Weekes henry (62 résultats)

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- Photo
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Ajouter au panierNo Binding. Etat : Good. Postcard in Good condition, unmailed, with a little writing on reverse. Cards are sent in stiff mailers. Photo.

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Vendeur : California Books, Miami, FL, Etats-UnisCalifornia Books
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Vendeur : California Books, Miami, FL, Etats-UnisCalifornia Books
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-UniRia Christie Collections
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Etat : New. In English.

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Edité par London, 1838
Vendeur : Antiquarian Bookshop, Washington, DC, Etats-UnisAntiquarian Bookshop
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Ajouter au panierEngraving. Etat : Very Good. Engraving; 8 1/4" X 7"; 1 pages; Wonderful 19th Century engraving. Image measures 8 1/4" X 7" (14" x 11" matted). Matted in white stock with clear mylar. This engraving by Achille Collas Patent Process is based on a medallion cast by Henry Weekes derived from the marble replica of Sir Francis Leggatt Chantrey's bust at Abbotsford. This dramatic portrait of Walter Scott was published in THE AUTHORS OF ENGLAND: A Series of Medallion Portraits of Modern Literary Characters, Engraved from the Works of British Artists by Henry F. Chorley, (editor) and Achille Collas, (engraver). London: Published by Charles Tilt at 86 Fleet Street, 1838. Achille Collas (1795â"1859) was a French engineer, inventor, and engraver who developed a method for producing engravings after medallions and other reliefs between 1825 and 1832, and demonstrated it at the Salon of 1833. This engraving is listed as Item 221 in A Descriptive Account of the Portraits, Busts, Published Writings, and Manuscripts, of Sir Walter Scott, Bart., Collected and Exhibited at Edinburgh on Occasion of the Scot Centenary in 1871. Prepared for publication by Sir William Stirling Maxwell, Bart., David Laing, LL.D., James Drummons, R.S.A. Edinburgh: William Paterson, 1874.…

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Vendeur : Ria Christie Collections, Uxbridge, Royaume-UniRia Christie Collections
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Etat : New. In English.
Edité par New York: J.E.D. Comstock, [1845 or 1846]., 1846
- Couverture rigide
Vendeur : David Hallinan, Bookseller, Columbus, MS, Etats-UnisDavid Hallinan, Bookseller
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Ajouter au panieri-vi, 7-330, [2], 331-428 pages. Hardcover: H 22.25cm x L 14.75cm. Re-backed in relatively modern black buckram with gilt stamping; original brown cloth boards with rubbing and staining but reinforced by black buckram corners. Some age toning to replaced front and rear endpapers and flyleaves. Toning/foxing prevalent throughout along with some moisture staining; old ownership inscription in pencil on first original flyleaf; some edge-tears and nicks to leaves. Engraved title page present but usually these books also had a formal text title page - as the latter is not present it seems likely that it was excised when re-bound. Binding is firm. B/w engraved plates opposite the book's primary hand-colored botanical plates which are: "The China Flower" on page 7 (missing tissue guard sheet) [no attributed artist]; "The Heart's Ease" by S. Weekes on page 43 with guard sheet; "Isabella Grapes" [no artist] on page 79 with guard sheet; "Century Plant" by S. Weekes on page 115 with guard sheet; "Crown Imperial" by S. Weekes on page 151 with guard sheet; "Prairie-Flower" [no artist] on page 187 with guard sheet; "Brothers and Sisters" (non-botanical plate w/o tissue guard) [no artist] on page 223; "East India Althea" [no artist] on page 259 with guard sheet; "The Bouquet" by S. Weekes on page 295 with guard sheet; "The Barberry" by S. Weekes opposite page 330 with guard sheet; "Bell Flower and Pink" by S. Weekes on page 365 with guard sheet; "Frost Gage" [no artist] on pages 401 with guard sheet. "The Widow and Her Son" (pages 192-195) and "The Grave" (pages 216-217) both by Washington Irving; "Eternity" (poem; page 219) by Henry Wadsworth Longfellow; "The Hour-Glass" (poem; page 353) by John Quincy Adams. B/w engravings include a Lake George, New York landscape (page 79) and a Manhattan streetscape "The Park and City Hall, N-Y." (page 114). …
Autres imagesAngus Suttie
Angus Suttie; Philip Hughes; Jeffrey Weekes; Alison Britton, Andrew Benton, Claire Curneen, Sharon Blakey, Jennifer Lee, Sara Radstone, Henry Pim.
Langue : anglais
Edité par Ruthin Craft Centre, Ruthin, 2018
- Couverture souple
- Édition originale
Vendeur : Roe and Moore, London, Royaume-UniRoe and Moore
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Ajouter au panierPaperback. Etat : Near Fine. 4to. Bound in pictorial card wrappers. 32 pages. Forward by Philip Hughes and Simon Olding,; introduction by Jeffrey Weekes and other text by by Alison Britton, Andrew Benton, Claire Curneen, Sharon Blakey, Jennifer Lee, Sara Radstone, Henry Pim. Fully illustrated in colour. In fine condition.Size: 22 x29 cm [8.75 x 11.5 inches]. Angus Suttie (illustrateur).…

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Vendeur : moluna, Greven, Allemagnemoluna
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Etat : New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.
Edité par Bickers and Son, London, 1880
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- Édition originale
Vendeur : Benjamin Books, Ottawa, ON, CanadaBenjamin Books
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Ajouter au panierHardcover. Etat : Very Good. First Edition. An example of a very basic clean rebind of this first edition. Buckram back with marbled boards.

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Buch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

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Taschenbuch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

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Gebunden. Etat : New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

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Taschenbuch. Etat : Neu. Neuware - This book is a collection of lectures on art delivered by the famous sculptor Henry Weekes. The lectures cover various aspects of art, including design, composition, and technique. It is a valuable resource for art students and enthusiasts who wish to hone their skills and develop a deeper understanding of the subject.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

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Taschenbuch. Etat : Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.…

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Buch. Etat : Neu. Neuware - This book is a collection of lectures on art delivered by the famous sculptor Henry Weekes. The lectures cover various aspects of art, including design, composition, and technique. It is a valuable resource for art students and enthusiasts who wish to hone their skills and develop a deeper understanding of the subject.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…