Botwick (7 résultats)
Landscapes of Industrial Labor (Historical Archaeology : Journal for the Society of Historical Archaeology; Vol. 39, No. 3, 2005)
Mark S. Cassell (ed.); Stachiw; Taksa; Paterson; Given; Behrens; Pittaway; Botwick; McClane; Brandon; Davidson
Edité par The Society, 2005
- Couverture souple
Vendeur : Katsumi-san Co., Cambridge, MA, Etats-UnisKatsumi-san Co.
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 15,82
EUR 1,67 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panierSoft cover. Etat : Very Good. 151 p., illustrated [O1:5].
Hot Lead: vol. 2, #2 & 3, December 1969 & March 1970 [two issues]
Botwick, Joel S., Dotty Hafner, David Kimberly & Traci Churchill, editors, Woody Morse, Paul Kirchner, Abraham Polansky, Steve Mellor, et al.
Edité par Hot Lead, Orange, CT, 1970
- Couverture souple
- Magazine ou périodique
Vendeur : Bolerium Books Inc., San Francisco, CA, Etats-UnisBolerium Books Inc.
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 48,93
Frais de port gratuitsExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panierMagazine. Two issues, 16p. each, 8.5x10.75 inches, articles, poetry, fiction, politics, art, reviews & interviews, local ads, center spread detached but present on issue #2, rusty staples, light wear, magazines in stapled pictorial wraps. Material from New Haven area students. A report on the new version of Paul Sills' "Story Th…eatre" at Yale Rep with a full back page ad. Interview with filmmaker Abraham Polansky. Woody Morse decides that "Butch Cassidy and the Sundance Kid" is a failure. Who is Woody Morse again? No holdings located in OCLC as of 3/2023.
- Couverture rigide
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-UniPBShop.store UK
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 99,49
EUR 4,86 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : Plus de 20 disponibles
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.
Autres images- Couverture rigide
- Édition originale
Vendeur : Frey Fine Books, Rougemont, NC, Etats-UnisFrey Fine Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Bon
EUR 132,22
EUR 5,95 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 1st edition. 1st edition, 2008. A Near Fine book in a Very Good dust jacket. 4to., 256 pp., bound in publishers gold paper covered boards with photo illustrated glossy dust jacket, $65.00. Minor signs of wear to jacket tips and edges. Text appears unmarked. Dust jacke…t now protected in mylar sleeve. Mona Botwick (illustrateur).
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Vendeur : AHA-BUCH GmbH, Einbeck, AllemagneAHA-BUCH GmbH
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 157,00
EUR 61,94 expéditionExpédition depuis Allemagne vers Etats-UnisQuantité disponible : 2 disponible(s)
Buch. Etat : Neu. Neuware - An intellectual and literary history of the professionalization of suicidology at the turn of the 20th century which shows that fiction played a significant role in the transformation of the debates on voluntary death.In 19th-century England, the main point of contention around suicide was the punishm…ent. Should 'self-murderers' still be staked through the heart Should the crown continue to seize their assets In the 20th century, the questions shifted to motives: Why does someone commit suicide What does it feel like to be suicidal And can these questions, asked about a subject who is no longer present, be answered without their testimony As The Dead Cannot Reply shows, the emphasis shifted from effects to causes.Fiction, unbound by factual truth, offers an ideal space for these debates. Nicholas Nickleby, Jane Eyre, and Daniel Deronda illustrate the 19th-century understanding of suicide as a public event whose meaning is located in its meaning for others. The Man of Property and The Good Soldier confront the limits of our understanding on the subject. Mrs. Dalloway imagines what it feels like to take the leap, and Golden Age detective fiction, like Émile Durkheim and his contemporaries, finds the answer to suicide in the suicidal 'type.' Meanwhile, D.H. Lawrence, like Sigmund Freud, identifies a self-destructive urge, or a death drive, in modern man.The Dead Cannot Reply combines close readings of major Victorian and modernist novels alongside popular and scientific texts on suicide to examine how questions of teleology, causality, and phenomenology were answered in the English imagination.
- Couverture rigide
- impression à la demande
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-UnisGrand Eagle Retail
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 124,58
Frais de port gratuitsExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Hardcover. Etat : new. Hardcover. An intellectual and literary history of the professionalization of suicidology at the turn of the 20th century which shows that fiction played a significant role in the transformation of the debates on voluntary death.In 19th-century England, the main point of contention around suicide was the p…unishment. Should self-murderers still be staked through the heart? Should the crown continue to seize their assets? In the 20th century, the questions shifted to motives: Why does someone commit suicide? What does it feel like to be suicidal? And can these questions, asked about a subject who is no longer present, be answered without their testimony? As The Dead Cannot Reply shows, the emphasis shifted from effects to causes.Fiction, unbound by factual truth, offers an ideal space for these debates. Nicholas Nickleby, Jane Eyre, and Daniel Deronda illustrate the 19th-century understanding of suicide as a public event whose meaning is located in its meaning for others. The Man of Property and The Good Soldier confront the limits of our understanding on the subject. Mrs. Dalloway imagines what it feels like to take the leap, and Golden Age detective fiction, like Emile Durkheim and his contemporaries, finds the answer to suicide in the suicidal type. Meanwhile, D.H. Lawrence, like Sigmund Freud, identifies a self-destructive urge, or a death drive, in modern man.The Dead Cannot Reply combines close readings of major Victorian and modernist novels alongside popular and scientific texts on suicide to examine how questions of teleology, causality, and phenomenology were answered in the English imagination. Argues that the professionalization of suicidology in the 20th century shifted the focus of suicide discourse from its effects to its causes and illustrates the influence of this shift on English literature. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Couverture rigide
- impression à la demande
Vendeur : CitiRetail, Stevenage, Royaume-UniCitiRetail
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 105,79
EUR 43,19 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : 1 disponible(s)
Hardcover. Etat : new. Hardcover. An intellectual and literary history of the professionalization of suicidology at the turn of the 20th century which shows that fiction played a significant role in the transformation of the debates on voluntary death.In 19th-century England, the main point of contention around suicide was the p…unishment. Should self-murderers still be staked through the heart? Should the crown continue to seize their assets? In the 20th century, the questions shifted to motives: Why does someone commit suicide? What does it feel like to be suicidal? And can these questions, asked about a subject who is no longer present, be answered without their testimony? As The Dead Cannot Reply shows, the emphasis shifted from effects to causes.Fiction, unbound by factual truth, offers an ideal space for these debates. Nicholas Nickleby, Jane Eyre, and Daniel Deronda illustrate the 19th-century understanding of suicide as a public event whose meaning is located in its meaning for others. The Man of Property and The Good Soldier confront the limits of our understanding on the subject. Mrs. Dalloway imagines what it feels like to take the leap, and Golden Age detective fiction, like Emile Durkheim and his contemporaries, finds the answer to suicide in the suicidal type. Meanwhile, D.H. Lawrence, like Sigmund Freud, identifies a self-destructive urge, or a death drive, in modern man.The Dead Cannot Reply combines close readings of major Victorian and modernist novels alongside popular and scientific texts on suicide to examine how questions of teleology, causality, and phenomenology were answered in the English imagination. Argues that the professionalization of suicidology in the 20th century shifted the focus of suicide discourse from its effects to its causes and illustrates the influence of this shift on English literature. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
