Poledna mathias (43 résultats)

Softcover, unpaginated; in English, German and Dutch; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Small 4to, 105pp. Colour and black & white illustrations. A very good hardback copy in like dust jacket. . German/English text.

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. Mathias Poledna, Hello Pal!; Austrian Pavilion, Venice Biennale 2013; Texts by Jasper Sharp, Diedrich Diederichsen, and Esther Leslie; Published by Distanz, 2013; Condition: New, still sealed!.

Oversized Hardcover. Etat : Good.

Etat : good. This book is in Good condition. There may be some notes and highlighting but otherwise the book is in overall good condition.

First Edition. First edition. Softcover. 132 pages. Published in conjunction an exhibition December 14, 2014 through February 8, 2015. Includes some color and black and white illustrations. A very near fine copy in French style wrappers with some very slight tapping to the top of the spine and in a very good cardstock slipcase that has some wear.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : new.

Super octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.…

Etat : New.

Etat : New. 2019. Paperback. . . . . .

Paperback. Etat : New. In 2015 the Renaissance Society presented an exhibition of newly commissioned works by Los Angeles-based artist Mathias Poledna. Coinciding with the museum's centennial, it marked the final show in the institution's first hundred years. For this project Poledna used the notion of iconoclasm and its various historical contexts as a conceptual backdrop for two new works: a 35-mm film installation, co-produced with and premiering at the Renaissance Society, and a substantial alteration to the gallery space: the demolition, dismantling and removal of the gallery's ceiling structure, a steel truss grid that had horizontally bisected the double-height gallery since 1967. This catalog-featuring a cover designed by artist Peter Downsbrough-documents the exhibition and its installation, and in doing so celebrates a century of the Renaissance Society.…

Hard cover. Etat : Near fine. No jacket. This publication accompanies the exhibition "Mathias Poledna: Crystal Palace" organized by Russell Ferguson and held at the Hammer Museum, Los Angeles from January 28 to April 22, 2007; the Museum of Contemporary Art, Chicago from February 16 to May 14, 2008; and the New Museum of Contemporary Art, New York from September 2008 through January 2009. Excellent condition. Cover cloth is clean, binding is tight, and inside is clean and unmarked. …

Paperback. Etat : Brand New. box edition. 132 pages. 12.00x9.25x0.50 inches. In Stock.

Etat : New. pp. 132.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : new. Paperback. In 2015 the Renaissance Society presented an exhibition of newly commissioned works by Los Angeles-based artist Mathias Poledna. Coinciding with the museums centennial, it marked the final show in the institutions first hundred years. For this project Poledna used the notion of iconoclasm and its various historical contexts as a conceptual backdrop for two new works: a 35-mm film installation, co-produced with and premiering at the Renaissance Society, and a substantial alteration to the gallery space: the demolition, dismantling and removal of the gallerys ceiling structure, a steel truss grid that had horizontally bisected the double-height gallery since 1967. This catalogfeaturing a cover designed by artist Peter Downsbroughdocuments the exhibition and its installation, and in doing so celebrates a century of the Renaissance Society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Cloth Covered Boards. Etat : Very Good. First Thus. Tan cloth covered boards with black titles on front cover, corners straight, m,inimal wear, book body clean and tight.

Etat : New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Etat : New. In English.

Etat : New.

Hardcover with dustjacket, 108 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra .

Etat : New. pp. 132.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : As New. Unread book in perfect condition.

Large sq, 4to, stiff wrps., cover design by Ronald Clyne, fine b/w photographs + text volume In fine condition. K20.

Gr.-8 (24 x 17 cm). 333 Seiten. Mit zahlr., teils farbigen Abbildungen. Illustr. Orig.-Karton. Einband etwas angestaubt, sonst wohlerhaltenes, innen sauberes Exemplar. Erschienen in nur 1000 Exemplaren. - Über die komplexen Wechselbeziehungen künstlerischer Arbeit seit den sechziger Jahren bis in die aktuelle Gegenwart, mit Beispielen quer durch die Gattungen. Beiträge von: Tacita Dean -- Stephan Dillemuth -- Stan Douglas -- Charles und Ray Eames -- Olafur Eliasson -- Peter FischIi und David Weiss -- Dan Graham -- Rodney Graham -- Renee Green -- Donald Judd -- Florian Pumhösl -- Gerhard Richter -- Gerwald Rockenschaub -- Robert Smithson -- Heimo Zobernig -- George Baker -- Diedrich Diederichsen -- Christian Höller -- Christian Kravagna -- Miwon Kwon -- Mark Rakatansky -- Mark Wigley. -- Texte in deutscher und englischer Sprache. Sprache: deutsch, englisch.…

Etat : New.

Taschenbuch. Etat : Neu. Neuware - In 2015 the Renaissance Society presented an exhibition of newly commissioned works by Los Angeles-based artist Mathias Poledna. Coinciding with the museum's centennial, it marked the final show in the institution's first hundred years. For this project Poledna used the notion of iconoclasm and its various historical contexts as a conceptual backdrop for two new works: a 35-mm film installation, co-produced with and premiering at the Renaissance Society, and a substantial alteration to the gallery space: the demolition, dismantling and removal of the gallery's ceiling structure, a steel truss grid that had horizontally bisected the double-height gallery since 1967. This catalog--featuring a cover designed by artist Peter Downsbrough--documents the exhibition and its installation, and in doing so celebrates a century of the Renaissance Society.…