Steidl kasher (36 résultats)

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Etat : good. Used - Good: A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.…

Etat : Very Good. Etat de la jaquette : 48135499. 1784802308. 7/23/2026 10:25:08 AM.

Hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Etat : Good. Original pictorial boards, illustrations in colour and b/w, 4to.; Book plate stamp on first page.

Etat : New. Original pictorial boards, illustrations in colour and b/w, 4to.; Book plate stamp on first page.

Paperback. Etat : New. 1st Edition. Oblong octavo, 132 pages, illustrated. A New copy.

Hardcover. Etat : Good. Etat de la jaquette : No Jacket as Issued. 376 pages. The cover has a little wear. The page edges are lightly tanned and foxed. The last page has a small tear. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Couverture rigide. Etat : Comme neuf. ===ENVOIE LE JOUR MEME===.

Hardcover without dustjacket as issued, unpaginated; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

1. ed. 375 S. : überw. Ill. ; 29 cm, 1700 gr. Zustand: Sehr gut, neuwertig, noch original eingeschweißt. - "Der beste Kameramann Amerikas (Godard) "Er zählt zu den Männern, die vor mehr als 50 Jahren Amerikas Dokumentarfilm revolutioniert haben. Albert Maysles gelangen Filme, die so nah dran sind an den Menschen, als ob es keine Kamera gäbe. Martin Scorsese ist ein großer Bewunderer des Maysles-Stil, dessen Kennzeichen eine immer in Bewegung gehaltene Handkamera ist, die schnell vor- und zurückzoomt, die knallhart Ausschnitte, Blenden, Unschärfen korrigiert, mit Raum-Zeit-Sprüngen im Schnitt mitten hinein führt ins Geschehen. Maysles hat mit Orson Welles, den Beatles, den Stones, mit Marlon Brando, Vladimir Horowitz und Christo Filme gemacht. Einige von ihnen wurden zu Meilensteinen der Filmgeschichte: The Salesman, über eine Gruppe von Hausierern, oder Grey Gardens über eine Tante und eine Cousine von Jackie Kennedy, die in einem verwilderten Haus in Boston die Mutter-Tochter-Beziehung durchfighten, oder Lalees Kin, das Porträt einer schwarzen Baumwollpflückerin. Dieser bilderpralle Fotoband bietet einen einzigartigen Einblick in sein Lebenswerk. Er zeigt Sophia Loren, Arthur Miller, Marlon Brando, Dalí, Christo, die Stones, die Kennedys, Fidel Castro u.v.a bei den Dreharbeiten und beweist, dass Maysles nicht nur ein Genie hinter der Kamera war, sondern auch eine unvergleichliche Leichtigkeit im Umgang mit Menschen besaß." (Verlagstext) Mit einem Vorwort von Martin Scorsese. Internationale Ausgabe, Text englisch. ISBN: 9783865214966 Sprache: Englisch Gewicht in Gramm: 1705 4° (28,5x22,5cm), OPappbd., geb., Fadenheftung.…

Etat : fine. vendeur pro, expedition soignee en 24/48h. Le livre peut montrer des signes d'usure dus a son utilisation, etre marque ou presenter plusieurs dommages esthetiques mineurs.

Hardcover. Etat : New.

Hardcover. Etat : Very Good. Very faint wear to illustrated covers. Otherwise a fine hardcover copy. Corners are sharp. Binding is firm. Not ex-library. No remainder mark. 375 pages. s29f4.

Soft cover. Etat : Fine. 1st Edition. Fine first edition exhibition softcover, no writing or marks. Published for the exhibition at the Steven Kasher Gallery, New York, March 2 - April 3, 2010. Edited and with an essay by Colacello. Black and white images, unpaginated. M06460.

Hardcover. Etat : Very Good. 1st Edition. 373pp. Oblong quarto. Pictorial paper-covered boards; no jacket as issued. One pencil annotation to page 230; otherwise unmarked. Spine is a bit sunned; small bump to upper right corner; overall a very good to near fine copy. Please note that owing to the size and weight of this large volume, extra freight charges may be requested in order to ship overseas.…

1st edition laminated boards Nice copy quarto 243pp., colour & b/w pls., filmography, Account of the life & work of the great documentary film-makers of Ukrainian / Polish descent; Albert & David Maysles. 2 small stamps: Deakin University.

Hardcover. Etat : Fair. 1st Edition. First edition. Bound in the publisher's original boards. The boards heavily discoloured and the corners and edges bumped and shaken, edgewear and discolouration, including a few dings to the edges. Edgewear and scratches to the closed page edges. The spine discoloured and rather cocked. Hinges strained. A lavishly illustrated history of the American mugshot.…

Hard Cover. Etat : Very Good. First Edition. This is a very good hardcover copy without dust jacket as issued with just kight cover wear. SIGNED by Albert Maysles in ink on the lower half of the title-page. Not inscribed to anyone just signed. Otherwise completely clean. Stated first edition 2007. Illuistrated in color and black & white. Filmography. 11" high X 9" wide, 375 pages. Scarce signed. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Author. …

hardcover. Etat : As New. Prima edizione (First Edition). Intorduzione di Mark Michaelson. Testi di Bob Nickas e Kio Stark. Fotografie in bianco e nero . Cm 28,5x22,5. pp. 304. . Perfetto (Mint). . Prima edizione (First Edition). . Teppisti, furfanti, delinquenti e miscredenti. Prostitute, tirapiedi, truffatori. Uomini e donne, anziani e adolescenti, ricchi e poveri, ma soprattutto poveri. Questi sono i Least Wanted. I loro ritratti costituiscono una piccola parte della collezione di Mark Michaelson di oltre 10.000 foto segnaletiche americane dal 1870 al 1960. Creati per necessità e destinati ad essere distrutti quando obsoleti, sopravvivono come resti di un'epoca di originali cartacei, straordinarie finestre visive sul passato, e avvincenti artefatti fisici, spesso accompagnati da ephemera. Sono incollati su carte e manoscritti, battuti a macchina e timbrati con la ceralacca. A ogni sospetto sono state prese misure e impronte digitali, ognuno è stato documentato e classificato. Visi annoiati, orgogliosi, timidi, duri, sfiduciati, insanguinati, pieni di lividi, malconci e innocenti - innocenti fino a prova contraria - guardano l'obiettivo con un'individualità inconfondibile. Ogni soggetto, ogni immagine, è una persona, un ritratto, una traccia, un crimine, un indizio, un momento, un'espressione, una cornice, una madre, un padre, un figlio o una figlia. Ogni immagine è una prova, una documentazione. Una registrazione di persone e di storie scartate dalla storia e qui salvate.Un secolo di anime americane, archiviate e dimenticate, fino ad oggi. Book. …

Hardcover. Etat : Very Good. 1st Edition. Book is in very good condition. 304pp with b/w photographs.

Hardcover. Etat : Near Fine. 1st Edition. Pictorial hardcover. Slightly worn at corner tips. Upper front corner with unobtrusive bump. 4to.

Etat : Very Good. Very Good+; Hardcover; Very light wear to the covers; All three textblock sides are unblemished; The endpapers and text pages are all clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); 3.8 lbs; Unpaginated (about 300 pages); B&w photo of mugshot to cover, and title in white and black lettering along the spine; 2006, Steidl/Steven Kasher Gallery; 304 pages; "Least Wanted: A Century of American Mugshots," by Steven Kasher, et al.…

Hardcover. Etat : Very Good. 1st Edition. Slight shelf ware, otherwise in very good condition.

Etat : Very Good. Very Good+; Hardcover; Very light wear to the covers; Unblemished textblock edges; The endpapers and all text pages are bright and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); 3.8 lbs; Unpaginated (about 300 pages); Black and white photo of mugshot to cover, and title in white and black lettering along the spine; 2006, Steidl/Steven Kasher Gallery; 304 pages; "Least Wanted: A Century of American Mugshots," by Steven Kasher, et al. …

hardcover. Etat : Like New. First Edition. Signed by both editors on the half title page, hardcover in pictorial boards, looks unread. No jacket as issued. 2006 first edition. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Signed by Editor.…

hardcover. Etat : Like New. First Edition. Publisher: Steidl/Kasher, 2006. FINE hardcover in pictorial boards, as issued. First Edition. First Printing. As new. Pristine.

hardcover. Etat : As New. Prima edizione (First Edition). Volume pubblicato in occasione della mostra tenutasi presso la Steven Kasher Gallery, New York settembre - ottobre 2005.  Introduzione di Steven Kasher. Un testo di Alan Trachtenberg. Fotografie in bianco e nero di Mike Disfarmer . Cm 25,5x21. pp. 240. Dedica e firma autografe, datata New York 2006, di Alan Trachtenberg: "For Guido, It is my great fortune to have met you! I look forward to enlarged our friendship. Alan Trachtenberg, NYC 5/8/06"(Inscription signed by Alan Trachtenberg, dated New York 2006). Perfetto (Mint). . Prima edizione (First Edition). . Nella piccola città di montagna di Herber Springs, l'artista dell'Arkansas noto come Disfarmer ha catturato la vita e le emozioni della gente dell'America rurale tra il 1939-1945. I critici hanno salutato i notevoli ritratti in bianco e nero di Disfarmer come "un'opera di genio artistico" e "un classico nella storia della fotografia americana.". Book.…

hardcover. Etat : As New. Prima edizione (First Edition). A cura di Steven Kasher e Jack von Euw. Testi di Judy Wyatt e Jack von Euw. Fotografie in bianco e nero di Chauncey Hare . Cm 24,5x30. pp. 374. . Perfetto (Mint). . Prima edizione (First Edition). . Chauncey Hare ha fatto fotografie molto dettagliate degli interni delle case e dei luoghi di lavoro della classe operaia in tutta l'America fra la fine degli anni '60 e l'inizio degli anni '70. Questo nuovo libro contiene il doppio delle fotografie commoventi, inquietanti e spesso sorprendenti che sono apparse nei suoi due libri precedenti, Interior America (1977) e This Was Corporate America (1984).Il libro evidenzia la vita di protesta di Hare, una vita piena di incredibili coincidenze, apprendimento e dolore. Descrive la sua forte identificazione con le persone di cui fotografa le case e la sua irremovibile riluttanza a tradirle vendendo le loro fotografie. Racconta le sue lotte per far accettare le fotografie, accompagnate da un testo esplicativo, dal mondo dell'arte. Racconta le situazioni di abuso che ha sopportato nella sua infanzia, e nella vita lavorativa come ingegnere presso una grande compagnia petrolifera e presso l'Agenzia per la Protezione dell'Ambiente degli Stati Uniti.Chauncey Hare non si definisce un fotografo, ma piuttosto un ingegnere, un terapeuta familiare e, soprattutto, un attivista. Finanziato da tre borse di studio Guggenheim e tre borse di studio National Endowment, ha dedicato solo un breve periodo della sua vita alla fotografia. Frustrato dal mondo dell'arte, ha scattato foto solo sporadicamente fino al 1985, quando ha smesso completamente di fotografare. Nel 2000, diffidando dei musei d'arte, Hare ha donato tutte le sue fotografie e i suoi negativi alla Bancroft Library dell'Università della California a Berkeley. Ha conseguito una laurea in ingegneria alla Columbia University, un master in belle arti al San Francisco Art Institute, un master in sviluppo organizzativo alla Pepperdine University e un master in psicologia clinica alla Sierra University. Insieme alla moglie Judith Wyatt è coautore del manuale clinico Work Abuse: How to Recognize and Survive It (1997), che rompe il tabù dell'abuso sui luoghi di lavoro. In qualità di terapeuta familiare abilitato, Hare aiuta ora i lavoratori - di persona, al telefono e su Internet - a ridurre al minimo gli abusi che subiscono come dipendenti di aziende e enti pubblici. Book.…

Rilegato. Etat : nuovo. prima edizione. Chauncey Hare documents the ordinary and claustrophobic reality of suburban America in the early 1970s and its inhabitants, victims of the unexpected and disconcerting implications of the American Dream. The beautifully printed photographs take up the legacy of authors such as Walker Evans and Dorothea Lange, who were active in the field of social photography, and undoubtedly belong to the so-called Social Landscape of the 1960s; Hare's research also parallels that of Robert Adams, who published his famous 'The New West' in 1974. " [Hare's America] is an America where the cracks in the plaster, the piles of dirty dishes in the sink and the stains on the linoleum make up a hieroglyphic of despair. … After reading Hare's introduction, I can say that these are not simply photographs of interiors of American houses, but images of the author's interiority. He himself experienced the alienation and despair of these images" - Theodore Roszak Hare gave up photography altogether in 1985 to devote himself, with a degree in psychology, to helping workers - the same ones he had portrayed in their empty, desolate homes a decade earlier - to combat abuses of power in the workplace.…