Zangaki (84 résultats)

Printed Wrappers. Etat : Very Good. First Edition. 32 p., fully illustrated [drsr aro br 21] Size: 8 3/8 x 10 15/16 inches.

Hardcover. Etat : Very Good. Oblong folio (38 X 26 cm), 96 albumen prints 27.50 x 21.50 cm approx) & and 40 smaller prints (20 x 15 cm & 10 x 15 cm) including portraits of native types, most captioned and signed in the negative, original vellum gilt, slightly rubbed round the corners, titled "Oriente" on front upper cover, decorated endpapers, light browning to edges, otherwise photos in very good condition, [1890's]. Album of views in Egypt and Palestine, mostly by Zangaki and Arnoux. The majority of images are of Egypt, including Alexandra, Cairo, the Pyramids, the Egyptian museum, Egyptian antiquities, mosques, the Nile, Port Said, Heliopolis, and Suez Canal. In the Holy Land, the photographs taken by Zangaki brothers are rare. It is known that the majority of Zangaki's production was taken in Egypt, however these prints gives a new insight on the Holy Land by the very well known Greek photographers. The views of the Holy Land depict Jaffa, Jerusalem, Bethlehem, Bethany (total images 38). #30327.…

No binding. Vinatge Zangaki Studio Photo *** Date : ca 1885 *** Location/Lieu : Egypt, cairo *** Photographer/Credit : ZANGAKI *** Categories : Egypt - Cities, Towns *** Two albumen prints mounted back to back, good condition, light creases, brittle mount *** Size in inches/Taille en pouces (1 inch=2,5 cm) : about 8x10, mounted on card - Size in centimeters/Taille en centimetres : about 20x25 mounted on card.…

Etat : Bueno. 2 albúminas de 28x22 cm adheridas a ambos lados de una cartulina. Levemente desvaídas. Tanto Gabriel Lekegian como los hermanos Zangaki desarrollaron una intensa actividad fotográfica en Egipto durante el último cuarto del siglo XIX y principios del XX.

Sin Encuadernar. Etat : Muy bien. Hermanos Zangaki. "Vacas en la orilla del Nilo". Fotografía en papel albuminado montada sobre un soporte secundario rígido, circa 1890. Con epígrafe al pie con título y nombre del fotógrafo. Mide: 22 x 27,5 cm. Ex colección Sameer Makarius (1924-2009). Adelphoi Zangaki (Hermanos Zangaki), Constantino y Georges Zangaki, eran dos hermanos de origen griego, que fueron fotógrafos activos en Egipto y Argelia, desde la década de 1860 hasta la década de 1890. Se especializaron en fotografiar monumentos antiguos y escenas de la vida cotidiana, produciendo impresiones para el comercio turístico. Ocasionalmente trabajaron con el fotógrafo de Port Said , Hippolyte Arnoux en los trabajos del documento del proyecto en el Canal de Suez. Estuvieron entre los primeros fotógrafos comerciales en producir imágenes a gran escala de Egipto. Las fotografías tomadas por los hermanos Zangaki se encuentran comúnmente en los álbumes de turistas reunidos en el Medio Oriente en la segunda mitad del siglo XIX. Desde su estudio de Port Said, tenían una ubicación ideal para vender a los europeos que visitaban Egipto como parte de un Gran Tour. Los hermanos Zangaki viajaron a lo largo del Nilo acompañados por un carro de cuarto oscuro tirado por caballos para documentar el paisaje, la arquitectura y los eventos egipcios. Las imágenes incluían vistas de las pirámides , por ejemplo, Keops o la Esfinge y las ciudades, por ejemplo, Suez o Alejandría , así como de egipcios en su vida cotidiana. Se reconoce que los hermanos Zangaki produjeron algunas de las mejores imágenes del Egipto victoriano tardío. Sus fotografías del Egipto de finales del siglo XIX, aunque producidas para la venta al floreciente comercio turístico europeo en Egipto, son muy apreciadas por historiadores y coleccionistas por su visión de la vida en ese momento histórico. (código 3134).…

Sin Encuadernar. Etat : Muy bien. Hermanos Zangaki. "Palmeras sobre la costa del Nilo". Fotografía en papel albuminado montada sobre un soporte secundario rígido, circa 1890. Con epígrafe al pie con título y nombre del fotógrafo. Mide: 22 x 28 cm. Ex colección Sameer Makarius (1924-2009). Adelphoi Zangaki (Hermanos Zangaki), Constantino y Georges Zangaki, eran dos hermanos de origen griego, que fueron fotógrafos activos en Egipto y Argelia, desde la década de 1860 hasta la década de 1890. Se especializaron en fotografiar monumentos antiguos y escenas de la vida cotidiana, produciendo impresiones para el comercio turístico. Ocasionalmente trabajaron con el fotógrafo de Port Said , Hippolyte Arnoux en los trabajos del documento del proyecto en el Canal de Suez. Estuvieron entre los primeros fotógrafos comerciales en producir imágenes a gran escala de Egipto. Las fotografías tomadas por los hermanos Zangaki se encuentran comúnmente en los álbumes de turistas reunidos en el Medio Oriente en la segunda mitad del siglo XIX. Desde su estudio de Port Said, tenían una ubicación ideal para vender a los europeos que visitaban Egipto como parte de un Gran Tour. Los hermanos Zangaki viajaron a lo largo del Nilo acompañados por un carro de cuarto oscuro tirado por caballos para documentar el paisaje, la arquitectura y los eventos egipcios. Las imágenes incluían vistas de las pirámides , por ejemplo, Keops o la Esfinge y las ciudades, por ejemplo, Suez o Alejandría , así como de egipcios en su vida cotidiana. Se reconoce que los hermanos Zangaki produjeron algunas de las mejores imágenes del Egipto victoriano tardío. Sus fotografías del Egipto de finales del siglo XIX, aunque producidas para la venta al floreciente comercio turístico europeo en Egipto, son muy apreciadas por historiadores y coleccionistas por su visión de la vida en ese momento histórico. (código 3132).…

Sin Encuadernar. Etat : Muy bien. Hermanos Zangaki. "Arando la tierra". Fotografía en papel albuminado montada sobre un soporte secundario rígido, circa 1890. Con título y nombre del fotógrafo al pie. Mide: 22 x 28 cm. Ex colección Sameer Makarius (1924-2009). Adelphoi Zangaki (Hermanos Zangaki), Constantino y Georges Zangaki, eran dos hermanos de origen griego, que fueron fotógrafos activos en Egipto y Argelia, desde la década de 1860 hasta la década de 1890. Se especializaron en fotografiar monumentos antiguos y escenas de la vida cotidiana, produciendo impresiones para el comercio turístico. Ocasionalmente trabajaron con el fotógrafo de Port Said , Hippolyte Arnoux en los trabajos del documento del proyecto en el Canal de Suez. Estuvieron entre los primeros fotógrafos comerciales en producir imágenes a gran escala de Egipto. Las fotografías tomadas por los hermanos Zangaki se encuentran comúnmente en los álbumes de turistas reunidos en el Medio Oriente en la segunda mitad del siglo XIX. Desde su estudio de Port Said, tenían una ubicación ideal para vender a los europeos que visitaban Egipto como parte de un Gran Tour. Los hermanos Zangaki viajaron a lo largo del Nilo acompañados por un carro de cuarto oscuro tirado por caballos para documentar el paisaje, la arquitectura y los eventos egipcios. Las imágenes incluían vistas de las pirámides , por ejemplo, Keops o la Esfinge y las ciudades, por ejemplo, Suez o Alejandría , así como de egipcios en su vida cotidiana. Se reconoce que los hermanos Zangaki produjeron algunas de las mejores imágenes del Egipto victoriano tardío. Sus fotografías del Egipto de finales del siglo XIX, aunque producidas para la venta al floreciente comercio turístico europeo en Egipto , son muy apreciadas por historiadores y coleccionistas por su visión de la vida en ese momento histórico. (código 3131). …

je ca. 27x21cm, je 2 Fotos auf einem Karton aufgewalzt (Vorder-und Rückseite) - Gabriel Lekegian (1853 c. 1920) war von ca. 1880 - ca. 1920 als Fotograf in Constantinopel und Kairo tätig. Die Gebrüder Zangaki wirkten in Port Said und Cairo in den Jahren 1860 - 1890. - Fotos in gutem, originalen Zustand.…

Folio. 14 x 15.5 inches. 48 original mounted professional photographs, each a full-page image. Modern half red morocco, cloth. A piece of the original cloth cover, with the title in German as shown, is mounted within the volume. Fine. 48 fine vintage photographs, 23 of which are signed by the photograph (19 by the Zangaki Brothers; 4 by Antoine Beoto). The images are taken in the southern Egyptian Luxor region, including images of the Valley of the Kings at Luxor temple, the Nile, Karnak temple, and Thebes. / The first photograph shows the Sphynx and in front are a couple (presumedly a husband & wife, perhaps German or Swiss-German), obviously tourists. This is their memory album of a visit to Luxor in southern Egypt, the place of the Valley of the Kings. The photographs, some of which are titled, are chiefly titled in French. Even though 23 of the photographs are signed, it is clear that the whole album is made up of images from these two photographers, meaning that 47 of the images should be either by the Zangaki Brothers or Antoine Beoto's studio. The only unique image should be the first one showing the two travelers and their guides.…

A large German album with 34 albumen prints of Egypt. The Greek brothers G. and C. Zangaki were photographers who worked in Egypt in the second half of the 19th century. Due to increased tourism to this region after the opening of the Suez Canal, there was a large demand for souvenir photographs. Photographers like the Zangaki brothers, as well as Sebah & Joallier, catered to this. The Zangakis were among the first commercial photographers to produce large-scale images of Egypt. They travelled through the country with a portable darkroom to capture high-quality images of famous monuments and daily life, though the latter were usually posed. These images were then printed and sold to tourists, either separately or compiled into albums. According to John Hannavy, the brothers "produced some of the finest images of late Victorian Egypt". The 34 photographs include: the great pyramid, Cairo and the Nile, dervishes and other exotic looking locals, Egyptians standing on top of the sphinx, obeliscs, the Ramesseum, Karnak temple, the temple of Dendera, the Great Pyramid, Egyptians climbing the pyramid, the mosque and tomb of Muhammad Ali, Saqqara and many others.With two small library stamps on the first page, not affecting the photograph. The book has been rebacked. The left side of the front board has faded and the corners are worn. Minor browning around the edges of the leaves. Back flyleaf loose. The photos are crisp and clear and the book is otherwise in good condition.l Erdem, Views of Egypt by Georgios and Constantinos Zangaki: Examining a late nineteenth-century photographic album at the Art Gallery of Ontario (thesis), 2006; Hannavy, Encyclopedia of Nineteenth Century Photography, pp. 1036, 1093 & 1521. Original gold-stamped bubble-grained maroon cloth over boards, modern maroon cloth spine and leather corners. Gold stamped title and year on the front, white watered silk endpapers. With 34 large albumen prints mounted on heavy cardstock leaves. Most of the photographs are numbered and captioned in French in the negative and signed 'Zangaki'. The last one is signed Sebah & Joallier. The Zangaki prints measure 22.5 x 28.5 cm; the Sebah & Joallier one is 20.5 x 26.5 cm. Pages: [36] ll. …

Remarkable collecton of photographs about Egypt, and in particular about the Egyptian oil industry. The first 17 photographs in the album date from the 1870s and 1880s, and were made by the famous Zangaki brothers, who were among the first commercial photograhers working in Egypt. The beautiful prints in the album show views of Caïro, pyramids, and locals, which are the type of scenes the Zangaki's specialised in. The remaining photographs date from the 1910s and offer a unique view of the very beginnings of the Egyptian oil industry. They document the building of an oil refinery and storage, presumably near Ras Gemsah, where Egypt first began drilling for oil. An especially notable addition to the collection are the two folding panorama photographs, which give a good sense of the scale of these building projects. As we have not been able to find these photographs anywhere else, they may have been privately commisioned by the Egyptian oil industry and only given to those involved in it.The Anglo-Egyptian Oilfields Limited registered in London on 6 July 1911. The company was a joint operation of Royal Dutch Shell and British Petroleum with the objective of receiving concessions, developing, drilling, purifying, supplying, reserving, distributing and handling petroleum products.Ras Gemsah became a very important source of oil, and in 1911, the first oil refinery was established there, which is what the present photographs show. The refinery's first operations commenced in 1912 and it was considered the only origin for oil production for quite some time. On one of the photographs, the English, Egyptian and Dutch flags can be seen side by side. Since the album was bound by R. W. Rinck of the Hof- en Nederlandsche albumfabriek en hofboekbinderij, which was a prestigious bindery at the time, it may have been meant for an important Shell employee involved in the Ras Gemsah project.With the label of the bookbinder (R.W. Rinck, Den Haag) at the foot of the front pastedown. The corners and edges of the boards are somewhat scuffed. The edges of the leaves are discoloured, without affecting the photographs. Otherwise in good condition. Contemporary embossed brown cloth (made to imitate reptile skin), with the title blind-tooled on the front board, decorative paper endpapers. With 83 albumen prints, of which 2 folding panorama photographs, 17 signed and numbered in the negative by the Zangaki brothers, and 66 larger prints of the oil industry. Pages: [42], [8 blank] ll.…

Hardcover. First Edition. Oblong folio album (15" x 11") in morocco-backed olive wood panels with a carved Jerusalem cross and inlaid border containing a letterpress title and 48 large (@9" x 11") albumen photographs with caption and photographer's credit in the negative, mounted recto/verso to stiff printed album cards, all protected with tissue guards. Attractive Nineteenth-century tourist album of Zangaki brothers' photography compiled for sale at Boulos Méo's antique and souvenir shop at the Jaffa Gate of Old City Jerusalem. Best known for their photographs of Egypt, the Greek Zangaki brothers also documented the construction of the Suez Canal with their photographs as well as scenes in Palestine, as in this album. Images include the Wailing Wall, Jaffa Gate (Bab el-Khalil), Church of the Flagellation, Gethsemane, Mount Olive, Al-Aqsa Mosque, Mosque of Omar, and the Tower of David. Photographs Very Good to Near Fine with good contrast. Moderate wear to binding but front hinge is broken with cover still attached. Over all Very Good.…

Oblong folio (425 x 330 mm). 102 albumen photographs (220 x 275 mm) mounted on card. Contemporary green pebbled cloth ruled in blind. A large collection of portraits and views of Jerusalem and surroundings, most signed or captioned in-plate by Felix Bonfils (46), the American Colony studio (16), Zangaki (7), Dumas, and P. Sebah. Striking scenes include sea-bathers in the Dead Sea, the market at Jaffa overflowing with melons, the Greek Orthodox ceremony of the washing of the feet in the courtyard of the Church of the Holy Sepulchre, several scenes of the interior of the same church, the Tombs of the Kings, the convent of Mar Sabba clinging to a cliffside, the Christmas Day pilgrimage in Bethlehem, the Valley of Jehoshaphat, street scenes of Jerusalem populated by passersby in Ottoman and European dress, men and camels resting along the banks of the Jordan or aiming their rifles across the river for the camera, the "Mosque of Omar" (Dome of the Rock, Qubbat as-Sakhra) and the interior of the Al-Aqsa Mosque (also known as the Qibli Mosque). The collection also includes portraits, largely of locals: two portraits of women from Nazareth, all in European style dresses under long headscarves, two wearing tall pattens to keep their feet from the street mud; father and son street vendors in Ottoman dress, a young woman from Bethlehem in an elaborately embroidered jacket, and a bearded man captioned "Cheik de Village". - Some fading and occasional wear to photographs, binding skilfully rebacked and repaired. An interesting and wide-ranging collection documenting Jerusalem from the individual to the historical scale just prior to the turn of the century. …

Interesting photo album, probably compiled as a souvenir of a journey through the Holy Land, Egypt, Athens and Venice in the 1890s. Complete souvenir albums were sold by photographer's studios and dealers alike. However, the fact that the current album has several blank pages at the end, lacks a binding title and contains photographs showing several different countries, suggests that it was compiled by an individual traveller. Among the photographs of Athens, is an image of the statue of Themis, excavated in 1890 in Rhamnous and subsequently transported to Athens. The inclusion of this photograph suggests the album was compiled in or soon after 1890.The largest part of the album contains photographs of Egypt and Jerusalem. After a view with numerous watermelons at the market of Jaffa, it shows views of Ramlah, Bethany (al-Azariya), Khan al-Ahmar ("scene of the 'good Samaritan' episode") and the convent Mar Saba. Before the views of Bethlehem on Christmas day, are two photographs showing local inhabitants: a single rider with his horse before the river Jordan and a Bedouin camp near Jericho. All the major sites of Jerusalem are present, including the Mount of Olives, Wailing Wall, Solomon's Stables and the Jaffa Gate with more watermelons. A misplaced image of the coppersmiths of Cairo appears before images of the Al-Aqsa Mosque and the Church of the Holy Sepulchre. The images of Egypt mostly show the river Nile and the Pyramids, but also a busy market in the garden of Gezireh, the interior of the Mosque of Muhammad Ali and a mummy. Typical images of Athens and Venice follow, with the final image showing a gentleman and two ladies feeding the pigeons on the Piazza San Marco.With the captions of several of the photographs transcribed in pencil or ink. Binding worn at the extremities. Paperboard album leaves with a few spots and several tears, most of the header corners damaged and several repaired. Photographs in excellent condition, a few with some spots and light damage at the sides. Contemporary brown half morocco, buckram boards. Oblong album (41.5 x 31 cm) containing 62 albumen prints, mostly 23 x 28 cm, with 2 smaller prints of ca. 16 x 28 and 5 large prints of 35.5 x 27 cm. Most of the photographs are numbered and captioned on the negative in French, and sometimes also in English. Pages: [59], [11 blank] pp.…

Kein Einband. Etat : Gut bis sehr gut. Albumin ca. 27 x 21 cm. Nur leicht gestaucht, an den Rändern minimal verblichen. Schöner toniger Abzug.

Etat : Very Good. Silver albumen photograph, 215 x 280 mm. Signed and titled in plate. Never mounted. Near fine.

No binding. Vintage Zangaki Studio Photo. On reverse of card, another photo: Port Saïd Place de Lesseps (light contrast) *** Date : ca 1890 *** Location/Lieu : Egypt *** Photographer/Credit : ZANGAKI *** Categories : Egypt - Cities, Towns, Water Transportation *** Albumen print mounted on card, good condition, light stains & creases *** Size in inches/Taille en pouces (1 inch=2,5 cm) : about 11.08x8.64 on 11.60x9.24 mount (Card) - Size in centimeters/Taille en centimetres : about 27.70x21.60 on 29.00x23.10 mount (Card).…

No binding. Vintage Zangaki Studio Photo. On reverse of card, another photo: Fontaine de Moise par Comianos et Sarolidis (No 42) *** Date : ca 1890 *** Location/Lieu : Egypt *** Photographer/Credit : ZANGAKI *** Categories : Egypt - Seaside, Lakes & Rivers, Water Transportation *** Albumen print mounted on card, good condition, light stains & creases, light contrast *** Size in inches/Taille en pouces (1 inch=2,5 cm) : about 11.20x8.48 on 11.80x9.28 mount (Card) - Size in centimeters/Taille en centimetres : about 28.00x21.20 on 29.50x23.20 mount (Card).…

No Binding. Etat : Good. A procession of drummers mounted on richly dressed camels passes through Cairo in celebration of a marriage. Local children look on. Undated, c1890s. Sheet and image size 276 x 208mm. Titled in French in the print. The photographer and publisher are not identified, but this well known image is generally credited to the Zangaki Brothers, who were active in Cairo c1860s-90s, possibly with a branch in Port Said. Good only, with a little loss to the corners, some light creasing and short closed tears.…

Two original albumen prints (29 x 23 cm) of a group of men riding camels in front of the Pyramids and a merchant selling water to a young Egyptian man pasted onto either side of a piece of card. Both photos lightly faded, small tear to top of camel photo; damage to one edge of card. Generally very good. The two Adelphoi Zangaki or Zangaki Brothers were Greek photographers active in Egypt in the latter half of the nineteenth century, selling photographs of the country's great sights and structures as souvenirs to tourists. They are individually known only as C. and G. Zangaki. Anything pertaining to their birth, upbringing, lives, and the particulars of their work is unclear. They do emerge, however, in legal proceedings brought against them by French photographer Hippolyte Arnoux in which they were convicted of stealing Arnoux's intellectual property. Whilst the Zangaki brothers' identities have drifted into obscurity, their photographs remain and are often considered amongst the finest taken of nineteenth century Egypt. Nos. 426 & 673.…

Album in plano (30,5 x 24,5cm) composé de 52 feuilles cartonnées. Pleine percaline noire d?époque, muette, tranches dorées. Rares rousseurs, quelques photos au contraste faible, une photo avec une légère déchirure en marge, sinon très bon état de conservation. L?album est composé de soixante photos, la plupart de grand format (24 x17 cm). Une partie des photos sont signées dans les plaques : Fiorillo (Luigi Fiorillo, 1847-1898), photographe italien installé à Alexandrie.D?autres Garzòn (Rafael Garzòn), Bonfils (Félix Bonfils, 1831-1885), Hippolyte Arnoux, Frères Rubellin (photographes installés à Smyrne). 10 photos de l?Alhambra par Garzòn, 2 photos identifiées de Rubellin (tampons au verso). Vues du Caire, très belles photos de momies, photos du port de Beyrouth, de Port-Saïd, très belles photos des pyramides, photos animées ou posées de personnages de la rue, etc. Voici le détail de quelques photographies remarquables : _ Alexandrie, la place du Consuls, photographie animée, signée Fiorillo (Luigi Fiorillo, 1847-1898), photographe italien installé à Alexandrie.- un portrait en pied du souverain d?Egypte, anonyme - Belle vue du Caire, signée Bonfils (Félix Bonfils, 1831-1885),- Très belle vue du vieux Caire, signée Zangaki (les frères Zangaki)- Vue générale des tombeaux des Mameluks- Mosquée Hassan Pacha- Les bords du Nil, signée Fiorillo- La cours du musée Boulak, signée Fiorillo- Très Belle photographie en pied de la momie de Sethi Ier, fils de Ramsès I, 1881Découverte en 1881, et photographiée pour la première fois sous l?autorité de Maspero- Portrait en buste de la momie de RAMSES II, 1881Attribué à Félix Bonfils- Photographie de facies de momie anonyme, reproduite sur le site du Musée d?Orsay décrite comme, « Anonyme, momie, vers 1850, Epreuve sur papier albuminé à partir d?un négatif. », Cette photographie nous paraît plutôt contemporaine des deux précédentes c?est à dire circa 1880. - Deux photographies sur papier albuminé, « statue de bois » et « sarcophage ». - « Arles, musée Lapidaire frise de l?arc de triomphe » - «Le prince Rahotep et la dame Nefertiti », Anonyme - « Le Caire, la grande pyramide de Cheops ( sic) », Anonyme - « Pyramide de Cheops, les sphinx ensablés », Hippolyte Arnoux- Personnages disposés sur les pierres de la grande pyramide, signée Zangaki- « Port Saïd, groupe de baudets », Hippolyte Arnoux- scène de genre, femme voilée portant une potiche sur la tête, anonyme - scène de genre, les petits métiers de Caire, anonyme - Belle «Vue de port Saïd », Hippolyte Arnoux, circa 1880- « Jaffa, vue générale prise de la mer. Palestine », signée Bonfils- « Vue de la ville de Haïfa, Palestine » , signée Bonfils- « Vue générale de Beyrouth, et du Mt Liban, Syrie » , signée Bonfils- 3 vues anonymes de Beyrouth et du mont Liban, timbre humide sur l?une d?entre elles, de l?établissement « Rubellin, Photographie parisienne à Smyrne »- vue d?un pont avec Chameaux, timbre humide « photographie parisienne », anonyme - Vue d?un cimetière avec des cèdres en arrière plan, signature estampée illisible - Vue du Port de Galata, Constantinople, 1876, Christopher Oscanyan- Autre vue de Constantinople - Vue de l?entrée d?une Mosquée (Sebah ?) - Vue de la grande mosquée de Constantinople, anonyme, - 8 photographies probablement du Liban - Lyra ( ?) Grèce, Signé Bonfils - 10 photographies Grenade, Alhambra, vues de villes et bâtiments, signé Garzon. …

Original mounted albumen photograph measuring 11 x 8 3/ 4 inches on the photographer's mount measuring 17 x 14 inches. Captioned in the the negative: "No. 1592. Une boeufe dans le Nile." Small part of lower left corner has fallen away and a bit of erosion to the upper right corner. A fortuitous image with good tonality.…

Original albumen print (27 x 21 cm) of the Mosque of Sultan Hassan in Cairo. Image gently faded; some light spotting. Generally very good. The two Adelphoi Zangaki or Zangaki Brothers were Greek photographers active in Egypt in the latter half of the nineteenth century, selling photographs of the country's great sights and structures as souvenirs to tourists. They are individually known only as C. and G. Zangaki. Anything pertaining to their birth, upbringing, lives, and the particulars of their work is unclear. They do emerge, however, in legal proceedings brought against them by French photographer Hippolyte Arnoux in which they were convicted of stealing Arnoux's intellectual property. Whilst the Zangaki brothers' identities have drifted into obscurity, their photographs remain and are often considered amongst the finest taken of nineteenth century Egypt. No. 760.…

Etat : Gut. Die Brüder Zangaki waren zwei Brüder griechischer Herkunft, die von den 1860er bis in die 1890er Jahre als Fotografen in Ägypten und Algerien tätig waren und sich auf das Fotografieren von antiken Denkmälern und Szenen des täglichen Lebens sowie auf die Herstellung von Drucken für den Tourismus spezialisiert hatten. Sie arbeiteten gelegentlich mit dem Port Said- Fotografen Hippolyte Arnoux an den Projektdokumenten über den Suezkanal. Sie gehörten zu den ersten kommerziellen Fotografen, die großformatige Bilder von Ägypten produzierten. (Quelle: Wikipedia) Originalfotografie mit eingespiegelten Schriftzügen "Zangaki" und "No 1157 Bazar de Jaffa" im Format 22 x 27,8 cm. Das Bild ist in gutem Zustand , montiert auf starkem, weißen Karton; dieser ist bestoßen und leicht verschmutzt. Unter der Fotografie ist der handschriftl. Vermerk mit dem Titel des Motivs in deutscher Sprache aufgebracht. Sprache / Language: fr ca. 41,4 x 30,4 cm.…

Etat : About fine. Albumen-silver photograph, 210 x 263 mm. Signed and titled in plate. Titled on verso in pencil. Lightly toned to sepia. Not matted or framed.

Sin Encuadernar. Etat : Muy bien. Hermanos Zangaki. "Cinco mujeres sobre un carro". Fotografía en papel albuminado montada sobre un soporte secundario rígido, circa 1890. Con epígrafe al pie con título y nombre del fotógrafo. Curiosa fotografía de un árabe llevando a cinco mujeres sobre un carro movido por un burro. Mide: 21,5 x 28 cm. Ex colección Sameer Makarius (1924-2009). Adelphoi Zangaki (Hermanos Zangaki), Constantino y Georges Zangaki, eran dos hermanos de origen griego, que fueron fotógrafos activos en Egipto y Argelia, desde la década de 1860 hasta la década de 1890. Se especializaron en fotografiar monumentos antiguos y escenas de la vida cotidiana, produciendo impresiones para el comercio turístico. Ocasionalmente trabajaron con el fotógrafo de Port Said , Hippolyte Arnoux en los trabajos del documento del proyecto en el Canal de Suez. Estuvieron entre los primeros fotógrafos comerciales en producir imágenes a gran escala de Egipto. Las fotografías tomadas por los hermanos Zangaki se encuentran comúnmente en los álbumes de turistas reunidos en el Medio Oriente en la segunda mitad del siglo XIX. Desde su estudio de Port Said, tenían una ubicación ideal para vender a los europeos que visitaban Egipto como parte de un Gran Tour. Los hermanos Zangaki viajaron a lo largo del Nilo acompañados por un carro de cuarto oscuro tirado por caballos para documentar el paisaje, la arquitectura y los eventos egipcios. Las imágenes incluían vistas de las pirámides , por ejemplo, Keops o la Esfinge y las ciudades, por ejemplo, Suez o Alejandría , así como de egipcios en su vida cotidiana. Se reconoce que los hermanos Zangaki produjeron algunas de las mejores imágenes del Egipto victoriano tardío. Sus fotografías del Egipto de finales del siglo XIX, aunque producidas para la venta al floreciente comercio turístico europeo en Egipto, son muy apreciadas por historiadores y coleccionistas por su visión de la vida en ese momento histórico. (código 3133).…

No binding. Vintages Zangaki Studio Photo numbered 232 and Sebah Studio Photo numbered 412. *** Date : ca 1880 *** Location/Lieu : Egypt, Cairo *** Photographer/Credit : ZANGAKI *** Categories : Egypt - Occupational *** Albumen prints, mounted on card back to back, good condition, light creases, light on borders. *** Size in inches/Taille en pouces (1 inch=2,5 cm) : Back to back photos, (2) about 8.5x10.5, mounted on card - Size in centimeters/Taille en centimetres : Back to back photos, about 21.25x26.25, mounted on card. …

Etat : Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1134 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Thebes (Ancient Greek: ?????, Th?bai), known to the ancient Egyptians as Waset, was an ancient Egyptian city located along the Nile about 800 kilometers (500 mi) south of the Mediterranean. Its ruins lie within the modern Egyptian city of LuxorLittle is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events.…

27,5 x 21,5cm, Photos signées sur l'image. Atelier de photographie créé à Port-Saïd vers 1880 par les frères Constantin et Georges Zangaki, originaires de l'île de Milos en Grèce. Ils ouvrent une succursale au Caire dans les années 1890 et resteront actifs jusqu'en 1915 environ. Les tirages représentent des vues du port et des quais de Port-Saïd, une caravanne traversant un pont, une vue du canal de Suez emprunté par un navire, une vue du lac Timsah. Bon état général. Les tirages qui furent encadrés présentent des marques angulaires de fixation. NB. Les commandes et questions sont traitées dans les 48h, les expéditions reprendront le 23 octobre. Merci.…

Albumin-Abzug der Zeit (Vintage). Format: 22 x 27 cm; montiert auf Trägerpappe (25 x 33 cm). -- Zustand: Pappe gebogen und etwas fleckig; Foto in gutem Zustand. Über die Fotografen (Quelle: engl. wikipedia): The Adelphoi Zangaki (Zangaki Brothers), known by their probable initials C. and G. Zangaki, were two brothers of Greek origin, active as photographers in Ottoman Egypt from the 1860s through to the 1890s. They specialized in photographing ancient monuments and scenes of everyday life, producing photographic prints for the tourist trade. They occasionally worked with the French photographer Hippolyte Arnoux in Port Said, documenting the works on the Suez Canal. Further, they were among the first commercial photographers to produce large scale images of late 19th- century Egypt. Background: Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s. Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A. Zangaki". For a long time, it was believed that "A. Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it became clear that these were brothers. Scholars believe that their names were George and Constantinos (or Costas), and that they were born on the Greek island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth extists. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with studios in Cairo and Port Said. Early photographers in Egypt: By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), Emile Béchard (his brother Henri signed some of his photographs; active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) as well as Hippolyte Arnoux (active between 1860 and 1890) and some years later, Gabriel Lekegian (1853-1920). -- Career: Photographs taken by the Zangaki brothers are found in tourists' albums assembled in the Middle East in the second half of the 19th century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour. The Zangaki brothers traveled along the Nile, accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids at Giza or the Sphinx and cities, such as Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men working by the Nile or women at home. They may have worked with the French photographer Hippolyte Arnoux to document the construction of the Suez Canal. Most scholars believe that Arnoux was the official Suez photographer and that the Zangaki Brothers may have assisted him. However, the precise nature of their relationship is unclear, since Arnoux's biography is just as enigmatic as that of the Zangaki brothers. Their relationship soured in 1874, when Arnoux instigated litigation against the Zangaki Brothers and one Spiridion Antippa, accusing them of usurping his intellectual property. Arnoux was successful, as on 29 June 1876, the Court of Ismailia recognized them as "guilty of usurpation of artistic and industrial property and unfair competition." Recognition: Art historian John Hannavy acknowledged that the Zangaki brothers "produced some of the finest images" of the late 19th century in Egypt. Mainly produced for the expectations of the flourishing European tourist trade in Egypt, they are highly prized by historians and collectors for their representations of life at the time. …