. 191 pp., zahlr. Abb. In English language. Illustrated softcover. Spine of boards slightly discoloured, otherwise in very good conditiom. + + + Broschierter Einband am Rücken etwas aufgehellt, sonst sauber und sehr gut erhalten. Kein Besitzvermerk. 9780917418976 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 810.…

Etat : Good. 8vo. 60 pp. Very Good. Soft cover. Typographical paper wraps. Staple binding. Minor shelf wear. Color and B&W plates throughout.ISBN: 0944282067 9780944282069Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.…

Hardcover. Etat : New.