Gimblett john (21 résultats)

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Etat : Near Fine. 1st Edition. 1st printing (1991). 56pp. Near fine copy.

Stapled Wrappers. Etat : Very Good. First Edition. (44pp.) Printed dos a dos. Each collection chosen by the other poet. Covers a little handled.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Etat : Good. Undated. Surrealism. Poetry, drawings, and essays. Stapled booklet, covers marked, good. 48pp 0.

Stapled Stiff Card Covers. Etat : Good. No d/w. First Edition. 28pp; Covers creased and a little dusty else a bright copy; Contributions by SCHWENK, NORMAN; FINCH, PETER; TORRANCE, CHRIS; WYATT, BILL; BUSH, DUNCAN and illustration by PILCHER, BARY EDGAR; Size: 12mo. Book.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. A large illustrated exhaustive work complete with illustrations, fold out maps, indexes etc. Ex-library book with usual stickers, otherwise book is in excellent shape with no major blemishes. Large book that may require extra postage.

Cloth. Etat : Very Good +. First Canadian Edition. xlii, 1014pp w bibliography and index. Illustrations in text. Indexed maps and diagrams including endpapers. Prev owner name inked verso of half-title page. Black cloth w fine gold lettering on spine. Small bumping to corners and tail. Binding square and sound. No DJ. Octavo. Additional shipping may be required - 2.25kg.…

imperial octavo black cloth boards with blindstamping and silver lettering to spine, 172pp illus VG+ in d/w VG+.

Hardcover without dustjacket as issued; 144 pages; as new condition; clean and crisp; inscribed, dated 2010 and signed by Max Gimblett on first blank page; no other internal marks. Foreign shipping may be extra.

Large 8vo, 1014pp. Black & white illustrations. A very good hardback copy in like dust jacket.

Hardcover. Etat : Very Good. No Dust Jacket. Hardcover with printed boards, no dust jacket, in very good condition. Signed and dedicated by Max Gimblett. Photography by John Savage. Essay by Jenni Quilter. Board corners and spine ends are slightly bumped. Binding is sound and pages are clear. LW. Signed and Dedicated By Artist. Used. …

Hardcover with dustjacket, 172 pages, as new condition, clean and crisp; signed by Max Gimblett on first page and dated 2009; no other internal marks. Foreign shipping may be extra for this heavy book.

Hardcover. Etat : Good. Etat de la jaquette : Fair. xii-xlii, 1014pp; d/j stained at bothn ends at rear ans spine,also to the inside; maps to eps.; illustrated; light brown spine, white title. Size: 8vo - over 7¾" - 9¾" tall. Book.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Clean With No Remarks Highlights. Hardcover, 254 With The Index. Paperback. This Book Is No Signed.We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.…

Hardcover. Etat : Near Fine. Near Fine. 1014 pages in near fine condition. Pages are crisp, white, and clean, with fold-out maps and plates throughout. Page 763 is creased on the edge. Pages' tail-edges are subtly scratched. Endpapers feature colour maps of Canada and the East Coast of North America. Black hardcovers with gilded text on the spine. Dustjacket in near fine condition. Edges are lightly wrinkled. NF/NF. Book.…

Cloth. Etat : As New. Etat de la jaquette : As New. First Edition. 172p Signed by the artist, with delightful painting/inscription, with many reproductions, a study of the work of this NZ-born artist, with text by Curnow and Yau. Signed by Illustrator(s).

Hardcover. Etat : Near Fine. Near Fine. Hardcover; 4to; 1014 pages. Heavy, may requrie extra shipping. Vol 1 only. Black paper hardcovers with gilt lettering on spine. Lightly rubbed edges. Bright and clean interior. In a gray jacket with white titles. In a mylar jacket. Light shelfwear. NF/NF. Book. …

hardbound. Etat : Very Good. Photographic tour of Max Gimblett's studio, showing the artist at work, brushes, plan-files, paintings and drawings, etc; photographs by John Savage, and with an essay by Jenni Quilter; this copy Signed and with short gift-inscription by Max Gimblett to prelims; mild offset from ink of artist's inscription, o.w. Very Good clean copy. no dustwrapper. 143pp. 8vo. Very Good. profusely illustrated (illustrateur).…

Couverture rigide. Etat : Très bon. Etat de la jaquette : Très bon. Description : La création de la Marine royale du Canada (MRC) en 1910 et ses premières années d'existence ont été marquées par un débat politique quant à la nécessité d'un service naval au Canada. Du littoral à la mer, le premier d'une série de trois volumes relatant l'histoire officielle de la MRC, retrace les trois premières décennies de la Marine, de ses débuts comme marine de pacotille établie par le Premier ministre sir Wilfrid Laurier et constituée de deux croiseurs britanniques obsolètes jusqu' à son entrée dans la Seconde Guerre mondiale, en tant que force composée de six destroyers modernes et de quatre dragueurs de mines. L'histoire de la MRC au cours du conflit de 1939-1945 a déjà été raconté dans la partie 1, Rien de plus noble, et la partie 2, Parmi les puissances navales, du volume II de la série, publié précédemment. Fondé sur des recherches archivistiques approfondies, l'ouvrage Du littoral à la mer relate les âpres débats qui ont finalement mené à l'établissement de la MRC en 1910, son existence précaire après le remplacement soudain du gouvernement de Laurier par celui de Robert Borden un an plus tard, ainsi que les difficultés de la Marine au cours de la Première Guerre mondiale lorsqu'elle a dû défendre les eaux canadiennes avec très peu de ressources. Des conséquences désastreuses de la terrible explosion survenue Halifax en décembre 1917 jusqu'à la campagne menée par les sous-marins allemands au large de la côte Est du Canada en 1918, le volume I examine dans quelle mesure les conseils souvent incohérents qu'Ottawa recevait de l'Amirauté britannique, à Londres, ont compliqué la tâche de la MRC. La dernière section de cet important ouvrage historique bien illustré traite de l'expérience de la MRC pendant l'entre-deux-guerres, alors que le sentiment antiguerre et une dépression économique menaçaient sa survie même. Sommaire : Cartes et figures / Liste des abréviations / Remerciements / Prologue : Le Canada et la puissance maritime / Partie 1 - Une marine nationale Chapitre 1 - La question de la défense navale, 1867-1902 - Chapitre 2 - Une marine nationale en devenir, 1902-1909 - Chapitre 3 - Les débats sur la Marine, 1909-1914 / Partie 2 - Première guerre mondiale Chapitre 4 - Vers la guerre - Août 1914 à juin 1915 - Chapitre 5 - Surveillance des sous-marins allemands au large de la côte est du Canada : 1915-1916 - Chapitre 6 - Des destroyers aux chalutiers, 1916-1917 - Chapitre 7 - Les commodores britanniques et le système de défense des convois en 1917 - Chapitre 8 - Erreur du pilote, 1917-1918 - Chapitre 9 - Préparatifs et frustrations : de janvier à mai 1918 - Chapitre 10 - Parer à la menace des sous-marins, juin-août 1918 - Chapitre 11 - Attaque contre la flotille de pêche, août-novembre 1918 / Partie 3 - L'entre-deux-guerres Chapitre 12 - La fin de la guerre, 1918-1922 - Chapitre 13 - Survivre : 1922-1927 - Chapitre 14 - Croissance, 1927-1933 - Chapitre 15 - Sur le chemin de la guerre, 1933-1939 / Bibliographie partielle / Index des noms de navires / Index.…

Encuadernación de tapa blanda. Etat : Bien. Etat de la jaquette : Bien. THE DIVIDED MEADOWS OF APHRODITE: IAN HAMILTON FINLAY Michael Archer SLACKERS Jack Bankowsky PURGATORIO CANTO I: A PROJECT FOR ARTFORUM John de Fazio LOOK WHO'S TALKING Connie Samaras WAR WITHOUT BODIES Allan Sekula CUNNING STUNTS Text by Carlos Fuentes, drawings by Brian Nissen CRITICAL REFLECTIONS Thomas McEvilley LUNA PARK: A PROJECT FOR ARTFORUM Max Kozloff WHO'S BAD? ACCOUNTING FOR TASTE Barbara Kirshenblatt-Gimblett TYPISCH DEUTSCH, A PROJECT FOR ARTFORUM Anna & Bernhard Blume OPENINGS: RICHARD HAWKINS Dennis Cooper COLUMNS FEATURES REVIEWS NEW YORK Jan Avgikos on Robert Barry Jan Avgikos on Cosima von Bonin Michael Corris on Ad Reinhardt John Yau on Norman Bluhm David Rimanelli on Sam Francis David Rimanelli on William Wilson Tom Kalin on Edward Ruscha Lisa Liebmann on Joan Brown Lisa Liebmann on Robert Yarber Kirby Gookin on Maura Sheehan Kirby Gookin on Anne Truitt Rhonda Lieberman on Tina Barney Charles Hagen on Eileen Cowin Justin Spring on Andrew Young Donald Kuspit on Gillian Jagger Donald Kuspit on Romare Bearden Jenifer P. Borum on Pepón Osorio Ronny Cohen on Bernarda Bryson Shahn Dena Shottenkirk on Anne Deleporte Lois Nesbitt on Rudolf Stingel BOSTON Patricia C. Phillips on Elizabeth Diller and Ricardo Scofidio CHICAGO James Yood on Mike Hill SAN FRANCISCO Maria Porges on May Sun Dean Rolston on Joe Goode Performance Group LOS ANGELES Amy Gerstler on Kerr + Malley Benjamin Weissman on Terry Allen Colin Gardner on Constance Mallinson MONTREAL John K. Grande on Betty Goodwin TORONTO Linda Genereux on Joanne Tod BARCELONA Anatxu Zabalbeascoa on Tom Drahos VENICE Giorgio Verzotti on Biennale of Architecture PARIS Francesca Pasini on Piero Manzoni, Pino Pascali, Ettore Spalletti Olivier Zahm on Marylène Negro Miriam Rosen on Christine Spengler NICE Giorgio Verzotti on No Man's Time GENEVA Elizabeth Janus on Urs Lüthi MUNICH Justin Hoffman on Raimond Kummer STUTTGART Johannes Meinhardt on Christa Näher COLOGNE Norbert Messler on Stephan Balkenhol Noemi Smolik on Maria Lassnig Julia Koether on Nils Norman DÜSSELDORF Sabine B. Vogel on Christoph Schäfer & Cathy Skene LONDON Michael Corris on Tony Cragg.…