Max de esteban (36 résultats)

Softcover string bound, 20 pages, very good condition, no internal marks, clean and crisp.

4°, gebundene Ausgabe. Etat : Wie neu. 176 Seiten, mit Abbildungen; Neuwertiges Exemplar. MIG-38-03A Sprache: Englisch Gewicht in Gramm: 1207.

1. Auflage.. 78 faszinierende Fotos, 176 Seiten, Sprache: Englisch; Zustand: erstklassiges, neuwertiges Exemplar. Noch in Original-Verlagsfolie eingeschweißt. Sprache: Englisch Gewicht in Gramm: 1450 27,0 x 21,5 cm, gebundene Ausgabe, Hardcover/Pappeinband.

Softcover string bound, 12 pages, very good condition, no internal marks, clean and crisp.

4to, unoaginated. Colour illustrations. A very good hardback copy.

Etat : New. Idioma/Language: Español. El crítico de arte y comisario de exposiciones Iván de la Nuez ha seleccionado los mejores ensayos que figuras de primer nivel han escrito en los últimos años sobre la obra de Max de Esteban, artista que trabaja en fotografía y vídeo y cuya obra es sobre todo conocida por su análisis y observación de la condición humana bajo un régimen tecnológico, en una interpretación visual del caos contemporáneo. Rafael Argullol, Félix de Azúa, Franco ?Bifo? Berardi, Michel Feher, Hamidah Glasgow, Laura González Flores, Carles Guerra, Bill Kouwenhoven, Cuauhtémoc Medina, Walter Benn Michaels, Crisia Miroiu, W. J. T. Mitchell, Diana Padrón, Lorenza Pignatti, Valentín Roma, Andrea Soto Calderón y Paul Wombell los firman. El libro se completa con una ensayo introductorio de Iván de la Nuez. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Ohne Stempel, keine An-und Unterstreichungen, sehr guter Zustand. Hardcover. Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations. .

Etat : New.

Hardcover. Etat : Fine. Some light shelfwear to top edge of back cover; small mark to front cover above the 19. Otherwise a new and unread copy Shipped from the UK within 2 business days of order being placed.

First Edition. First edition. Hardcover. 68 pages. A collection of 50 color images by de Esteban. A very fine copy. No dust jacket as issued. An as new copy and still in the publisher's shrinkwrap.

Etat : Nuevo.

[176] Seiten, With texts by Carles Guerra and Bill Kouwenhoven; mit 78 Bildern; Redaktion: Leina Gonzáles, Laura Schleussner; --- gutes Exemplar, ungelesen Sprache: Englisch Gewicht in Gramm: 1500 Lex.-8°, Gebundene Ausgabe / Pappband.

Etat : as new. Text by Carles Guerra & Bill Kouwenhoven. Berlin : Hatje Cantz Verlag, 2014. Hardcover. 176 pp. 28 cm. With 78 col. illustrations. English text. - The compelling photographs of Max de Esteban's se-ries Propositions pose uncomfortable questions. In Proposition One, translucent X-ray images magnify mechanical devices that have become outdated, al-though they continue to function perfectly according to their purpose. In Proposition Three, de Esteban (* 1959 in Barcelona) examines the cold, gray inner life of cell phones or tablets and the increasing enmesh-ment of the body and digital technology. In Heads Will Roll, part four of the series, the artist uses seduc-tive photo collages made of film stills, flower photos, and fragments of text to convey the essence of the parameters that are penetrated by the postmodern patchwork of our lives. The media define everyday life: we are permanently made to feel insecure by the wars and disasters that are always happening in the world; the individual is in danger of drowning in the masses; genuine and fake have become almost indis-tinguishable; and a vague fear of the East pervades political policy. Reality is largely conveyed as a media experience. Ausstellung/Exhibition: Deutsches Technikmuseum Berlin September -Februar/February 2015 Condition : as new copy. ISBN 9783775738996. Keywords : ART.…

Etat : Good. 20 pp. Stiff brown paper wrappers with black lettering and string binding. Very good with marginal creasing to wrap corners. Includes monochromatic plates. Includes text by Virginia Woolf and Francisco de Quevedo. In English. En Espanol.

Hardcover. Etat : New - Still in shrinkwrap. Boards covered in pearl grey cloth. White title block with black lettering. Black spine lettering. 68 pp. with 50 color illustrations. "The latest of Max de Esteban's photographic works. Max de Esteban's gorgeous new monograph brings together all three parts of his stunningly beautiful Elegies of Manumission series. Making use of portraiture as a conceptual tool, de Esteban's portraits, of architectural quality and extraordinary craftsmanship, build a narrative beyond the anecdotal and push the boundaries of contemporary portraiture. Open to many interpretations, Elegies of Manumission questions the construction of identity of the individual subjects portrayed." (from the publisher's description).…

Hardcover. Etat : Fine. No Jacket. 2012 . Limited to 1000 copies. Text in English, French, German, or Spanish. 360 x 270. Unpaginated. Illustrated throughout, mostly in colour. [ISBN: 978-1590053379] Clothbound. A fine bright copy.

Etat : New.

Etat : New.

tapa blanda. Etat : Bien. Historia.(93) Historia y Vida. Madrid. 1979. 22 cm. Encuadernación en tapa blanda de editorial. Cubierta deslucida. (=3416658=) HF49.

Hardcover. Etat : New. 1st HB New La Fabrica 2015; new mint copy self-covered with no jacket as issued.

Hardcover. First edition, first printing. Fine clothbound hardcover with plates mounted to the front and back covers; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Max de Esteban's gorgeous new monograph brings together all three parts of his stunningly beautiful 'Elegies of Manumission' series. Making use of portraiture as a conceptual tool, de Esteban's portraits, of architectural quality and extraordinary craftsmanship, build a narrative beyond the anecdotal and push the boundaries of contemporary portraiture. Open to many interpretations, 'Elegies of Manumission' questions the construction of identity of the individual subjects portrayed." Photographs by Max de Esteban. From a first edition limited to 1000 copies. 68 pages; 50 color plates; 10.75 x 14.25 inches. Due to size and weight, international and expedited shipping will be more than quoted.…

Hardcover. Etat : New. Max de Estebanâs gorgeous new monograph brings together all three parts of his stunningly beautiful âElegies of Manumissionâ series. Making use of portraiture as a conceptual tool, de Esteban's portraits, of architectural quality and extraordinary craftsmanship, build a narrative beyond the anecdotal and push the boundaries of contemporary portraiture. Open to many interpretations, âElegies of Manumissionâ questions the construction of identity of the individual subjects portrayed. This oversized (11x14-inch) book is beautifully printed on uncoated Japanese stock, and bound in Japanese cloth. The first edition is limited to 1,000 casebound copies. Max de Esteban is a recipient of a Fulbright fellowship, holds a Ph.D. from the Universitat Ramon Llull, and a Masters degree from Stanford University. His work has been exhibited internationally, and has received several prestigious awards, including the Grand Prix Jury's Special Award at Fotofestival 2010 in Poland and the National Award of Professional Photography â" Gold Lux in Spain that same year. Max de Esteban lives and works in Barcelona, Spain.…

soft cover. Etat : fine. IN-8 broché, 192 pages. Sommaire : Jean Guéhenno: Renan, Pages 965-982 --- Michel Butor: Dialogues des Règnes, Pages 983-996 --- Jean-Paul Delamotte: Appartenances, Pages 997-1007 --- Jean-Claude Renard: En août une vigie augura quels faisceaux, Pages 1008-1012 --- Yvon Belaval: Les mots à l'épreuve, Pages 1013-1041 --- Georges Nigremont: Un village du centre, Pages 1042-1051 --- Marcel Raymond: Le dialogue de Mme Guyon et de Fénelon, Pages 1052-1061 --- Jacques Borel: Édith Boissonnas, Pages 1062-1073 --- Guy Rohou: Petite stèle pour des pierrres, Pages 1074-1079 --- Jean-Claude Schneider: La littérature et la mort, Pages 1080-1087 --- Robert Abirached: Le baroque sur scène, Pages 1088-1092 --- Claude Michel Cluny: À vos risques et périls, Pages 1093-1096 --- Claude Michel Cluny: Je dirai que je suis tombé, par Roland Dubillard (Gallimard), Pages 1097-1099 --- Jacques Chessex: Poèmes pour l'Absente, par Marcel Raymond (L'Aire), Pages 1099-1100 --- Claude Michel Cluny: Le Jeûne de huit nuits, par Jacques Chessex (Payot), Pages 1101-1102 --- Jean-Marc Bordier: Pouchkine, par André Meynieux (Librairie des Cinq Continents), Pages 1102-1105 --- Marcel Schneider: Saint-Pol Roux, par Alain Jouffroy (Mercure de France), Pages 1105-1106 --- Jean Follain: Le paysan de la Garonne, par Jacques Maritain (Desclée de Brouwer), Pages 1107-1107 --- Alain Clerval: Un plat de porc aux bananes vertes, par S. et A. Schwarz-Bart (Le Seuil), Pages 1108-1109 --- Guy Rohou: Le Jouet de fer-blanc, par Pascal Pontremoli (Grasset), Pages 1109-1110 --- Marcel Schneider: Mirages du passé, par Oskar Kokoschka (Gallimard), Pages 1110-1113 --- Guy Rohou: Marelle, par Julio Cortázar (Gallimard), Pages 1113-1115 --- Claude Michel Cluny: Courts métrages, Pages 1116-1117 --- Denis Périer: Du cyprès tourne l'ombre, par Jean Lebrau (Aubanel), Pages 1117-1117 --- André Miguel: Les Eaux d'en bas, par Jacqueline Frédéric Frié (Seghers), Pages 1118-1118 --- Alain Clerval: La Nuit polonaise, par Élisabeth de Neyrat (Gallimard), Pages 1118-1118 --- Gérard Mourgue: La Terre infestée d'hommes, par Marcel Moreau (Buchet-Chastel), Pages 1118-1119 --- Denis Périer: J'ai cru trop longtemps aux vacances, par Éric Ollivier (Denoël), Pages 1119-1119 --- Alain Clerval: La Caisse noire, par Monique Rivet (Gallimard), Pages 1119-1120 --- Denis Périer: Élisabeth Skerla, par Jacques-Pierre Amette (Mercure de France), Pages 1120-1120 --- Renée Boullier: Christian Fossier (Galerie Claude-Bernard), Pages 1120-1120 --- Renée Boullier: Claude Mary (Musée Bourdelle), Pages 1120-1120 --- Renée Boullier: Alan Davie (Galerie de France), Pages 1121-1121 --- Renée Boullier: Arman (Galerie Sonnabend), Pages 1121-1121 --- François Imhoff: Rome, de Rohner (Galerie de Paris), Pages 1121-1121 --- Max Jacob: Une lettre du Cabinet noir, Pages 1122-1123 --- Arno Sand: Les Licornes, Pages 1124-1128 --- Bruno de Panafieu: Un jardin d'aujourd'hui, Pages 1129-1132 --- Claude Esteban: Bien qu'il n'ait pas encore atteint la quarantaine, John Montague est reconnu en Irlande., Pages 1133-1133 --- John Montague: Terres empoisonnées, Pages 1134-1136 --- Pierre Bourgeade: De Pharaon et de ses restes, Pages 1137-1138 --- Renée Boullier: Toutankhamon, promesse d'éternité, Pages 1138-1139 --- Anonymes: Revue, Pages 1140-1144 --- Anonymes: Mémento, Pages 1144-1144 --- Jean Varenne: Lorsque l'on célébrait le miel dans les Écritures védiques, il y a quelque trente siècles., Pages 1145-1145 --- Anonymes: Mythes brahmaniques, Pages 1146-1156.…

Hardcover. Etat : New. 1st Edition. First edition Elegies of Manumission by Max de Esteban (2012) First impression Large format hardback in as new condition No markings Published by Nazraeli Press PayPal accepted Any questions please get in touch.

213pgs. 27x22. Texto Felix de Azua y otros , castellano e inglés .Fotos color. Cartoné.

Etat : New.

Soft Cover. Etat : As New. Exhibition Catalog. Text: GL/ES/EN. 14 p.; ill.; qto.; 60 g. Visitor guide.Stapled. We join the exhibition announcement. New. Ephemera.

paperback. A Romano Guerra Editora (São Paulo, Brasil) e a Nhamerica Platform (Austin, Estados Unidos) apresentam o décimo livro da coleção Pensamento da América Latina, Supersudaca, Incomplete Works (edição em inglês), de autoria do grupo de arquitetos Supersudaca, com apoio de Prince Claus Fund. No alvorecer do novo milênio, em um dos centros de produção de design do velho mundo, havia um grupo de jovens arquitetos latino-americanos. Tal como os peregrinos e migrantes fizeram durante milhares de anos, eles pensavam que iam adquirir conhecimento em troca de sua cultura. Em vez disso, encontraram o seu próprio conhecimento e usaram-no para subverter as ordens centro/periferia, Norte/Sul, conhecimento/cultura, gerando novos significados e novos conceitos para a disciplina e a prática da arquitetura. Como é sabido, sudaca é um termo pejorativo utilizado para rotular os latino-americanos na Europa. Supersudaca gira esse insulto e celebra suas formas de fazer arquitetura. Uma dessas formas é a tradição do Supersudaca de não encerrar seus processos. Em vez disso, movendo-se de um lugar para outro, andando em círculos e seguindo caminhos imprevisíveis. Supersudaca, Incomplete Works celebra as duas primeiras décadas desta parceria e dá o tom para mais obras no futuro. Também resiste à ideia de completude, enfatizando os processos como eixo central. …

Etat : gut. 2014. Esteban, Max de: Proposition; Teil: 4., Heads will roll. with texts by Carles Guerra and Bill Kouwenhoven In deutscher Sprache. pages.

Hardcover. Etat : New.