Henshaw john editor (18 résultats)

Paperback. Etat : Brand New. 304 pages. 8.00x5.25x0.75 inches. In Stock.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Reprint. 125pp, large format, bibliography, catalogue 32plates + 52 ills. Australian art library Size: Large 4to.

Reprint, 1st single volume edition. 9.5" x 7.5". 127pp + 127pp + 128pp, illustrated in colour and black and white throughout. Signature of previous owner on half title. Very good hardback in chipped, now protected, very good dustwrapper.

Paperback. Etat : Brand New. 2nd edition. 213 pages. 9.00x6.00x0.50 inches. In Stock.

Hardback. James Gleeson (General Editor), John Henshaw, Lansdowne Press. Author: James Gleeson (General Editor), John HenshawBinding: HardbackPublisher: Lansdowne Press, 1981Condition remarks:Book: Good Jacket: Worn/faded, no tearsPages: Good Markings: No markingsThis comprehensive art history volume chronicles the evolution of Australian painting, systematically presenting the distinct periods of Colonial (1788-1880), Impressionist (1881-1930), and Modern (1931-1970) art movements. The text offers an authoritative survey, illustrating the stylistic shifts and key figures that shaped the nation's artistic identity. It uncovers the rich tapestry of Australian art across centuries, detailing the unique contributions and influences that defined each era. This essential reference work serves as a vital resource for understanding the foundational and transformative periods of painting in Australia, providing a thorough overview for enthusiasts and scholars alike. Hardback.…

Etat : Good. 1st edition. Cloth, dj, G/G. 127pp, 32 colour plates all tipped in, 35 b/w illustrations, fore edges yellowed, edges rubbed & bumped, ink annotation to the catalogue section of the book ( 6pp ). Retrospective of the life & paintings of Rupert Bunny [ 1864 - 1947 ] the Australian painter, who achieved success and critical acclaim as an expatriate in fin-de-siècle Paris. 1450 grams.…

Paperback. Etat : Brand New. 2nd edition. 213 pages. 9.00x6.00x0.50 inches. In Stock.

Hardcover. Etat : Very Good. Etat de la jaquette : Good. The jacket has loss to the head of the spine, and has a tear at the front's head head and a longer one running along the back. Both been repaired on the inside using sticky tape. The edges are chipped. and its not pretty. The body of the book is clean and solid. Includes a gift inscription to Hugh Sawrey, Australian artist and the founder of the Australian Stockman's Hall of Fame, Longreach. "Ursula Hoff AO OBE - Australian scholar, academic, curator, writer, critic, and lecturer; Deputy Director of the National Gallery of Victoria, Melbourne; London Adviser of the Felton Bequest; author of numerous books, catalogues, articles, reviews, and scholarly publications on art." (Wikipedia) "The book contains 32 hand mounted colour reproductions of Charles Conder's best paintings, supplemented by many reproductions in nblack and white. A listing of Conder's work in Australian public collections accompanies a catalogueb of his Australian works and representative later works." (front flap).…

Hardcover. Etat : Very Good. Etat de la jaquette : Good. First Edition. Green hard cover with gilt titles on spine. Contents tight. 114pp with 32 tipped in colour plates. Age discolouration to page edges. Dust jacket has bumped edges and spine ends. It is age-discoloured on edges and is price clipped.…

Hardcover. Etat : Very Good. No Jacket but a Slipcase. First Edition. Lansdowne: Australian Art Library, 1969. 222 pages; 96 tipped-in color plates; 21 b/w illustrations. Over 70 named artists as well as aboriginal painting are represented. The book is nearly unblemished: the tipped-in plates have impressed their outline in the margins of pages; the front board is slightly bowed. The decorated cardboard slipcase is shelfworn on the bottom edge. First Edition. Cloth. Very Good/No Jacket but a Slipcase. Large 4to.…

Folio, unpaginated. Colour and black & white illustrations. A very good hardback copy in dust jacket with tear to top of spine.

Folio, unpaginated. Colour and black & white illustrations. A very good hardback copy in edgeworn dust jacket with tear to base of spine. From the library of Neil Clerehan with his bookplate.

Hardcover. Etat : Good +. Etat de la jaquette : Good +. First Edition. 16 colour plates and 110 illustrations in monochrome. Foreword by Peter Bellew. An abridged chronology and an article and writings by the artist. Black hard cover with gilt titles on spine. Stamped on front e/p is "Complimentary Copy - Not For Sale". Also an inscription "To Barc, Best wishes" signed by John Henshaw. (Barc is the NZ artist, Helen Crabb). There are some notations to the Chronology, presumably done by Barc. Contents otherwise tight and clean apart form a touch of foxing to e/p's. Dust jacket is good other than wear and small tears to the spine ends. There is also a tear (about 1 inch) to the top of the rear. The jacket has been covered. This is a heavy book so please check postage with bookseller. Signed by Author.…

Etat : Wie neu. 26 cm x 31 cm. 196 pages. 110 colour illustrations on 94 tipped-in plates and 36 mononchrome illustrtions. Hardcover [publisher's original maroon cloth] with gilt lettering on spine. With marvelously illustrated and slipcase with titling to front board. Extremely Rare / Very good+ condition with only minor signs of external wear. Stunning illustrations in excellent condition. Interior near perfect. Discreet bookseller's label on front pastedown. Binding firm and strong and bookblock tight and square. Slipcase shows some shelfwear but is in good condition. Includes, for example, the following: Australian Impressionist Painting / Biographies - Louis Abrahams - Julian Ashton - Rupert Bunny -Charles Conder - E. Philips Fox - Frederick McCubbin - Tom Roberts - John Russell - Arthur Streeton - Walter Withers / Notes / Bibliograhy / Index etc. Impressionism was an international phenomenon. During the 19th century artists around the world, from Europe, to North America and Australia, stepped outside the studio to paint directly in front of their subject: natural or urban. The work of French artists such as Monet is only the best known form of Impressionism today; in the 19th century the term 'Impressionist' encompassed numerous styles. There were many local interpretations, all deriving from the practice of painting en plein air (in the open air) - and Australia was no exception. Painting out of doors was linked to ideas of national identity in many countries; in Australia it went hand-in-hand with a sense among the non-Indigenous population of a nation coming of age. The swift, open brushwork that 'plein-air' painting required lent itself well to capturing the energy of Australia's modern, cosmopolitan cities, and embracing the unique qualities of the awe-inspiring landscapes beyond and the pioneering way-of- life which was hinting at the potential bucolic richness of the rural country, but also of the sometimes harsh environmnent unique to Australia. During the 1880s a group of artists in Australia - principally Tom Roberts, Arthur Streeton and Charles Conder - established painting camps on what were then the outskirts of 'Marvellous Melbourne,' as it was known, was one of the richest cities in the world, and fast becoming the second largest in the British Empire. They aimed for 'truth to nature' and worked in the open air, sketching quickly, applying their paint rapidly and capturing instantaneous impressions. The resulting oil sketches, which they considered to be finished works of art, were exhibited in their groundbreaking 9 by 5 Impression Exhibition, held in Melbourne in August 1889. This much-loved group of Australian artists has been referred to as the Heidelberg School, after the site of one of their painting camps at Eaglemont, near Heidelberg. Many of the works of the Australian Impressionists remain the most iconic and popular images in Australian culture. ('Australia's Impressionists,' National Gallery, UK website) This magnificently produced work tells the story of these extraordinary Australian artists' work and influences through beautifully told biographies and stunning reproductions of the works. Their works are visual representations of nascent love of country and a burgeoning national identity in a disctinct and young country, albeit tied to European traditions.…

Hard Cover. Etat : Very Good. Etat de la jaquette : Slipcase. Second Printing. HEAVY-will require additional postage to most destinations. 196ppindex, bibliography, footnotes, 94 tipped in col plates. Burgundy cloth in pictorial card slipcase. Slipcase with minor wear and a little wrinkling of laminate. Some foxing to book. Includes Louis Abrahams, Julian Ashton, Rupert Bunny, Charles Conder, Wmanuel Phillips Fox, Frederick McCubbin, Tom Roberts, John Russell, Arthur Streeton, and Walter Withers. Size: 4to.…

Paperback. Etat : Brand New. 501 pages. 9.00x6.10x1.10 inches. In Stock.

130 pp, quarto, coloured end papers, b&w plates, tipped-in colour plates, mint copy in like, illustrated d/j.

Trade Paperback. Etat : Brand New. 240 pages. 9.00x6.00x0.75 inches. In Stock. This item is printed on demand.