Wolf burchard (28 résultats)

Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World
Marschner, Joanna [Editor]; Bindman, David [Editor]; Ford, Lisa L. [Editor]; Burchard, Wolf [Contributor]; Grant, Florence [Contributor]; Griffith, Tyler [Contributor]; Hallett, Mark [Contributor]; Hanson, Craig Ashley [Contributor]; Howard, Samantha [Contributor]; Inglesby, Roisin [Contributor]; Jay, Emma [Contributor]; Joncus, Berta [Contributor]; Jones, Kathryn [Contributor]; Laird, Mark [Contributor]; Longstaffe-Gowan, Todd [Contributor]; Meyers, Amy R. W. [Contributor]; Orr, Clarissa Campbell [Contributor]; Prochaska, Frank [Contributor]; Asleson, Robyn [Contributor]; Albinson, A. Cassandra [Contributor]; Prosser, Lee [Contributor]; Burrows, Donald [Contributor]; Ribeiro, Aileen [Contributor]; Roach, Joseph [Contributor]; Roberts, Jane [Contributor]; Roman, Cynthia [Contributor]; Storey, Matthew [Contributor]; Styles, John [Contributor]; Adamson, Glenn [Contributor];
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Vendeur : Alplaus Books, Alplaus, NY, Etats-UnisAlplaus Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Satisfaisant
EUR 39,12
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hardcover. Etat : Good. Etat de la jaquette : Good. Very large, heavy (7 lbs.) hardcover with dust jacket. No markings noted. NOTE: THIS BOOK IS TOO HEAVY TO SHIP OUTSIDE THE UNITED STATES. Extra charges may be requested for shipping and handling.

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Vendeur : Book Express (NZ), Shannon, Nouvelle-ZélandeBook Express (NZ)
Contacter le vendeurVendeur avec une évaluation de 4 étoilesEtat: Occasion - Assez bon
EUR 23,61
EUR 27,09 expéditionExpédition depuis Nouvelle-Zélande vers Etats-UnisQuantité disponible : 1 disponible(s)
Hardcover. Etat : Very Good. 248 pages. This monograph examines the wide artistic production of Louis XIV?s most pr olific and powerful artist, Charles Le Brun (1619?1690), illustrating the magn ificence of his paintings and focusing particularly on the interiors and decorat.

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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandeKennys Bookshop and Art Galleries Ltd.
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 42,38
EUR 10,50 expéditionExpédition depuis Irlande vers Etats-UnisQuantité disponible : Plus de 20 disponibles
Etat : New. Num Pages: 248 pages. BIC Classification: ACQB; AFC; AGB. Category: (G) General (US: Trade). Dimension: 252 x 288 x 28. Weight in Grams: 1652. . 2017. 1st edition. Hardcover. . . . .

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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-UniPBShop.store UK
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 46,22
EUR 9,94 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : 15 disponible(s)
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

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Vendeur : GreatBookPrices, Columbia, MD, Etats-UnisGreatBookPrices
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 53,37
EUR 2,31 expéditionExpédition nationale : Etats-UnisQuantité disponible : Plus de 20 disponibles
Etat : New.

Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World
Marschner, Joanna [Editor]; Bindman, David [Editor]; Ford, Lisa L. [Editor]; Burchard, Wolf [Contributor]; Grant, Florence [Contributor]; Griffith, Tyler [Contributor]; Hallett, Mark [Contributor]; Hanson, Craig Ashley [Contributor]; Howard, Samantha [Contributor]; Inglesby, Roisin [Contributor]; Jay, Emma [Contributor]; Joncus, Berta [Contributor]; Jones, Kathryn [Contributor]; Laird, Mark [Contributor]; Longstaffe-Gowan, Todd [Contributor]; Meyers, Amy R. W. [Contributor]; Orr, Clarissa Campbell [Contributor]; Prochaska, Frank [Contributor]; Asleson, Robyn [Contributor]; Albinson, A. Cassandra [Contributor]; Prosser, Lee [Contributor]; Burrows, Donald [Contributor]; Ribeiro, Aileen [Contributor]; Roach, Joseph [Contributor]; Roberts, Jane [Contributor]; Roman, Cynthia [Contributor]; Storey, Matthew [Contributor]; Styles, John [Contributor]; Adamson, Glenn [Contributor];
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Vendeur : Lavendier Books, Foster, RI, Etats-UnisLavendier Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 49,51
EUR 6,12 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
hardcover. Etat : Very Good. Yale Center for British Art and Yale University Press; New Haven, 2017. Hardcover. A Very Good, black cloth binding with gilt lettering on front board and spine, binding sturdy and intact, bumped bottom board corners, very mild scattered foxing top text block edge, small and faint rub mark bottom tex…t block corner, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, crease to front flap, Mylar protected, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 572pp., appendix, bibliography, index, credits, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

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Vendeur : Kennys Bookstore, Olney, MD, Etats-UnisKennys Bookstore
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EUR 54,41
EUR 9,18 expéditionExpédition nationale : Etats-UnisQuantité disponible : Plus de 20 disponibles
Etat : New. Num Pages: 248 pages. BIC Classification: ACQB; AFC; AGB. Category: (G) General (US: Trade). Dimension: 252 x 288 x 28. Weight in Grams: 1652. . 2017. 1st edition. Hardcover. . . . . Books ship from the US and Ireland.

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- Signé
Vendeur : HALCYON BOOKS, LONDON, Royaume-UniHALCYON BOOKS
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 44,02
EUR 21,07 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : 1 disponible(s)
hardcover. Etat : Very Good. Etat de la jaquette : Includes dust jacket. Signed. A clean, tight copy. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR…MULTI VOLUME SETS BEFORE ORDERING.

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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-UniRarewaves.com USA
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 65,69
Frais de port gratuitsExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : Plus de 20 disponibles
Hardback. Etat : New. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joint capacities of… Premier peintre du roi, director of the Gobelins manufactory and rector of the Académie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Académie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Académie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East façade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought h.

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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-UniGreatBookPricesUK
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 48,17
EUR 17,56 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : Plus de 20 disponibles
Etat : New.

The First Georgians: Art and Monarchy, 1714-1760
Rufus Bird,Wolf Burchard,Kate Heard,Kathryn Jones,Desmond Shawe-Taylor
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Vendeur : Book Express (NZ), Shannon, Nouvelle-ZélandeBook Express (NZ)
Contacter le vendeurVendeur avec une évaluation de 4 étoilesEtat: Occasion - Assez bon
EUR 38,49
EUR 27,09 expéditionExpédition depuis Nouvelle-Zélande vers Etats-UnisQuantité disponible : 1 disponible(s)
Hardcover. Etat : Very Good. 495 pages. 2014 marks the three-hundredth anniversary of the succession of the House of Hanover to the British throne. In celebration of this historic milestone, The Fi rst Georgians explores the rich artistic patronage of the early Hanoverian perio.

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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-UnisGrand Eagle Retail
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 70,28
Frais de port gratuitsExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Hardcover. Etat : new. Hardcover. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joint c…apacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Academie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Academie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Academie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East facade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought his own sovereign authority over the visual arts. Charles Le Brun and the Image of Louis XIV. In his joint capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Acadmie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts so much so that some scholars have repeatedly described him as dictator of the arts in France. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Vendeur : Revaluation Books, Exeter, Royaume-UniRevaluation Books
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EUR 52,57
EUR 23,41 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : 2 disponible(s)
Hardcover. Etat : Brand New. 287 pages. 11.25x9.75x1.25 inches. In Stock.

The First Georgians: Art and Monarchy, 1714-1760
Bird, Rufus; Burchard, Wolf; Heard, Kate; Jones, Kathryn; Shawe-Taylor, Desmond
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Vendeur : Oakholm Books, Aberfeldy, Royaume-UniOakholm Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Très bon
EUR 48,23
EUR 35,12 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : 1 disponible(s)
Hardcover. Etat : Fine. Etat de la jaquette : Fine. No inscriptions etc; looks barely used.

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Vendeur : Gallix, Gif sur Yvette, FranceGallix
Contacter le vendeurVendeur avec une évaluation de 4 étoilesEtat: Neuf
EUR 50,00
EUR 35,66 expéditionExpédition depuis France vers Etats-UnisQuantité disponible : 1 disponible(s)
Etat : Neuf.

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Vendeur : GreatBookPrices, Columbia, MD, Etats-UnisGreatBookPrices
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Comme neuf
EUR 93,49
EUR 2,31 expéditionExpédition nationale : Etats-UnisQuantité disponible : Plus de 20 disponibles
Etat : As New. Unread book in perfect condition.
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Vendeur : Shelley and Son Books (IOBA), Hendersonville, NC, Etats-UnisShelley and Son Books (IOBA)
Contacter le vendeurVendeur avec une évaluation de 5 étoilesMembre d’une association professionnelle : IOBA
Etat: Occasion - Comme neuf
EUR 90,02
EUR 5,68 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
hardcover. Etat : Like New. Like New. A beautiful book in wonderful condition. Full refund if not satisfied.

The First Georgians: Art and Monarchy, 1714-1760
Bird, Rufus; Burchard, Wolf; Heard, Kate; Jones, Kathryn; Shawe-Taylor, Desmond
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Vendeur : Lavendier Books, Foster, RI, Etats-UnisLavendier Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 90,02
EUR 6,12 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
hardcover. Etat : Very Good. Royal Collection Trust; London, 2014. Hardcover. A Very Good, green binding with gilt lettering on spine, binding sturdy and intact, mild crimping to spine edges, bit of scattered foxing top text block edge, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, Dust wrapper. A… nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 495pp., appendices, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

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Vendeur : Goodbooks Company, Springdale, AR, Etats-UnisGoodbooks Company
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Satisfaisant
EUR 96,86
EUR 4,36 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Etat : good. Ex library book with stickers and stamps.

The First Georgians: Art and Monarchy, 1714-1760
Bird, Rufus; Burchard, Wolf; Heard, Kate; Jones, Kathryn; Shawe-Taylor, Desmond
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Vendeur : Carlton Books, Shaftesbury, Royaume-UniCarlton Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 102,49
EUR 4,80 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : 1 disponible(s)
Hardcover. Etat : Very Good. Some dust on the top edge.

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Vendeur : HPB Inc., Dallas, TX, Etats-UnisHPB Inc.
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 104,33
EUR 3,28 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Vendeur : Rarewaves.com UK, London, Royaume-UniRarewaves.com UK
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 61,07
EUR 76,09 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : Plus de 20 disponibles
Hardback. Etat : New. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joint capacities of… Premier peintre du roi, director of the Gobelins manufactory and rector of the Académie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Académie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Académie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East façade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought h.

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Vendeur : AussieBookSeller, Truganina, VIC, AustralieAussieBookSeller
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 109,11
EUR 32,34 expéditionExpédition depuis Australie vers Etats-UnisQuantité disponible : 1 disponible(s)
Hardcover. Etat : new. Hardcover. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joint c…apacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Academie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Academie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Academie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East facade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought his own sovereign authority over the visual arts. Charles Le Brun and the Image of Louis XIV. In his joint capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Acadmie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts so much so that some scholars have repeatedly described him as dictator of the arts in France. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-UniGreatBookPricesUK
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Comme neuf
EUR 133,78
EUR 17,56 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : Plus de 20 disponibles
Etat : As New. Unread book in perfect condition.

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Vendeur : Rebooksellers, Tequesta, FL, Etats-UnisRebooksellers
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 158,43
EUR 4,78 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
hardcover. Etat : Very Good. This Book is in Very Good condition. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity, check your package for this month's char…ity. Reuse-Recycle-Rebook.

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Vendeur : Librairie Le Trait d'Union sarl., TROYES, FranceLibrairie Le Trait d'Union sarl.
Contacter le vendeurVendeur avec une évaluation de 5 étoilesMembre d’une association professionnelle : ILAB
Etat: Occasion
EUR 45,00
EUR 35,80 expéditionExpédition depuis France vers Etats-UnisQuantité disponible : 1 disponible(s)
London, Paul Holberton, 2016. In-4, rel. d?éditeur pleine toile jaune sous jaquette ill., 287 pp., texte en anglais, ill. en noir et en couleurs. Bibliogr., index. /92F Hardcover, with dust wrappers. Fine condition, unmarked.
Autres images- Couverture rigide
- Édition originale
Vendeur : Nighttown Books, Powell, WY, Etats-UnisNighttown Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Très bon
EUR 175,54
EUR 5,20 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Hard Cover. Etat : Fine. First Edition. First Printing in illustrated boards with white-stamped blue cloth shelfback as new, no remainder or other markings, NOT ex-lib, binding tight pages bright, slight wear top corners, tiny soil spots to cloth lower rear panel, else Fine unread copy of already scarce title (no dj, as issued);… 4to; 240pp fully illus in color; illustrated endpapers. Extra shipping charge REQUIRED for shipment of this heavy oversize book (additional charge MAY BE SUBSTANTIAL for expedited or overseas shipment).

The First Georgians; Art and Monarchy, 1714-1760
Bird, Rufus & Desmond Shawe-Taylor & Wolf Burchard & Kate Heard & Kathryn Jones
- Couverture rigide
Vendeur : BWS BKS, Ferndale, NY, Etats-UnisBWS BKS
Contacter le vendeurVendeur avec une évaluation de 1 étoilesEtat: Neuf
EUR 1 778,81
EUR 2,62 expéditionExpédition nationale : Etats-UnisQuantité disponible : 2 disponible(s)
Hardcover. Etat : New.