David j constantine (228 résultats)
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Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
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Paperback. Etat : new. Paperback. Like the work of the European poets who have nourished him, David Constantine's poetry is informed by a profoundly humane vision of the world. Many of the poems in his latest collection spring from particular localities: Scilly, the North of England, Southern France, the Aegean, Wales; others fr…om certain places (loci) in literature and mythology. Inspired by such 'local habitations' and the people who live there, the poems of Elder express gratitude and loyalty, but also grief at every harm and death. Published on his 70th birthday, David Constantine's tenth book of poetry sounds many personal elegiac notes as well as - in the story of Erysichthon, for example - anxiety at the abuse of Earth, but there is also much celebration of love, beauty and the hope and aspiration in human beings to live well in the time allowed. David Constantine's 10th book of poetry, published on his 70th birthday, celebrates people and places in literature, life and mythology. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Etat : New. Like the work of the European poets who have nourished him, David Constantine's poetry is informed by a profoundly humane vision of the world. Many of the poems in his latest collection spring from particular localities: Scilly, the North of England, Southern France, the Aegean, Wales; others from certain…places (loci) in literature and mythology. Inspired by such 'local habitations' and the people who live there, the poems of Elder express gratitude and loyalty, but also grief at every harm and death. Published on his 70th birthday, David Constantine's tenth book of poetry sounds many personal elegiac notes as well as - in the story of Erysichthon, for example - anxiety at the abuse of Earth, but there is also much celebration of love, beauty and the hope and aspiration in human beings to live well in the time allowed.
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Paperback. Etat : New. Like the work of the European poets who have nourished him, David Constantine's poetry is informed by a profoundly humane vision of the world. The title of his eleventh collection, Belongings, signals that these are poems concerned both with our possessions and with what possesses us. Among much else in th…e word belongings, the poems draw on a sense of our 'co-ordinates' - something like the eastings and northings that give a map-reference - how you might triangulate a life.The poems ask: Where do you belong? And have in mind also the hostile: You don't belong here. Go back where you belong. Many, possibly all, the poems in the collection touch more or less closely on such matters. Perhaps all poetry does, showing a life in its good or bad defining circumstances. In the poem 'Red', the defining geography is literal, drawn from an old geological map of Manchester in which Constantine finds 'the locus itself, a railway cutting / Behind the hospital I was born in', from which the paths of a life led outward. In other poems the particular becomes universal, a territory holding all our belongings, our memories of the people and the places we hold in our hearts. Behind these explorations another kind of belonging is challenged: our relationship with the planet to which we belong, but which does not belong to us.
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Paperback. Etat : New. Longlisted for the Anglo-Hellenic League Runciman Award 2025The Greek Anthology, marvellous salvage from the vast shipwreck of the Ancient World, is a collection of around 4500 poems composed over more than 1500 years by about 300 authors, a colossal continuity and variety from pre-classical times through…Roman into Byzantine.For A Bird Called Elaeus - his small anthology of the vast original - David Constantine has gone particularly not just to the renowned love poems but also to poems that treat man's dealings with the earth, his work and trades there, the creatures other than himself who inhabit it and the divinities whose care it is.He has quite often taken the liberty of bringing already urgent poems closer to home and our drift towards the Sixth Extinction. Several times he expanded a Greek text; once or twice combined two poems into one; or wrote a poem of his own which he could not have written had he not read and translated the ancient words first. But most often he kept close, doing his level best to bring into his English what was so livingly there in the Greek.The Ancient World was not populated by humans harmless to Mother Earth, not at all: often they, like us, did the worst their means enabled them to do. Still there were laws. These things you must not do. Doing them nevertheless was understood as transgression of laws beyond the human laws. You offended Demeter at your peril. Understand that how we like, it's the same now. And the peril is infinitely greater, threatens to be final, consuming the innocent with the guilty.A Bird Called Elaeus is David Constantine's seventh translation from Bloodaxe, following three editions of Friedrich Hölderlin, and collections by Henri Michaux, Philippe Jaccottet and Hans Magnus Enzensberger, including two books for which he received the European Poetry Translation Prize and the Corneliu M. Popescu Prize for European Poetry Translation. His translation of Goethe's Faust is published in Penguin Classics and his co-translation (with Tom Kuhn) of The Collected Poems of Bertolt Brecht is published by Norton. His own poetry is published by Bloodaxe and his fiction by Comma Press. He was co-editor of Modern Poetry in Translation from 2004 to 2013.
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Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Etat : Very Good. The Poetry Book Society Anthology 1988-89 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thu…s far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Etat : new. Paperback. Like the work of the European poets who have nourished him, David Constantine's poetry is informed by a profoundly humane vision of the world. The title of his eleventh collection, Belongings, signals that these are poems concerned both with our possessions and with what possesses us. Among much… else in the word belongings, the poems draw on a sense of our 'co-ordinates' something like the eastings and northings that give a map-reference how you might triangulate a life. The poems ask: Where do you belong? And have in mind also the hostile: You don't belong here. Go back where you belong. Many, possibly all, the poems in the collection touch more or less closely on such matters. Perhaps all poetry does, showing a life in its good or bad defining circumstances. In the poem 'Red', the defining geography is literal, drawn from an old geological map of Manchester in which Constantine finds 'the locus itself, a railway cutting / Behind the hospital I was born in', from which the paths of a life led outward. In other poems the particular becomes universal, a territory holding all our belongings, our memories of the people and the places we hold in our hearts. Behind these explorations another kind of belonging is challenged: our relationship with the planet to which we belong, but which does not belong to us. David Constantine's poetry is informed by a profoundly humane vision of the world. His title, Belongings, signals that these are poems concerned with our possessions and with what possesses us, with where we belong. Another kind of belonging is also challenged: our relationship with the planet to which we belong, but which does not belong to us. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Etat : New. In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to lear…n what the poets themselves think about their own subject.David Constantine's three lectures have to do with the chief end and means of poetry: a lively and effective language. In the first, Translation Is Good For You, drawing mainly on the life, letters and poems of Keats, he considers translation as a way to a poetic identity and a language of one's own. In the second, Use and Ornament, Constantine looks at the particular case of a poet, Brecht, who wanted his writing to be useful but who understood better than most what the peculiar resources and responsibilities of the lyric poem are Wilfred Owen and Keith Douglas are also considered in this context. The third lecture, Poetry of the Present, largely concerned with Walt Whitman and D.H. Lawrence, discusses the ambition of free verse to convey the abundance and quickness of life in the truest (liveliest) way. The sonnets and other fixed forms used by Rilke are offered as an alternative. In all three lectures there is a continual effort to define the good effects a poem may have when, by whatever means, it achieves its ends.
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Paperback. Etat : New. Like the work of the European poets who have nourished him, David Constantine's poetry is informed by a profoundly humane vision of the world. Many of the poems in his latest collection spring from particular localities: Scilly, the North of England, Southern France, the Aegean, Wales; others from certain…places (loci) in literature and mythology. Inspired by such 'local habitations' and the people who live there, the poems of Elder express gratitude and loyalty, but also grief at every harm and death. Published on his 70th birthday, David Constantine's tenth book of poetry sounds many personal elegiac notes as well as - in the story of Erysichthon, for example - anxiety at the abuse of Earth, but there is also much celebration of love, beauty and the hope and aspiration in human beings to live well in the time allowed.
- Autres images
- Couverture souple
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Paperback. Etat : New. Like the work of the European poets who have nourished him, David Constantine's poetry is informed by a profoundly humane vision of the world. The title of his eleventh collection, Belongings, signals that these are poems concerned both with our possessions and with what possesses us. Among much else in th…e word belongings, the poems draw on a sense of our 'co-ordinates' - something like the eastings and northings that give a map-reference - how you might triangulate a life.The poems ask: Where do you belong? And have in mind also the hostile: You don't belong here. Go back where you belong. Many, possibly all, the poems in the collection touch more or less closely on such matters. Perhaps all poetry does, showing a life in its good or bad defining circumstances. In the poem 'Red', the defining geography is literal, drawn from an old geological map of Manchester in which Constantine finds 'the locus itself, a railway cutting / Behind the hospital I was born in', from which the paths of a life led outward. In other poems the particular becomes universal, a territory holding all our belongings, our memories of the people and the places we hold in our hearts. Behind these explorations another kind of belonging is challenged: our relationship with the planet to which we belong, but which does not belong to us.
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Paperback. Etat : New. Like the work of the European poets who have nourished him, David Constantine's poetry is informed by a profoundly humane vision of the world. In the title-poem of his latest collection - which illuminates the themes of the whole book - the lovers are a utopian answering back against the curse (following a… crime against Nature) that is carried by the ship passing above them. Throughout these poems, the personal life, with its own joys and suffering, asserts itself against a world whose characteristic forces are dispiriting and destructive. "Nine Fathom Deep" shows how all personal life and all poetry written from it deal with the realities of social and political life in the here and now, assert themselves, fight for survival, and actively seek to make a world in which humane self-realisation would be more and more, not less and less, possible.
Langue : anglais
Edité par Oxford University Press, 2008
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Vendeur : Majestic Books, Hounslow, Royaume-UniMajestic Books
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Etat : New. pp. 272.
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Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Annotations to some page edges/pag…es, may include notes, highlighting or underlining.
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Paperback. Etat : new. Paperback. InA Bird Called Elaeus, poet and translator David Constantine presents a selection of poems fromThe Greek Anthology, a collection of around 4500 poems composed over more than 1500 years by around 300 authors.The Greek Anthologyis a marvellous salvage from the vast shipwreck of the Ancient World,… a colossal continuity and variety from pre-classical times through Roman into Byzantine.ForA Bird Called Elaeus his small anthology of the vast original David Constantine has gone particularly not just to the renowned love poems but also to poems that treat man's dealings with the earth, his work and trades there, the creatures other than himself who inhabit it and the divinities whose care it is. Through his translations, Constantine brings already urgent poems closer to home and our drift towards the Sixth Extinction. For the Ancient World was not populated by humans harmless to Mother Earth, not at all: often they, like us, did the worst their means enabled them to do. Still there were laws.These things you must not do. Doing them nevertheless was understood as transgression of laws beyond the human laws. You offended Demeter at your peril. Understand that how we like, it's the same now. And the peril is infinitely greater, threatens to be final, consuming the innocent with the guilty. Salvaged from the vast shipwreck of the Ancient World, The Greek Anthology is a gathering of around 4500 poems composed over more than 1500 years by about 300 authors, from pre-classical times through Roman into Byzantine. David Constantine's selection focuses on poems treating mans responsibility for the earth and its creatures. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-UnisRarewaves USA
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EUR 15,97
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Paperback. Etat : New. Longlisted for the Anglo-Hellenic League Runciman Award 2025The Greek Anthology, marvellous salvage from the vast shipwreck of the Ancient World, is a collection of around 4500 poems composed over more than 1500 years by about 300 authors, a colossal continuity and variety from pre-classical times through…Roman into Byzantine.For A Bird Called Elaeus - his small anthology of the vast original - David Constantine has gone particularly not just to the renowned love poems but also to poems that treat man's dealings with the earth, his work and trades there, the creatures other than himself who inhabit it and the divinities whose care it is.He has quite often taken the liberty of bringing already urgent poems closer to home and our drift towards the Sixth Extinction. Several times he expanded a Greek text; once or twice combined two poems into one; or wrote a poem of his own which he could not have written had he not read and translated the ancient words first. But most often he kept close, doing his level best to bring into his English what was so livingly there in the Greek.The Ancient World was not populated by humans harmless to Mother Earth, not at all: often they, like us, did the worst their means enabled them to do. Still there were laws. These things you must not do. Doing them nevertheless was understood as transgression of laws beyond the human laws. You offended Demeter at your peril. Understand that how we like, it's the same now. And the peril is infinitely greater, threatens to be final, consuming the innocent with the guilty.A Bird Called Elaeus is David Constantine's seventh translation from Bloodaxe, following three editions of Friedrich Hölderlin, and collections by Henri Michaux, Philippe Jaccottet and Hans Magnus Enzensberger, including two books for which he received the European Poetry Translation Prize and the Corneliu M. Popescu Prize for European Poetry Translation. His translation of Goethe's Faust is published in Penguin Classics and his co-translation (with Tom Kuhn) of The Collected Poems of Bertolt Brecht is published by Norton. His own poetry is published by Bloodaxe and his fiction by Comma Press. He was co-editor of Modern Poetry in Translation from 2004 to 2013.
