Sam rosenthal (48 résultats)

Etat : Very Good. minimal handwriting in the upper corner, barcode with a scratch through it on the back Used - Very Good.

Soft cover. Etat : Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. A very good copy of the hard cover edition in a like (not clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance. A sharp copy.

Hardcover. Etat : Near Fine. Near Fine. 1st Edition; 1st Printing. This book is in Near Fine condition and has a Near Fine dust jacket. The book and its contents are in clean, bright condition. The text pages are clean and bright. The dust jacket is crisp and clean.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. First printing. Mylar protected dust jacket. No price on the jacket. Like new except for a nudge to the spine's crown and foot. The DJ has no tears or chips. Not a remainder. No price on the jacket.

Etat : acceptable. Fast Free Shipping â" A well-loved copy with text fully readable and cover pages intact. May display wear such as writing, highlighting, bends, folds or library marks. Still a complete and usable book.

Etat : New. In English.

Etat : As New. In great condition. Minor cover wear.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 268 pages. 8.00x0.67x5.25 inches. In Stock.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

hardcover. Etat : As New. Hardcover. Near Fine Books / Very Good Plus Dust Jacket. Free of any markings and no writings inside. Clear Text. Minor shelf-wear to jacket. Bookstore sticker on back cover of jacket. For any additional information or pictures, please inquire.

Etat : New.

Hard Cover. Etat : Very Good. Etat de la jaquette : Very Good.

503 pp.; 29.8 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Martin-Gropius-Bau, Berlin, May 8 - July 25, 1993. Traveled to the Royal Academy of Arts and the Saatchi Gallery, London, September 16 - December 12, 1993. Edited and with essays by Christos M. Joachimides, Norman Rosenthal, with co-ordinating editing by David Anfam. Additional essays by Brooks Adams, Richard Armstrong, John Beardsley, Neal Benezra, Achille Bonito Oliva, Arthur C. Danto, Abraham A. Davidson, Wolfgang Max Faust, Mary Emma Harris, Thomas Kellein, Donald Kuspit, Mary Lublin, Karal Ann Marling, Barbara Moore, Francis V. O'Connor, Stephen Polcari, Carter Ratcliff, Irving Sandler, Wieland Schmied, Peter Selz, Gail Stavitsky, and Douglas Tallack. Artists include Carl Andre, Richard Artschwager, Jean-Michel Basquiat, Jonathan Borofsky, James Lee Byars, Alexander Calder, John Chamberlain, Joseph Cornell, John Covert, Stuart Davis, Willem de Kooning, Charles Demuth, Arthur Dove, Marcel Duchamp, Dan Flavin, Sam Francis, Robert Gober, Arshile Gorky, Dan Graham, Philip Guston, David Hammons, Keith Haring, Marsden Hartley, Eva Hesse, Gary Hill, Jenny Holzer, Edward Hopper, Jasper Johns, Donald Judd, Mike Kelley, Ellsworth Kelly, Franz Kline, Jeff Koons, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Brice Marden, Agnes Martin, Robert Morris, Gerald Murphy, Bruce Nauman, Barnett Newman, Georgia O'Keeffe, Claes Oldenburg, Jackson Pollock, Martin Puryear, Robert Rauschenberg, Man Ray, Ad Reinhardt, James Rosenquist, Mark Rothko, Edward Ruscha, Robert Ryman, Julian Schnabel, Richard Serra, Charles Sheeler, Cindy Sherman, David Smith, Frank Stella, Clyfford Still, James Turrell, Cy Twombly, Bill Viola, Andy Warhol, and Lawrence Weiner. Includes exhibition checklist, a list of artists in the exhibition, biographies of the artists, selected bibliography, author biographies, and an index of names. Text in English. Good. 5.5 cm. dog-ear to bottom right corner of recto and 9.5 cm. crease to top right corner of recto with bumping of corners. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New. 1st edition NO-PA16APR2015-KAP.

Etat : New.

Paperback. Etat : new. Paperback. Sam Rosenthal first used the Internet as a confused and closeted gay teen who longed for an online escape from his offline reality. Rosenthal explores the alienation he experienced socially and the refuge he found on the Internet by appropriating images from real-time network cameras, known as "netcams." The cameras are accessed through unencrypted servers on the world wide web and are available to anyone with an Internet connection. Information such as geographic location and ownership of these netcams isn't provided, leaving the cameras without identity or clear intention. Yet, still, the artist sees them as an escape. "I believe I've visited these places even though I don't know where they are," he says.For Here Nor There, Rosenthal sought out camera feeds displaying uncanny scenes; the ones familiar and mundane, yet unidentifiable and dreamlike. The book features fantastical imagery of palm trees, pastel colors, and vibrant sunsets that conjure up feelings of an idealistic world. But Internet connections are imperfect and data loss often translates into visual flaws of pixelation and static, breaking those idealistic illusions. This assault of dropped packets disrupts the fantasy and grounds the images in reality. The Internet can never provide a permanent escape, leaving both the artist and his viewers lost somewhere in cyberspace, neither here nor there. Sam Rosenthal first used the Internet as a confused and closeted gay teen who longed for an online escape from his offline reality. Rosenthal explores the alienation he experienced socially and the refuge he found on the Internet by appropriating images from real-time network cameras, known as "netcams." Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Etat : As New. Etat de la jaquette : As New. Large, heavy, sturdy book, black covers, very bright gilt lettering on spine, 356 pages including a photo section. DJ glossy and colorfully designed beneath mylar with facsimile signature and hand-drawn banjo on front, a color photo of Seeger with editors on back. DJ and book, both As New.…

Hardcover. Etat : Fine. Etat de la jaquette : Very Good. Hardcover, with dust jacket. 80 pgs. Preface by Edward Albee, essay by Sam Hunter. Color and b&w illus. Fine in VG dj with some wear to back cover.

PF. Etat : New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

hardcover. Etat : new.

Kartoniert / Broschiert. Etat : New. Pete Seeger, Rob Rosenthal, Sam RosenthalLong an icon of American musical and political life, Pete Seeger has written eloquently in a diverse array of publications but nowhere is his life story more personally chronicled than in these, his private wr.

Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. Very fine hardcover, black boards, gold lettering. Jacket also very fine, no wear. Preface by Edward Albee, essays by Sam Hunter, 69 color plates, a chronology, a list of the sculptor's major commissions and a bibliography. 80 pages. M07005.…

Etat : new.