White david rauschenberg robert (22 résultats)

paperback. Etat : Very Good. Grade 3 out 5 points. Book has wear on cover and pages. May have personalized notes/names, stickers/labels. Has no markings on pages. May not include extra materials like access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business.…

Trade Paperback. Etat : Used Very Good. Light wear to cover, slightly bumped corners, pages clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request. …

Paperback. Etat : Good. torn/chipped dj, some wear, still NICE - may have remainder mark or previous owner's name Oversized.

Softcover with dustjacket, 136 pages, good condition; moderate scuffs to dj; small bump at bottom of spine; small stain to bottom outer page edge; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 120 pages; in English; good condition: ex-gallery library copy with call number taped around bottom of spine; sticker and stamps and call number on first page; no other internal marks. Foreign shipping may be extra.

Trade Paperback. Etat : Like New. Like New. First Edition. First Edition, First Printing. Published by Modern Art Museum of Fort Worth, 1995. Folio. Dark blue boards stamped in gray. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with light shelf wear and small nick to top of spine. 102 pages. ISBN: 0929865138. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. …

Etat : As New. Unread book in perfect condition.

Etat : New.

Softcover with dustjacket, 136 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. 135pp., b/w and colour plates, footnotes. Issued in connection with the exhibition held Oct. 22-Dec. 31, 1995 at the Modern Art Museum of Fort Worth, and Apr. 24-June 9, 1996 at the Museum of Contemporary Art, Miami, Florida. Minor marking to top corner of half title page else Fine. Dustjacket has light surface wear to front panel else Fine.(GL) 6/22. …

Etat : New.

Hardcover. Etat : Brand New. 120 pages. 10.00x11.50x0.75 inches. In Stock.

Etat : As New. Unread book in perfect condition.

Hardcover with dustjacket, 136 pages, very good condition; dj lightly ruffled along top edge; no internal marks. Foreign shipping may be extra.

kartoniert. Etat : gut. 1. Einband Lagerspuren, Rückseite Kratzspuren, Ecken leicht angestossen, durchgestrichener Namensstempel auf zwei Seiten, nur erstes Kapitel gelesen In deutscher Sprache. 118 pages. ca. 28,5 x 25 cm.

Hardcover (with Dust Jacket). Etat : Very Good. First Edition. First American Edition. As-new in dust jacket, and still in the publisher's original shrink-wrap. 4to (232 pages, illustrated with 162 color and black & white photographs).

Hardcover. Etat : New. Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his Combines, maintained a practice of photographing friends and family, documented the evolution of artworks and occasionally dramatized them by inserting himself into the picture frame. As Walter Hopps wrote, "The use of photography has long been an essential device for Rauschenberg's melding of imagery. [and] a vital means for Rauschenberg's aesthetic investigations of how humans perceive, select and combine visual information. Without photography, much of Rauschenberg's oeuvre would scarcely exist." The artist himself affirmed, "I've never stopped being a photographer." This volume gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process. This allows us to re-imagine almost the entirety of the artist's output in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social milieu of the 1950s and early 60s.Painter, sculptor, printmaker and photographer Robert Rauschenberg (1925-2008) provided a crucial bridge between Abstract Expressionism and Pop art. After studying at Black Mountain College under Josef Albers, Rauschenberg moved to New York where he formed close allegiances with Jasper Johns and Cy Twombly, began his groundbreaking Combines, collaborated with the Merce Cunningham Dance Company and co-launched the non-profit Experiments in Art and Technology. Considered one of the most innovative artists of his era, he died in 2008. (20120101).…

Hardcover. Etat : New. In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.…

1. Auflage. 25 x 29 cm. 118 S., 1 Blatt. OPappband. Sehr gutes Exemplar. Mit Textbeiträgen von Susan Davidson, Mimi Thompson, Trisha Brown, [und weitere]. Durchgehend mit meist farbigen Abbildungen versehen.

Bilbao, Guggenheim, (2010). Un vol. au format pt in-4 à l'italienne (253 x 287 mm) de 138 pp. Reliure d'édition de plein cartonnage souple illustré par la photographie. L'ouvrage s'agrémente d'une abondante iconographie. Textes en catalan et castillan. Très belle condition.

Hardcover/Pappeinband. 1. Auflage. 118 S. mit Abb. / Einband etw. vergilbt u. etw. bestaubt, Ecken u. Kanten etw. bestoßen, Seiten etw. vergilbt // 20. jahrhundert, Bildende Kunst, Ausstellungskatalog N08 9780892073979 *.* Sprache: Deutsch Gewicht in Gramm: 850.

Softcover. Etat : gut. 2009. Gluts. [Peggy Guggenheim Collection, Venedig, 30. Mai bis 20. September 2009; Museum Tinguely Basel, 14. Oktober 2009 bis 17. Januar 2010; Guggenheim Museum Bilbao, Februar bis Oktober 2010]. In englischer Sprache. pages.