Jochen sander essays (4 résultats)

Etat : Good. Paperback, veel (paginagrote) millustraties in kleur en enkele in z/w, 4to.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Fine in a fine dust wrapper. Published in conjunction with a 2003 exhibition at the Mauritshuis in the Hague, this oversize book (10x12.5) features full-page reproductions of some 40 paintings from the period beginning 1532, when Holbein settled in England. Stephanie Buck (Frie Universität in Berlin) supplies an introductory essay discussing Holbein's portraits and the influence Erasmus had on his early career. Sander (curator, Städelsches Kunstinstitut in Frankfurt) sheds light on the creation of the Darmstadt Madonna. Key information about ideas, people, and movements in Holbein's milieu round out the work.…

The Hague, Zwolle, Mauritshuis/ Waanders, (2003); 31x24,5 cm. Pb. 184 pp., text in English, text-illustrations and catalogue with 38 plates in colour, appendices, index. Good.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. English text.; Paperback.; 2.4 kg.; 25 x 30.5 cm.; 404 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. Interior with signs of wear.; Catalogue from the exhibition Der Meister von Flemalle und Rogier van der Weyden held at the Stadel Museum, Frankfurt am Main November 21, 2008-February 22, 2009 and at the Gemäldegalerie, Staatliche Museen zu Berlin, Kulturforum Potsdamer Platz March 20-June 21, 2009. An exhibition organized by the Stadel Museum, Frankfurt am Main, and the Gemaldegalerie, Staatliche Museen, Berlin.; The paintings created in the Burgundian Netherlands of the early fifteenth century are characterized by the precise, realistic details and extraordinary power of expression that marked the birth of early modern painting north of the Alps. In addition to the brothers Hubert and Jan van Eyck, the "Master of Flemalle," who has often been identified with the painter Robert Campin of Tournai (ca. 1375-1444/45), and Rogier van der Weyden (1399/1400-1464), who worked in Campin's workshop between 1427 and 1432 before moving to Brussels to assume the position of city painter, played crucial roles in this development. Nevertheless, the identification of the Master of Flemalle with the painter Robert Campin is still fiercely debated, as are the boundaries between his work and that of his temporary assistant Rogier van der Weyden. The exhibition at the Stadel Museum in Frankfurt am Main and the Gemaldegalerie in Berlin is the first major presentation of the work of both artists. Many of the nearly sixty paintings in the exhibition, which come from major collections in Europe and the United States, have never been loaned before, while some groups of works have been reunited for the first time in centuries, thus making the exhibition a unique opportunity to compare the individual paintings and to discuss the questions surrounding their origins in a fresh new way.…