franz aaron (39 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Fine.

Etat : New.

Paperback or Softback. Etat : New. Revolve: Man's Scientific Rise to Godhood. Book.

Etat : As New. Unread book in perfect condition.

Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Etat : New.

Paperback. Etat : New.

Etat : New. In.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New. In.

Paperback. Etat : New.

Hardcover. Etat : Good. 1st Edition. Good+ example of this double issue of this digest of literature, art and political writings, edited by Dorothy Norman. Featuring work by Albert Einstein, Alfred Stieglitz, Charles Ives, Margaret Sanger, William Saroyan, Charles Olson, Henry Miller, Ernest Bloch, Aaron Copland, William Schuman, Rainer Maria Rilke, Federico Garcia Lorca, William Carlos Williams, Franz Kafka, and many others. With a black and white photo-plate frontispiece - a portrait of Stieglitz. 6" x 9" hardcover in boards wrapped in paper. 566pp. with black and white photo illustrations. Unmarked with an intact binding, though an inch of separation at inside cover's front hinge. Moderate age-tanning, shelfwear to paper wraps. spine extremities chipped. Page interiors remarkably bright for their age, with the photo plates especially so. Scarce.

Paperback. Etat : New. In shrink wrap. Looks like an interesting title!

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Etat : New. InhaltsverzeichnisBerthold Vogel: Schrumpfende Zukunft. Warum sich die Soziologie f&uumlr &oumlffentliche Dienstleistungen interessieren muss Franz Schultheis: Im Dienste &oumlffentlicher G&uumlter. Eine feldtheoretische Ann&aumlhe.

Etat : Very good condition. Seventh Edition. Volume I: Gregorian Chant to Beethoven / Volume II: Schubert to the Present. xvi, 632 / xiv, 1031 pp.

Etat : New. Print on Demand.

Etat : New. Print on Demand.

FIRST EDITIONS. A complete run. Octavos (21 x 14 x 6cm). Publisher's printed card wraps. Some related ephemera and newspaper clipping loosely inserted. Some offset toning to endpapers of the first volume, edges toned. Some light wear to covers, creasing to gently sunned spines. An attractive complete run. Near fine. An iconic Beat magazine, founded after Winter 1959 issue of the Chicago Review was suppressed leading to the editors setting up their own independent magazine. The magazine lasted for five issues from Spring 1959 until 1960.

Three vintage gatherings of the periodical "Film Music Notes" (FMN), comprising all 26 issues published in 1942 through 1944, bound in three volumes, each with titled wrappers, "Film Music Notes / 1942," "Film Music Notes / 1943," and "Film Music Notes / 1944," with manuscript graphite, red, and blue pencil annotations on 39 pages of fourteen issues. The three gatherings found here comprise the first full three years of the periodical's publication, beginning with "Volume I / January, 1942 / Number IV" and ending with "Volume IV / December, 1944 / Number III." Detailed inventory available upon request. The three bound gatherings are: "Film Music Notes / 1942," comprised of all eight issues published in 1942, from Vol. 1 No. IV through Vol. II No. III, with each issue ranging from seven to nine pages. (In 1942 FMN published only eight issues, rather than the nine found in 1943 and 1944, combining the May and June issues into one "May-June 1942" issue, Vol. II No. III.) "Film Music Notes / 1943," comprised of all nine issues published in 1943, from Vol. II No. IV through Vol. III No. III, with each issue ranging from eight to twelve pages. "Film Music Notes / 1944," comprised of all nine issues published in 1944, from Vol. III No. IV through Vol. IV No. III, with each issue ranging from eleven to twenty three pages. The first issue of FMN, Vol. 1, No. 1 (not included in the bound volumes here), was published in October 1941, and was spearheaded largely by the efforts of a group of Hollywood women on behalf of the National Federation of Music Clubs (the Federation). On June 1, 1941, as part of the "Festival of Motion Pictures" at the Federation's biennial American Music Festival, the Federation, feeling the Academy Awards were not adequately recognizing musicians and composers, held their first film music awards night. The overwhelming success of the awards night, as well as growing requests from music educators for resources and advise on how to teach about film music, lead Federation members, headed by chairperson Grace Widney Mabee, to begin the publication of the groundbreaking periodical four months later, which, during its inception, was largely built upon the Federation's existing structures and resources. In 1943, FMN was integral to the formation of the National Film Music Council (NFMC), created largely by Federation members and FMN contributors and editors, Mabee, Sigmund Spaeth (FMN Advisory Chairman), Constance Purdy (FMN editor), and others, and was announced in the "Foreword" of FMN, Vol. 2, No.1, October, 1943, found in the volumes offered here. FMN continued publication for seventeen years, ending in 1958. Issues of FMN are generally comprised of a "Foreword," followed by "Comments and Open Forum" (which by the November 1942 issue, Vol. II, No. II, had transitioned to "News Items"), film reviews (which focus on the use of music in film, and range from five to 28 reviews per issue), as well as various articles, essays, and biographies. Regular contributing authors found in the three bound volumes here include: Gail Kubik (composer), Margery Morrison (FMN Associate Editor), Purdy (actress, musician, and FMN Editor), Naomi Reynolds (of The Musician's Congress), and Spaeth (musicologist, author, and FMN Advisory Chairman). Contributing authors found in the volumes on offer here, include: Composers: Scott Bradley, Rudy De Saxe, Adolph Deutsch, Nat W. Finston, Arthur Kleiner, William Lava, Vernon Leftwich, Alfred Newman, Miklós Rózsa, David Rudhyar, Jack Schaindlin, Max Steiner, Herbert Stothart, Franz Waxman, Roy Webb, and Charles Wolcott. As well as: Alice Evans Field (MPPDA studio liason), Chauncey Haines, Jr. (musician), Hal Hall ("The American Cinematographer" editor), John Huntley (British film historian), Isabel Morse Jones (LA Times critic and musician), Jay Leyda (experimental filmmaker), Louis Lipstone (head of Paramount Pictures music department), Harry Mines (LA Daily News critic), Ivan Narodny (Russian revolutionary and émigré), Mildred Norton (LA Daily News critic), Cecil Stokes (creator of the Auroratone), and Dr. Bruno David Ussher (musicologist and LA music critic). Articles found in the volumes on offer here, include: "Cartoon Music of the Future," "[George Pal's] Puppetoons," "The Auroratone," "Scoring the Jungle Book," "Russian Music," "The Importance of Motion Picture Music," "Music in Government Films," a "Special Article" on Constantin Bakaleinikoff (composer and Director of Music Department of RKO-Radio), "Music of the Americas," "Screen Music Assumes New Stature," "Procedure of Preparing a Musical Score for a Picture," "José Iturbi Comes to the Screen," "[Dmitri] Shostakovich - Film Composer," "A Visit to the Music Recording Stage at Warner Bros.," "What Music Arranging Does for the Pictures," "An Afternoon in the Home of Erich Wolfgang Korngold," "New Russian Music Born of War," "The Sixth Sense in Film Mechanics," "Notes on the Life and Works of Aaron Copland," "Rhapsody in Blue: A Day on the Gershwin Set," "British Film Music," "Mexican Films in Hollywood," and "An Institute of Music in Contemporary Life," among many others. All three volumes Very Good or better, pages supple, mimeograph duplication, each bound with two gold brads. "Film Music Notes / 1942:" Tan titled wrappers, eight issues, 61 pages total. Pages Near Fine, wrapper Very Good plus, with light soiling and edgewear, bound with two gold brads. "Film Music Notes / 1943:" Blue titled wrappers, nine issues, 85 pages total. Pages Near Fine, wrapper Very Good plus, with light soiling and edgewear, bound with two gold brads. "Film Music Notes / 1944:" Tan titled wrappers, nine issues. 132 pages total. Pages Near Fine, with five paperclips on five different articles, wrapper Very Good plus, with light soiling, edgewear, and light dampstaining to the bottom left corner, bound with two gold brads.

1st Edition. 1st Edition. Soft cover. First Edition. Size: 6 x 8 3/8" - 208 pp + ads and black and white reproductions. TRANSITION featured a range of literary and artistic works, reflecting the journal's commitment to innovation and boundary-pushing content. "TRANSITION" was known for publishing works by writers such as James Joyce, as well as showcasing avant-garde art such as Duchamp and music by Copeland. In very good condition. Includes the subscription card in the back as well as the erratum pasted on for Stuart Gilbert. Cover art by Marcel Duchamp Issue Number Twenty-Six, published in 1937, included contributions from Eugene Jolas and James Johnson Sweeney. Eugene Jolas, an American writer and translator, was the editor of "TRANSITION" and a strong advocate for linguistic experimentation and the breaking of traditional narrative forms. James Johnson Sweeney was an influential art critic and curator known for his work at the Museum of Modern Art (MoMA) in New York. An important and difficult issue to find.

Etat : New. PRINT ON DEMAND.

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.