Edité par The Studio, London, England, 1924
Langue: anglais
Vendeur : David Gaines, Eureka, CA, Etats-Unis
Edition originale
EUR 18,45
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Very Good. No Jacket. 1st Edition. Boards (HB) in very good condition with some light wear and soiling to covers.Small enclosed tear top of spine. Small amount of foxing in margins. With an introduction from Malcolm Charles Salaman, an English author, journalist and critic.Illustrated throughout with numerous tipped in plates of etchings from Frank Brangwyn, a Welsh artist, painter, water colorist, printmaker, illustrator, and designer. Each plate is protected by a captioned tissue guard.
Edité par The Studio, 1924
Vendeur : Riverby Books, Fredericksburg, VA, Etats-Unis
EUR 17,57
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Good. Oversized hardcover. Blue-gray paper over boards with tan title label on front cover, with black and orange lettering. Title page dated 1924. Unpaginated, with numbered plates. 12 black and white plates total. In good condition. Covers appear quite toned and rubbed, with a few foreign markings visible on back cover. Corners and spine appear bumped, resulting in some chipping to paper and slightly exposing boards beneath. Covers feel a little loose from binding, but are still attached. Gutter inside is cracked through, revealing a bit of binding, but pages are not loose from binding. Although outside appearance is quite worn, inside contents remain in good, readable condition. Some toning to pages from age, but overall they are free of marks. Black and white plates remain clear and unfaded. This is an oversized (and overweight) book. Extra shipping charges may be required for international or priority delivery.
Edité par The Studio, ,m, 1924
Langue: anglais
Vendeur : Clayton Fine Books, Shepherdstown, WV, Etats-Unis
Edition originale
EUR 39,53
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Fair. Brangwyn, Frank (illustrateur). 1st Edition. Fair in paper-covered boards showing dusting toward edges, two red spots to the back board, short tear to top edge of back board, and spine cover missing. The 12 plates tipped in are in very good condition with deep shades of black and light fading to paper. Protective tissues present, only one has a corner crease.
Edité par The Studio, London, 1924
Vendeur : Argosy Book Store, ABAA, ILAB, New York, NY, Etats-Unis
EUR 26,35
Autre deviseQuantité disponible : 2 disponible(s)
Ajouter au panierhardcover. Etat : very good. Brangwyn, Frank (illustrateur). First. Illustrated with 12 mounted sepia plates. 8pp of text. Slim oblong 4to, blue boards with paper label on spine and cover (lightly edgeworn; spine ends chipped; bookplate on front endpaper). London: The Studio, 1924. First edition. A very good copy. Part One of the Modern Masters of Etching series.
Edité par The Studio, London, England, 1924
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
EUR 26,33
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Seablue cloth over boards; 20 pp; 12 b/w plates. Extremely nice collection of works by F.L. Griggs, A.R.E., R.E.; Lengthy introduction by Malcolm C. Salaman. Good +, some soiling to cover inside clean.
Edité par The Studio, 1924
Langue: anglais
Vendeur : West Cove UK, Wellington, Royaume-Uni
EUR 38,21
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Plates are bright and good. Year 1924. Hardcover. English. See images for condition. About the book >.>.> This last plate, London Bridge, No. 3, the twenty-seventh in the catalogue, was, perhaps, the most elaborate piece of draughtsmanship he had so far attempted with the bitten line, The Shipbuilding Yard, and Brentford Bridge being good preparations for it. But readily as Mr. Brangwyn's needle would always respond to the appeal of design in a bridge or any building with its human associations, or in a group of folk at their workaday tasks, it was no less responsive to the forms of trees with the linear intricacies of stem and branch. Studies of various trees in different surroundings he has habitually etched, and frequently a tree has been a vitally decora-tive feature in his design. An ordered cessive arrangement of poplars is the pictorial motive of A Road in Picardy, the simplicity of which we may attribute to the influence of Mr. Brangwyn's admiration for the etchings of Legros. It was only at the second thought that he changed the serene sky to a stormy one;
Edité par The Studio, 1925
Langue: anglais
Vendeur : West Cove UK, Wellington, Royaume-Uni
EUR 38,21
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Plates are bright and good. Year 1925. Hardcover. English. See images for condition. About the book >.>.> This last plate, London Bridge, No. 3, the twenty-seventh in the catalogue, was, perhaps, the most elaborate piece of draughtsmanship he had so far attempted with the bitten line, The Shipbuilding Yard, and Brentford Bridge being good preparations for it. But readily as Mr. Brangwyn's needle would always respond to the appeal of design in a bridge or any building with its human associations, or in a group of folk at their workaday tasks, it was no less responsive to the forms of trees with the linear intricacies of stem and branch. Studies of various trees in different surroundings he has habitually etched, and frequently a tree has been a vitally decora-tive feature in his design. An ordered cessive arrangement of poplars is the pictorial motive of A Road in Picardy, the simplicity of which we may attribute to the influence of Mr. Brangwyn's admiration for the etchings of Legros. It was only at the second thought that he changed the serene sky to a stormy one;
Edité par The Studio, 1924
Langue: anglais
Vendeur : West Cove UK, Wellington, Royaume-Uni
EUR 38,21
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Plates are bright and good. Year 1924. Hardcover. English. See images for condition. About the book >.>.> This last plate, London Bridge, No. 3, the twenty-seventh in the catalogue, was, perhaps, the most elaborate piece of draughtsmanship he had so far attempted with the bitten line, The Shipbuilding Yard, and Brentford Bridge being good preparations for it. But readily as Mr. Brangwyn's needle would always respond to the appeal of design in a bridge or any building with its human associations, or in group of folk at their workaday tasks, it was no less responsive to the forms of trees with the linear intricacies of stem and branch. Studies of various trees in different surroundings he has habitually etched. and frequently a tree has been a vitally decora-tive feature in his design. An ordered recessive arrangement of poplars is the pictorial motive of A Road in Picardy, the simplicity of which we may attribute to the influence of Mr. Brangwyn's admiration for the etchings of Legros. It was only at the second thought that he changed the serene sky to a stormy one;
Edité par London : The Studio, 1924
Vendeur : MW Books Ltd., Galway, Irlande
Edition originale
EUR 35
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panier1st edition. Good copy only in the original paper-labeled boards. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains reasonably well-preserved overall. Series: Modern masters of etching, no. 1. Physical description: 8 pages, unnumbered leaves of plates (chiefly illustrated), 25 x 31 cm. Subjects: Etching; Eau-forte (Gravure); Etching (printing process); Art; Brangwyn, Frank 1867-1956; Art Periodicals. 1 Kg.
Edité par The Studio, London, 1924
Edition originale
EUR 141,74
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardback. Etat : Very Good. Etat de la jaquette : Very Good. Frank Brangwyn (illustrateur). First edition. A first edition collection of numerous tipped in etchings from artist Frank Brangwyn. The first edition of this work, in the very scarce publisher's original price unclipped dust wrapper. With an introduction from Malcolm Charles Salaman, an English author, journalist and critic.Illustrated throughout with numerous tipped in plates of etchings from Frank Brangwyn, a Welsh artist, painter, watercolourist, printmaker, illustrator, and designer. Each plate is protected by a captioned tissue guard.As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, table glassware, buildings and interiors, was a lithographer and woodcutter and was a book illustrator. It has been estimated that during his lifetime Brangwyn produced over 12,000 works. In the publisher's original paper covered boards, with price unclipped dust wrapper. Fading to board perimeters. Rubbing to head of rear boards. Small closed tear to head of front joint. Discolouration to dust wrapper perimeters. Significant edgewear to dust wrapper tail, with chipping closed tears, and loss to back strip tail. Tape reinforcements to reverse of dust wrapper. Internally, firmly bound. Light foxing to first few pages. Pages otherwise clean and bright. Very Good. book.
Edité par The Studio, 1925
Vendeur : Allsop Antiquarian Booksellers PBFA, Warwick, Royaume-Uni
Membre d'association : PBFA
EUR 147,65
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Good. 2 vols. Pub. 1925 & 1932. Illus. with a total of 24 b.w. plates. Oblong 4to. orig. bds. EX-LIB. copies. Covers discoloured and very rubbed on edges, library markings throughout, a good copy. (Heavy item, will require extra postage).