wechsler herbert (44 résultats)

Hardcover. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

hardcover. Etat : Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!

Etat : acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.

Etat : Good. 6th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Very Good. Fifth Edition. Clean and solid. ; University Casebook Series; 4to; 1638 pages.

Etat : New.

Etat : New.

Etat : New.

Softcover. Etat : Good. Off Print. No covers (may have been issued without). Outside page slightly browned. Title page has some tiny edge chips and the owner's name label. Staples rusted. ; Approx. 5 1/2" wide by 8 3/8". Reprinted from Columbia Law Review, VII, XXXVII, Nos. 5 and 8 (May and December, 1937).

Etat : New.

Etat : As New. Unread book in perfect condition.

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Kartoniert / Broschiert. Etat : New.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good DJ. 1st Edition. Xiii, 344 Pp. Black Cloth, Gilt. First Printing, 1964. Near Fine Book, Touch Of Rubbing At Corners, No Marks. Dj With Price Inked Out, Light Wear With Tiny Losses At Corners, No Fading, 1" Closed Tear At Top Of Rear Panel.

Hardcover. Etat : Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Etat : Fine. First edition. Foreword by John Biggs, Jr. Portrait frontispiece. Fine, without dust jacket, as issued. Limited to 250 copies. Prints tributes by Allen Tate, James Rowe, Herbert Wechsler, August Heckscher and Arthur Schlesinger Jr.

Hardcover. Etat : Gut. 172 p. The book comes from the famous "Salzburg Seminar of the Library of Leopoldskron Castle" and still bears some mark of the same. The book is regularly excreted from there. Almost good condition. Sprache: Englisch Gewicht in Gramm: 480.

Taschenbuch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Soft cover. Etat : Very Good -. First Edition. 344 page work on criminal law, discussing homicide, physical or psychical injury, violation of property rights, prevention of theft, solicitation, conspiracy, accomplices in crime, corporate responsibilities, mental defects, intoxication, immaturity, social protection against dangerous persons, and the criminal law and civil liberties. Many pages have ink underlining, a few pages also have ink notes in margins. Book.

Buch. Etat : Neu. Neuware - This influential book presents a comprehensive analysis of the American legal system and proposes a radical reformulation of criminal law. The author argues that the current system is characterized by a confusing array of inconsistent and arbitrary rules, and proposes a unified Model Penal Code that would provide a clear and consistent framework for criminal law. Drawing on his experience as a leading legal scholar and practitioner, Wechsler provides a compelling argument for the need for fundamental reform of the American legal system.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Etat : New. Satisfaction Guaranteed or your money back.

Wechsler, Herbert. The Nationalization of Civil Liberties and Civil Rights. [Austin]: Published for the Permanent Committee for the Oliver Wendell Holmes Devise by the Humanities Research Center, The University of Texas at Austin, [1969]. 61 pp. Original yellow cloth with stamped spine and title label to front cover. Near fine. $50.

Paperback. Etat : Very Good. No Jacket. 2nd Edition. Very Good condition Softcover Octavo, 1984 revised edition. Very Good condition. Interior looks clean. Size: 8vo - over 7" - 9" tall. Book.

Encuadernación de tapa blanda. Etat : Bien. Etat de la jaquette : Aceptable. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. When Ideas Become Winged," by Wim van Mulders; "The Four Giacometti's: Giovanni, Augusto, Alberto, and Diego. The Stamp of Stampa," by Pierre Schneider; "Inanimations: A Project for Artforum," by Boyd Webb; "A Viney Pastoral: Drawing from Nature," by Mike Glier; "Lines, Chapters, and Verses: The Art of Jean-Michel Basquiat. A Voice and an Eye," by Demosthenes Davvetas; "Icons at Large: Andy Warhol," by Lisa Liebmann; "Book Previews: Excerpts from Le Corbusier's 'The Journey to the East;' Octavio Paz's Essay 'Art and Identity: Hispanics in the United States;' and Mary Ann Doane's 'The Desire to Desire: The Woman's Film of the 1940s'" "A Canvas of Episodes: The Wigged Soprano," by Frederic Tuten; "Museum Piece: THe Wrong Jar," by Joseph Giovannini; "Like Art: For An Advertising of Love," by Glenn O'Brien; "Ground Up: Our Quarry Beads," by Herbert Muschamp; "Speaker to Speaker: What You Wish Upon a Star," by Greil Marcus. Reviews by Carlo McCormick, Jean Fisher, John Yau, Kate Linker, Donald Kuspit, Charles Hagen, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, Nancy Stapen, Paula Marincola, Maureen Bloomfield, Colin Westerbeck, Buzz Spector, Ed Hill, Suzanne Bloom, Bill Berkson, Colin Gardner, Richard Rhodes, Pier Luigi Tazzi, Daniel Soutif, Max Wechsler, Helmut Draxler, Ingrid Rein, Martin Hentschel, Paul Groot, Anne Applebaum, and Michael Archer. Cover: Andy Warhol signs a campel soup can, 1964.

Encuadernación de tapa blanda. Etat : Bien. Etat de la jaquette : Bien. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. Hoberman; "Bagpipes on the Shore: On Packing One's Bags with Visual Expectations, and on Traveling Light," by Carter Ratcliff; "The World of Photography: A Crash Course in a Pictorial Field, A Project for Artforum," by Michael Smith and William Wegman; "Under Midwestern Eyes: Silos of the Heart," by Buzz Spector; "A Blossoming of Cells: Michelle Stuart's Polyvalent Panoramas," by Patricia C. Phillips; "A Double Portrait of Cecil Beaton: Edwardian Modernism," by Max Kozloff. Reviews by Stuart Morgan, Patricia C. Phillips, John Howell, Ida Panicelli, Jeanne Silverthorne, Jean Fisher, Donald Kuspit, Carlo McCormick, Ronny Cohen, John Yau, Kate Linker, Charles Hagen, Barbara Kruger, Martha Clarke, Glenn Harper, Susan Freudenheim, Colin Westerbeck, Bill Berkson, Colin Gardner, Linda Burnham, Ida Panicelli, Max Wechsler, Denys Zacharopoulos, Helmut Draxler, Ingrid Rein, Annelie Pohlen, and Wolfgang Max Faust. Cover: Michelle Stuart.