William rough (32 résultats)

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. First Printing. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Good.

Trade Paperback. Etat : Good. First Trade Paperback. Good with some creasing to covers. Flat spine with no cracks or creases. No markings. Eight pages of color plates. 272 pages.

Softcover. Etat : Near Fine. First edition. Oversized in color illustrated softcover. First printing (not issued in hardcover). Near fine, very slight evidence of use at the tips. 272 pp. with bibliography, glossary of circus terms, index. Illustrated with more than 300 photos including a color section. A book for circus lovers by circus lovers in which the authors describe all aspects of the circus--the human and animal performers, the roustabouts, advance agents, "24 hour men". They describe the evolution of every act under the Big Top, from the beginnings to the l;ast decade of the 20th century---ringmasters, aerialists, elephants, clowns, animal trainers, and musicians are highl;ighted or profiled.…

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Etat : Good. 1st Edition. This soft bound book is clean and tight. The front cover is lightly scuffed and worn on the edge.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Etat : Gut. 126 Seiten Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Sprache: Deutsch Gewicht in Gramm: 100.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

SingleIssueMagazine. Etat : Good+. Vol. L, No. 1. Pulp magazine. Edited by Donald A. Wollheim. Cover art is uncredited [Norman Saunders] for "Kill the Boys Good-by" (novelet) by G. T. Fleming-Roberts. Includes "Big House Beneficiary" by L. W. Carmichael; "Jailbird on the Wing" by Tom Marvin; "Cop Suey" by Alan Barrister; "Murder Is So Shocking" by William Rough; "Mr. Wright Got a Fright" by Zachary Good; "Sauce for teh Slander ("Dizzy Duo" Yarn)" by Joe Archibald; "The Weak's Wages - Death" by Larry Sternig & William C. Gault; "The Lug and the Luger" by Rex Whitechurch; "Crime Doesn't Repay" (extra story this month) by Verne Chute; "Satan Tears the Dragnet" by Francis K. Allan. Illustrated by WK, Geo. Tukel, Sampson, and others. Roll with heavy creasing; standard wear and tear at edges; tanning; thumb smudging. Book.…

Stapled Paperback. Etat : Good. No Jacket. Cover is in good condition, save for rubbing and small stain on back cover. Text is otherwise tight in binding. Author has signed title page. This copy includes the original hooking needle, in pocket on inside of back cover (opposite page suffers some rust soiling, from hook). Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall. Rough, William H.; Rough, Joan Z. (illustrateur). Signed by Author.…

Paperback. Etat : good+. Oversize paperback. 272pp Gift inscription on title page. Small one inch stain on fore-edges. Fading to spine. Binding tight. No other markings.

Hardcover. Etat : new. Hardcover. Walter Sickert was one of the most influential artists of the late 19th and early 20th centuries. An apprentice of Whistler and close associate of Degas, he engaged with the work of French artists of the time. Sickert in turn influenced many British painters up to the present day.This book will show how Sickert transformed the representation of everyday life, with his innovative approach to subject matter, radical compositions and the evocation of the materiality of existence in paint. It will explore the changing nature of his work - from an impressionistic approach in the 1880s to a pioneering use of photography in the 1930s - and how he returned over and over to locations and subjects, including his penetrating self-portraits. Sickert's imagination was fuelled by news and current events such as the Camden Town Murders and newspaper photography, but also by popular culture - music halls, the stage, the rise of cinema and celebrity.Featuring over 200 images from the exhibition and a wide range of essays by scholars, as well as reflections on Sickert's relevance and influence by a selection of contemporary painters including Kaye Donachie and Somaya Critchlow.Tate Britain Exhibition, 28th April - 18th September 2022 To accompany a major exhibition of one of the central figures in British art and the first exhibition dedicated to Sickert at Tate since 1960. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Wraps. Etat : Good to Very Good-. Vol. XLVIII, No. 4. Pulp magazine. Edited by Donald A. Wollheim. Cover art by Jerome Rozen for "The Case of the Headless Client" (novelet) by Emile C. Tepperman. Includes "Postscript to Mein Kampf" by William Rough; "Death Insurance Payment" by Fredric Brown; "Doubling for a Killer" by Francis K. Allan; "The Tobacco Murder" (extra feature this month) by Mark Wright; "The Corpse Nobody Wanted" (novelet) by David X. Manners; "Out of the Frying Pen" by Greta Bardet; "Hang His Wreath" by H. Q. Masur; "The Corn Is Red" by Robert Turner; "A Nose for Crime" by John Michel; "By Hook - One Crook" ("Dizzy Duo") by Joe Archibald. Uncredited illustrations. Creasing; roll; edge tears; tape at spine heel; small pencil mark and sticker ghost on cover. Magazine. …

SingleIssueMagazine. Etat : Very Good-. Vol. LI, No. 4. Pulp magazine. Edited by Donald A. Wollheim. Cover art by Albert Drake for "Bereave It or Not" (novelet) by Thorne Lee. Includes "Murder in Small Packages" by William Rough; "A Snitch in Time" by E. C. Marshall; "Satan Hogs the Camera" by Emil Petaja; "The Ironclad Alibi" by Gunnison Steele; "The Con Is Green" (Dizzy Duo" series) by Joe Archibald; "Homicide at the 5 & 10" by Stewart Toland; "The Criminal Had Crust" by D. A. Hoover; "Coffin Nail Piracy" by Neil Moran; "Dueces Dealt for Death" by Glenn Low. Illustrations are uncredited. Creasing; tanning; slight roill with stress; minor tear at heel; standard wear and tear; minor stain. Book.…

Mass Market Paperback. Etat : Very Good. First Edition. UK edition. Contains 'Too Many are Dead' by Rough, 'The Corpse Walked Away' by Goller, 'Today's Lesson is Death' by Brister, 'Murder of a Memory' by Benton, 'A Spot of Murder' by Linklater and 'Money Music' by Montanye. The Rough story has a full page illustration, the Montanye story has a half-page illustration and there a few small illustrations. Two inch crease to the bottom right corner of the front cover but otherwise only very slight edge wear. Light browning to the pages with small chips to a number of top corners but the pages are otherwise unmarked. Postage charge will be reduced by £1.50 when the order is processed.…

Paperback. Etat : New. New copy - Usually dispatched within 4 working days.

FINE. Large paperback in wraps. high grade-scarce. [B86-58].

Magazine. Etat : Good. First Edition. The front cover has a four inch closed tear down the left side near the spine. Otherwise the covers have only a little edge rubbing with a little discolouration around the edges and a little chipping to the spine. The pages are browned around the edges with a little spotting at the front and back and to the edges but are otherwise unmarked. Contains 'These Shall Die' by Norton, 'Poison with a Past' by Nitkin, 'Bucket of Gems Case' by Brown, 'Murder Happens at Breakfast' by Berard, 'There are no Better-' by Rogers, 'The Way to Murder' by Stacey and 'The Sixth Shot' by Rough. One uncredited illustration for the Nitkin story. Postage charge will be reduced by £1.50 when the order is processed.…

Hardcover. Etat : new. Hardcover. Walter Sickert was one of the most influential artists of the late 19th and early 20th centuries. An apprentice of Whistler and close associate of Degas, he engaged with the work of French artists of the time. Sickert in turn influenced many British painters up to the present day.This book will show how Sickert transformed the representation of everyday life, with his innovative approach to subject matter, radical compositions and the evocation of the materiality of existence in paint. It will explore the changing nature of his work - from an impressionistic approach in the 1880s to a pioneering use of photography in the 1930s - and how he returned over and over to locations and subjects, including his penetrating self-portraits. Sickert's imagination was fuelled by news and current events such as the Camden Town Murders and newspaper photography, but also by popular culture - music halls, the stage, the rise of cinema and celebrity.Featuring over 200 images from the exhibition and a wide range of essays by scholars, as well as reflections on Sickert's relevance and influence by a selection of contemporary painters including Kaye Donachie and Somaya Critchlow.Tate Britain Exhibition, 28th April - 18th September 2022 To accompany a major exhibition of one of the central figures in British art and the first exhibition dedicated to Sickert at Tate since 1960. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Etat : New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Hardcover. Etat : new. Hardcover. Walter Sickert was one of the most influential artists of the late 19th and early 20th centuries. An apprentice of Whistler and close associate of Degas, he engaged with the work of French artists of the time. Sickert in turn influenced many British painters up to the present day. This book will show how Sickert transformed the representation of everyday life, with his innovative approach to subject matter, radical compositions and the evocation of the materiality of existence in paint. It will explore the changing nature of his work - from an impressionistic approach in the 1880s to a pioneering use of photography in the 1930s - and how he returned over and over to locations and subjects, including his penetrating self-portraits. Sickert's imagination was fuelled by news and current events such as the Camden Town Murders and newspaper photography, but also by popular culture - music halls, the stage, the rise of cinema and celebrity. Featuring over 200 images from the exhibition and a wide range of essays by scholars, as well as reflections on Sickert's relevance and influence by a selection of contemporary painters including Kaye Donachie and Somaya Critchlow. To accompany a major exhibition of one of the central figures in British art and the first exhibition dedicated to Sickert at Tate since 1960. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Etat : New. Satisfaction Guaranteed or your money back.

Etat : New.

paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Single Issue Magazine. Etat : Very Good. Best Publications January 1954 Binding: Some slight tearing to edges of covers, otherwise tight and bright.