Downing joan (27 résultats)

Paperback. Etat : Good. This book is intended for interest age: 9-13. Monroe, Joan Kiddell (illustrateur).

Paperback. Etat : Fair. This book is intended for interest age: 9-13. Monroe, Joan Kiddell (illustrateur).

Paperback. Etat : Fair. Reprint. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Monroe, Joan Kiddell (illustrateur).

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Monroe, Joan Kiddell (illustrateur).

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Monroe, Joan Kiddell (illustrateur).

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Monroe, Joan Kiddell (illustrateur).

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Monroe, Joan Kiddell (illustrateur).

Paperback. Etat : Fair. This book is intended for interest age: 9-13. Monroe, Joan Kiddell (illustrateur).

Paperback. Etat : Good. This book is intended for interest age: 9-13. Monroe, Joan Kiddell (illustrateur).

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Monroe, Joan Kiddell (illustrateur).

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. This book is intended for interest age: 9-13. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Monroe, Joan Kiddell (illustrateur).

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Monroe, Joan Kiddell (illustrateur).

Trade Paperback. Etat : Used - Acceptable. A readable copy showing significant wear. Dust jacket may be missing. For all but the rarest items, books in Acceptable condition are not considered to be collectible grade.

Trade paperback. Etat : Fine. Oxford University Press, 1990. 214pp., illustrations Joan Kiddell-Monroe. 8vo. Fine unread trade paperback, uncreased spine. Monroe, Joan Kiddell (illustrateur).

Hardcover. Etat : Good. First Edition. Hard Cover - Good -- Ex-Library -- Showing light to maderate edge and cover wear -- Pictorial cover, no dust jacket if issued -- Indexed and color photography throughout -- First Edition as no prior printing noted.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Fine. Hard Cover. Fine, no dj as issued. In Publishers library binding, NOT a library discard. Illustrated with color photos.

Hardcover. Etat : Good. Ex school library book. Joan Kiddell Monroe (illustrateur).

First UK paperback edition. Octavo-size paperback. Fine. Illustrated in b/w. Postage within Australia for this small/light book is set at $5, so please disregard any site default rate, which will be adjusted downwards when the order is processed by the bookseller.

Reprint. Hardcover. Ex-library copy (but not badly so), edges slightly browned and a little foxed, ownership signature on half-title, light abrasion on the rear paste-down from removal of library pocket, o/w good in good dustjacket with a few closed tears. Illustrated in b/w and colour.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First edition. VG in Vg dw. Joan Kiddell-Monroe (illustrateur).

Reprint. Hardcover. Top edge slightly foxed, gift inscription on the of the second prelim page, o/w very good in very good dustjacket (sterling price intact). Illustrated in b/w and colour.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. book: slight fading top edge, insc. and bookseller's label on fep.d/w: slight darkening to spine, slight bumping and 2 tiny chips top edge front cover, pc. 22 cm x 14.5 cm. 231 pp. Kiddell-Monroe, Joan (illustrateur).

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…