Marjorie devon (53 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.

Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Etat : Very Good. Illustrated. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Etat : New. Edited by Marjorie Devon, essays by Jo Ortel, Lucy Lippard, Kathleen Howe and Gerald McMaster, artists - Steven Doe, Tom Jones, Larry McNeil, Ryan Lee Smith, Star Wallowing Bull, and Marie Watt. xvi, 127 pages, 60 illustrations ( 49 color), quarto (4to), soft cover. Condition - New, unsold inventory of an old bookstore. Inventory #42760-1.…

paperback. Etat : New.

Etat : very_good. The book is in very good condition. Cover may have minor imperfections. Book has little to no highlighting underlining inside.

Softcover, 128 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Etat : Used-Very Good. Pbk. Some shelf-wear. Else clean copy.

Soft cover. Etat : Near Fine. Near fine soft cover. Straight secure spine with tight hinges and clean interior.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. This book is an ex-library book, so it has all the stickers and markings of a library book. This book has no rips or stains. The spine is tight and intact. Placitas Community Library is a small, rural library located in an unincorporated area. All proceeds help pay for the operating expenses of the library.…

Softcover, 128 pages, as new condition, no internal marks, clean and crisp.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Book is clean with a square, tight binding and bright, white pages. Book has minor wear on the edges that includes a slightly bumped bottom spine that is difficult to see in the scans. Dust jacket has protective mylar. For the past fifty years, Tamarind has breathed life into the once-underappreciated art of lithography. From Josef Albers and Philip Guston in the 1960s, to Ed Ruscha and Kiki Smith in recent decades, contemporary artists have teamed up with professional printmakers at Tamarind to create an archive of exceptional lithographs. In 1960, in an effort to generate interest in lithography and make it accessible to artists, June Wayne founded Tamarind Lithography Workshop, Inc., in Albuquerque, New Mexico. Fifty years and many thousands of prints later, it is difficult to imagine what lithography in the United States would be without the influence of the renowned Tamarind. Showcasing the broad aesthetic capabilities of lithography, Tamarind Touchstones demonstrates the diversity of the artists who have embraced lithography and their increased facility and comfort with the medium. Highlighting the ninety lithographs in the exhibition, reproduced in full color, this catalogue also includes glimpses into the recent activities of Tamarind, the psyche of the professional printmaker, and the curatorial perspective that guided the selection for this National Endowment for the Arts--funded traveling exhibition. With its trademark passion, Tamarind enters the next fifty years committed to its original goals to invigorate and fortify lithography and to expand its reach throughout the world. The book you see in the images is the actual book we have for sale. Why pay more? When you buy this book from us, you are helping to support a small brick and mortar family owned store. We have been curating our collection for three generations and currently have over 250,000 volumes in stock. Please feel free to call for more stock. Please be aware that if you request any shipping service other than Media Mail Standard Shipping, we may have to ask for more than quoted to ship this large heavy item.…

Softcover, 200 pages; new condition, still seaeld in shrinkwrap; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Etat : Fine(As New). 1st Edition. The book is Fine-As New.Appears Unread. Abundant illustrations.

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : New. The University of New Mexico's Tamarind Institute is a world-renowned center for fine art lithography dedicated to training master printers and providing a professional studio for artists. In ""Migrations"", Tamarind director Marjorie Devon has compiled the work of six Native American artists, each of whom collaborated with professional printers at Tamarind and at Crow's Shadow Institute of the Arts in Pendleton, Oregon, to create prints. These artists were selected because they engage in contemporary art rather than what is traditionally considered 'Native American art'. Artists Steven Deo (Creek/Euchee), Tom Jones (Ho Chunk), Larry McNeil (Tlingit/Nisgaa), Ryan Lee Smith (Cherokee), Star Wallowing Bull (Chippewa/Arapaho), and Marie Watt (Seneca) represent a wide spectrum of Native American cultures and experiences. In addition to the art, essays by Jo Ortel, Lucy Lippard, Kathleen Howe, and Gerald McMaster contribute expert analyses of Native American art. Ortel, an associate professor of art history at Beloit College, defines 'Migrations' as it applies to this project. Lippard is an art critic and author whose essay discusses the cultural baggage forced upon the American Indian. As director of the Pomona College Museum of Art and professor of art history, Howe offers an overview of Tamarind Institute's projects with indigenous peoples. A Plains Cree artist, McMaster's essay details the history of Crow's Shadow Institute on Oregon's Umatilla Reservation.…

Soft cover. Etat : Very Good. Original 8 x 10, spiral bound paperback, 45 pages, index, glossary, b + w photographs and illustrations throughout. Technical. Condition: a lab copy in excellent condition with some ordinary reading wear, light wear along edges and corners; soiling to back cover.

Soft cover. Etat : Near Fine. 1st Edition. Signed & dated by Marjorie Devon on half-title page. Stated 1st Edition. Clean, bright, tight, unmarked copy w/no rips or creases. Quick, secure shipping w/free delivery confirmation. Signed by Author(s).

Etat : new.

Etat : New. pp. xvi + 127 Illus.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. Compiles the work of six Native American artists, each of whom collaborated with professional printers at Tamarind and at Crow's Shadow Institute of the Arts in Pendleton, Oregon, to create prints. These artists were selected because they engage in contemporary art rather than what is traditionally considered 'Native American art'. Editor(s): Devon, Marjorie. Num Pages: 144 pages, 49 colour photos, 11 halftones. BIC Classification: 1KBB; ACBK; AFH; AGB. Category: (P) Professional & Vocational; (UF) Further/Higher Education. Dimension: 255 x 205 x 14. Weight in Grams: 635. . 2006. Paperback. . . . .…

Etat : New. In English.

Paperback. Etat : Brand New. illustrated edition. 143 pages. 10.00x8.25x0.25 inches. In Stock.

Wraps. Etat : Fine. First printing, wraps issue. 4to, 206 pp., 198 plates, most in color.

Etat : New.