David e brauer (22 résultats)

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

4°, illustr. Original-Karton. Etat : Wie neu. 262 S. : zahlr. Ill. wie neu 16-04-61 9783775710237 Aufgrund der EPR-Regelung kann zur Zeit in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei. Bitte beachten Sie: Auf Grund der vorgegebenen Versandkosten von AbeBooks / ZVAB kann es bei Büchern über 1 kg oder bei mehrbändigen Werken zu höheren Versandkosten kommen. Please note: Due to the shipping costs specified by AbeBooks / ZVAB, there may be higher shipping costs for books over 1 kg or for multi-volume works. Sprache: Englisch Gewicht in Gramm: 1800.…

Gr.-4°, Broschiert. Etat : Gut. 264 S., Abb. Gebraucht: guter und sauberer Zustand. Sprache: Englisch Gewicht in Gramm: 1732.

Paperback. Etat : Fine. 1st. 262 pages, illustrations (some colour); 30 cm. Catalogue accompanying an exhibition held at the Menil Collection, Houston, Tex., January 26 to May 13, 2001. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Pop Art: U.S./U.K. Connections, 1956-1966 looks only at artwork by American and British practitioners that is considered 'pure' Pop. This definition of Pop rests on the adoption of preexisting or received images from mass media sources of advertising, television, and movies - images that convey the personalities, common objects, and scenery of vernacular culture. The techniques utilized, however, varied: the Americans generally used a more reductive method, arriving at a centralized iconic image, while the British preferred an episodic approach that generated an implied narrative. As the essays in this book make clear, Pop Art promoted no specific agenda beyond the investigation of the prevailing American environment." - Publisher. *** CONTENTS: London Pop Recollected, by Christopher Finch; New Painting of Common Objects, by Walter Hopps interviewed by Jim Edwards; British Pop Art: 1956-1966: A Documentary Essay, by David E. Brauer; The Confluence of East and West Coast Pop, by Jim Edwards; Plates and Catalogue Commentary. American Entries, by Jim Edwards; British Entries, by David E. Brauer; U.S./U.K. Chronology: 1956-1966. American Chronology, by Jim Edwards; British Chronology, by David E. Brauer. Size: 4to. Collectible. …

Soft cover. Etat : Very Good. 4to. 262 pp. b/w and color illustrations. Illustrated wraps. Small crease to crown of spine, minor rubbing. Very Good.

Paperback. Etat : Brand New. 388 pages. 8.27x5.83x0.88 inches. In Stock.

Wrappers. Etat : Near Fine. 144 pages 80 illustrations 42 in color. Minor rubbing and wear to the paper corners, cover and edges. Illustrated wraps. Edited by K.C. Eynatten, Kate Hutchins and Don Quaintance. Introduction by Christopher Rothko. Authors' Biographies. Selected Bibliography. Book.

Hatje Cantz Publishers, Ostfildern-Ruit, 2001. 262 überweigend bebilderte S., kartoniert, quart---- gutes Exemplar / The Menil Collection / Herausgeberin/Editor: Polly Koch / Text englisch - 1745 Gramm.

Softcover. Etat : Sehr gut. 1. Auflage. Z / M : 264 pp., 249 ills. - This book traces the development of Pop Art in the fifties and sixties to the dialogue between British and American artists, documenting its complex genesis in London and later in New York and Los Angeles and concentrating on the development of its 'pure' characteristics, such as sharply outlined images and the use of photographic media and printing techniques. The book not only investigates the connections between American and British artists with respect to content and form but also takes a closer look at the exchange between the East and West Coast of the United States.…

Encuadernación de tapa blanda. Etat : Casi nuevo. 2001. Catálogo de gran formato y peso de la exposición celebrada en The Menil Collection (Houston, USA) en Enero - Mayo de 2001. 262 pp. Excelentes reproducciones en color y b/n. Idioma: Inglés. LIB 7A.

engl. Bro. 262 S. : zahlr. Ill. ; 30 cm Buch in guter Erhaltung, Einband sauber und unbestoßen, Seiten hell und sauber, im Randbereich wenig nachgedunkelt, leichte Gebrauchsspuren.Sprache: Englisch , Sprache: Englisch Gewicht in Gramm: 1900.

Erste Auflage. 29 x 25 cm. 262 S. Illustrierter OKarton. Einbandkanten mit kleinen Bereibungen, unauffälliger Stempel des Vorbesitzers auf dem Vorsatzblatt. Sonst gutes bis sehr gutes Exemplar. Katalog zur Ausstellung Houston 26. Januar bis 13. Mai 2001 durchgehend mit farbigen Abbildungen versehen. Text in englischer Sprache. …

Etat : Neuf.

Etat : Très bon état. in-4, broché, couv. illustrée à rabats, 262 pp., nombreuses reproductions en noir et en couleurs, index, bibliographie. Texte en anglais. Très bon état.

Etat : Very Good.

Paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Etat : New. Satisfaction Guaranteed or your money back.

Wrappers. Etat : New. 144 pages 80 illustrations 42 in color. Still in shrink-wrap. Illustrated wraps. Edited by K.C. Eynatten, Kate Hutchins and Don Quaintance. Introduction by Christopher Rothko. Authors' Biographies. Selected Bibliography. Book.

Paperback. Etat : Near fine in wraps. First Edition. 26 x 22cm 32pp near fine grey paperback with near fine grey, decorated wraps. Exhibition catalogue produced for The glassell School of Art, The Museum of Fine Arts, Houston January 20th-March 6th, 1995. With colour reproductions of work by Robert Raushenberg, Derek Boshier, Gerald Lang, Andy Warhol and others. Plus an essay: 'The Artist and the Changing View of Space' with descriptions of the artists involved.…

Etat : gut. 2001. Pop Art In deutscher Sprache. pages.

Taschenbuch. Etat : Gut. 264 Seiten; Artikel stammt aus Nichtraucherhaushalt! F21-651 Sprache: Deutsch Gewicht in Gramm: 1746.

Soft cover. Etat : Fine. 32 pages : illustrations (some colour) ; 22 x 26 cm. David E. Brauer, curator ; exhibition and catalogue made possible by the Liatis Foundation ; with additional support from the National Aeronautics and Space Administration.