art craft lino cutting printing de flight claude (10 résultats)

Board Covers. Etat : Very Good. Colour & Black and White illustrations by a variety of artists, including Claude Flight, Margaret Barnard, Lill Tschudi, Barker Mill, C. W. Toovey and others. Cloth spine; card covers, with image by Flight on front cover. Very Good.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. 1st Edition with 4 color plates, 13 b/w plates and 25 b/w figures. Text VG. Binding VG Cover boards Good with clear tape in lower right hand front cover (not a repair). 66+ pp. Overall VG.

FIRST EDITION 8vo. hardback in quarter beige buckram with illustrated paper-covered boards. 66pp. plus 2pp. blank for Notes and 8pp. Advertisements at end. Profusely illustrated with 4 colour plates, 13 b/w plates plus 25 b/w figures within the Text. Occasional faint biro and coloured pencil marks to pages, affecting 2 b/w figures,otherwise in margins or text. Some light soiling, mainly to covers and prelims. Please see photos. Overall a Good Copy. (Shelf 130) PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.

First Edition. 21 x 14 cm 66 pp with colour and b&w illustrations. Stiff boards, a fine copy with 2 ink stamps.

FIRST EDITION 8vo. hardback in quarter beige buckram with illustrated paper-covered boards. 66pp. plus 2pp. blank for Notes and 8pp. Advertisements at end. Profusely illustrated with 4 colour plates, 13 b/w plates plus 25 b/w figures within the Text. A clean copy with no previous owners' markings or inscriptions. Slight tanning to endpapers and 2 faint small marks to front and rear pastedowns where a protective film covering has been removed. A VERY GOOD COPY. (Shelf 4) PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.

Board Covers (quarter cloth). Etat : Fine. Etat de la jaquette : No Dust Jacket. First Edition. Front cover lightly soiled. Slight soiling and spotting to back cover. Head and foot of spine slightly worn. Spine lightly creased. Illustration on front cover lightly peeling away at top l/h corner. Cracking between front cover and front free endpaper. Former owner's sketches in pen to front and back free endpapers, otherwise unmarked. ; With colour and b/w plates. With frontispiece after Eileen Mayo. Plates after various artists including C. W. Toovey; Barker Mill; Claude Flight; Stanislaus Brien; Margaret Barnard; Pamela Drew; and W. Greengrass. ; 13.9 x 21.5cm; xiv, 66 (2)(8) pages.

[Art/Graphic design] FIRST EDITION. Octavo (22 x 15cm), pp.xiv; 66 [10]. With numerous colour and b&w halftone plates and linocuts throughout, including a frontispiece. Publisher's quarter tan cloth, pictorial paper over boards. Advertisements to rear. Light spotting to preliminaries. Front flyleaf cancelled. Gift inscription in red ink to front pastedown, dated 1959. Rear hinge starting. Toning to boards with some gentle staining, mostly to lower. Minor fabric split to spine. Still stable overall, and very good. Flight was essential to the popularisation of the linocut, using the medium as a pleasing vessel for his cubist and abstract ideas. Practically a linocut bible, with input and examples from a master of the craft.

Hardcover. Etat : Near Fine. 1st Edition. The First UK printing published by B. T. Batsford, Ltd., London in 1934. Tall 8vo., cloth-backed pictorial boards featuring a London street scene; lettered in black along the backstrip; with a frontis illustration by Eileen Mayo, and numerous other black and white and full-colour illustrations throughout on glossy paper; The BOOK a near Fine copy; a couple of faint marks to boards, a little rubbed at edges with the slightest hint of fraying to the spine ends; penned previous owner's name in red to the front free endpaper; a couple of minor marks to the paste-downs and endpapers. The book is protected in a removable Mylar cover. The book is dedicated to the Scottish artist Iain McNab, "whose encouragement of lino-cut colour printing made the first exhibition of work in this medium possible." The Scottish artist Iain Macnab was was the founder and principal of the Grosvenor School of Modern Art, at which the art of original linocut was first pioneered in the UK. Gathering around him a team of talented young artists and teachers, among them Claude Flight, Cyril Power and Sybil Andrews, the school taught according to his principles of rhythms, counter-rhythms, sweeping lines and carefully organised sequences of differing colours. It was Claude Flight that developed the art of lino cutting to its full potential while at the school, and who taught it most predominantly. There, he developed the art form to its full potential, and helped to develop the careers of several artists who were drawn to the the school, including Margaret Barnard, Leonard Beaumont, Dorrit Black and Diana Drew, some of whom are represented in the present title. Chapters are divided into the art, design, cutting, printing, and alterations of linocuts, with a final chapter on the rise and future of it as an art form. The introduction is provided by J. E. Barton. Elusive in this condition. More images available on request. Ashton Rare Books welcomes direct contact.

London : B. T. Batsford, 1934. Octavo, illustrated papered boards with cloth spine (lightly marked), frontispiece by Eileen Mayo, pp. xiv; 66; (2 - note); (8 - advertisements), illustrated in colour and black and white by Claude Flight, C. W. Toovey, Barker Mill, Lill Tschudi, Stanislaus Brien, John Richards, Edith Lawrence, Ronald Grierson, Katherine Chombley, Margaret Barnard, Dorrit Black, Ethel Spowers, and others, including child artists. A fine copy. The manual for linocutting written by Claude Flight of the Grosvenor, with numerous illustrations including some notable Australian women artists.

First edition, first impression. Claude Flight (1881-1955) was a devoted champion of the colour linocut, which, as he put it, "has no tradition or technique behind it, so that the student can go forward without thinking of what Bewick or Rembrandt did before" (p. 63). The exhibition he organised at the Redfern Gallery in London in 1929 was "the first exhibition devoted exclusively to the linocut in Britain; its success at the Redfern Gallery, London, led to a series of eight annual exhibitions which he arranged, initially at the Redfern and then at the Ward Gallery, London, until 1937. Flight also introduced the linocut to a diverse international audience through exhibitions toured by the Redfern to the United States (1929 and 1934), China (1931), Australia (1932 and 1937), and Canada (1935-6). Flight viewed the modern linocut, with its bold colour, geometric design, and rhythmic expression, as the new democratic art medium that would furnish homes with contemporary decorative designs at affordable prices. With utopian fervour he looked forward to the day when this 'art of the people for their homes' (Flight, Lino-cuts, 12) might sell 'at a price paid by the average man for his daily beer or his cinema ticket' (ibid., 4)" (ODNB). Octavo. Colour frontispiece and 4 other plates, numerous black and white illustrations. Original cream-cloth backed white paper boards, lettering to spine in black, front board decorated with an original colour lino print by Flight. Minor rubbing to edges, very good condition overall.