Kline katy (43 résultats)

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover with vellum dustjacket, 42 pages, good condition, foxing to top outer page edge; slight curl to upper right corner of covers and apages; no internal marks. Foreign shipping may be extra.

Paperback. Etat : Very Good. Very Good. Used with NO markings in text. Pasadena's finest independent new and used bookstore.

Softcover, staple-bound, 68 pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Soft Cover. Etat : Very Good -. No Jacket. (1979), 576pp, illus., slight rubbing & shelfwear to cover, contents clean.

Etat : Good. - Quarto [11 inches high by 8-1/2 inches wide], printed white wrappers in a pictorial glassine dust wrapper. There are several small dents to the rear wrap & several tears to the glassine. 43 pages. Full-page color illustrations with captions on the facing pages. There is a light dent to the rear endpaper & to the last few leaves. The contents are very good. Good. Catalog for an exhibition shown at the BlumHelman Gallery, New York City from February 5 to March 8, 1986 and later at the University of California Berkeley Art Museum.…

softcover. Etat : Used; Like New. First Edition; First Printing. Tight, clean and crisp. In excellent condition. With a printed glassine dust jacket in Very Good condition. No inscriptions. No remainder mark. Not ex-library. ; 15 full-page color plates. Essay by Katy Kline. Published on the occasion of the exhibition at Blum Helman Gallery, New York, February 5 - March 8, 1986, and at MATRIX, University Art Museum, University of California, Berkeley, May 31 - July 13, 1986.…

Trade Paperback Original. Etat : Very Good-. First Edition. Binding has some wear; tight, text clean. 78 p., illustrated [otob: 15].

Paperback. Etat : Very good. Paperback. Very good in publisher's spiral bound wraps.

Softcover exhibiton catalog with vellum dustjacket, 42 pages, very good condition, no internal marks, clean and crisp.

Paperback. Etat : Very Good. Paperback. 47 page exhibition catalog. Couple of water spots to front, else very good.

First Edition. First edition. Softcover. 43 pages. Exhibition catalog for a show that ran February 5 through March 8, 1986 in New York and then traveled to Berkeley for additional dates. Essay by Katy Kline. Includes 14 color plates, a color photograph of the artist, list of previous exhibitions, and a selected bibliography. A very near fine copy in wrappers and in a close to near fine printed glassine dust jacket that has some minor wear. A very attractive catalog. …

Softcover, 36 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Etat : Very Good. First Edition.

Paperback. Etat : Fine. First Edition. Illustrated wraps. First edition. Published in conjunction with an exhibition at Blum Helman Gallery in New York from February 5.- March 8, 1986. Book is in fine condition, generally crisp and clean, with tight binding and sharp corners. Full-page color reproductions throughout. 4to. 43 pp.…

Paperback. Etat : Near Fine. 1st. 48 pages, illustrations (some colour); 24 cm. Text in English and Italian. Published in conjunction with an exhibition at the United States Pavilion, 48th Venice Biennale, Venice, Italy, June 12 to November 7, 1999. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. *** "The word myein is an ancient Greek verb meaning 'to close the eyes or mouth.' Linked to the initiation rites enacted in medieval cults, the closing of the eyes or mouth refers to the secret status surrounding their rites. Across time, myein has come to stand for that thing which has not been, or cannot be, explained. Hamilton's interest in the temple form as an idealized image projected onto civic space led her to engage the neo- classical building of the United States pavilion as both subject and object of the project. It was a meditation on aspects of American social history that, like weather, are present and pervasive in effect but which remain invisible or unspoken. Her self-given task was to make a place in which this absence could be palpably felt and to create a space simultaneously empty and full." - Publisher. Size: 8vo.…

Softcover, 52 pages; in English and Italian; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover staple bound exhibiton catalog, 36 pages, very good condition except light creases to spine, no internal marks.

Paperback. Etat : Near Fine. June 12-November 7, 1999; 52 pages.

Trade Paperback. Etat : Used - Very Good. Very nice clean, tight copy free of any marks.

Softcover, staple-bound, 34 pages; very good condition, except owner's name to top edge of slightly scuffed cover, no internal marks.

Paperback. Etat : Very good. Paperback. [28]pp. Very good in publisher's stapled wraps.

Soft cover. Etat : Very Good. 1st Edition. Oblong 8vo. Wrappers. Coverc slightly marked, one corner creased. Inscribed by the co-author, "To the [Humphrey] Stone family, Hopefully this is as close as you will come to a real blizzard! Love, Carol '77". The blizzard of 29 January 1977, aggravated by high winds, caused drifts of as much as 30 feet in Buffalo, New York; snow was still lying in July. Inscribed by Author(s).…

Soft cover. Etat : Fine. Etat de la jaquette : None, As Issued. 1st Edition. 1st Printing. 8 pages. Published in 1992. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Catalog is now scarce. An elegant production by MIT Visual Arts Center: Oversize-volume format. Pictorial softcovers with titles on the cover, as issued. Photographs by Michiko Kon. Essays by Katy Kline and Michiko Kasahara. Printed on thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the exhibition of the same name held at the MIT Visual Arts Center in 1992. Presents a selection of Michiko Kon's singular photographs. She works exclusively in the still life genre. Each of her images is of an object assembled from fish, flesh, and fowl, in a post-Modernist nod to Man Ray and Meret Oppenheim. Her Surrealist-inspired art has also been compared to Arcimboldo and Edward Weston. "A contemporary artist of startling originality. Her exploration of the photographic still life, in which perishable materials - raw fish, fowl, vegetables - are combined with familiar, often feminine objects - a schoolgirl's uniform, high-heeled shoes, a pocketbook - triggers our senses of touch, taste, and smell through vision and imagination" (MIT Visual Arts Center). "Michiko Kon takes the Classical tradition of the still life and gives it new life through the re-animation of object parts and body parts in new forms. A fish with legs, a vacuum cleaner turned into an animal, a light bulb turned into a pear, a remote device turned into a living creature, a flower vase display sprouting heads of fish. It is this exchange of the inanimate with the animate that imbues the stillness of her photography with the dynamism of the balance between life and death, being awake and dreaming" (Aperture Foundation). An absolute "must-have" title for Michiko Kon collectors. This title is a contemporary art photography classic. This is one of few copies of the Exhibition Catalog still available online and despite its imperfection (very slight wear on the fragile spine corners, but it's there) is still in fine condition overall: Every single internal page is clean, crisp, and bright. Please note: The wear happened at the publisher's, not from human use or handling, and does not affect any of the inside pages. A scarce copy thus. 7 plates. One of the finest artist/photographers of our time. A fine copy. no.…

Softcover. Etat : VG. Black paper wraps with rectangular diecut on front cover, 48 pp.; bw reproductions. Issued in conjunction with a series of 1994-1995 exhibitions of woodblock prints rendered by American artist Sandy Walker (b. 1942). With an essay by Katy Kline. 13 woodblock prints are presented in the annotated and illustrated catalogue. Included are also a fuller catalogue raisonne of prints, an artist bio, and a bibliography.…

Couverture souple. Etat : Très bon. Etat de la jaquette : Moyen. la jaquette à des déchirures sinon le livre est en très bon état.

Soft cover. Etat : Fair. No marks. Light shelfwear. Binding cracked, loosening certain pages.

Paperback. Etat : Very good. Paperback. 33pp. Very good in publisher's stapled wraps.

Broché. In-4 (21.5x28 cm), broché, 43 pages, ouvrage en anglais, catalogue de l'exposition 'Robert Moskowitz, paintings and drawings' à la Blum Helman Gallery (5 février - 8 mars 1986, texte de Katy Kline, photographies couleurs ; plats légèrement salis, intérieur frais, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Moskowitz Robert.…

Staple-bound Wrappers. Etat : Fine Condition. Unpaginated (10 pp.), 5 duotone photographs. Published on the occasion of the exhibition from October 9-November 22, 1992.