The composing room (7 résultats)
Langue : anglais
Edité par Monotype Group of the New York Employing Printers' Asso., New York, 1924
- Couverture souple
Vendeur : Entropy Books, Ferndale, MI, Etats-UnisEntropy Books
Contacter le vendeurVendeur avec une évaluation de 4 étoilesEtat: Occasion - Assez bon
EUR 13,29
EUR 7,74 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panierSoft cover. Etat : Very Good. Three issues, 1924-1927. Stiff printed wrappers, small slender 8vo., 8 pages each. Comprise Vol. II, Nos. 2 and 3 and Vol. IV, No. 8. Very good or better issues.
Langue : anglais
Edité par The Composing Room, Inc., 1964
- Édition originale
Vendeur : Resource for Art and Music Books, Ivoryton, CT, Etats-UnisResource for Art and Music Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Bon
EUR 31,00
EUR 4,69 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panierSpiral-bound. Etat : Near Fine. First Edition. Typographic service company business card stapled to inside of front wrap, else unmarked. Well packaged in a box; ships with tracking.
Autres imagesRules for Compositors (Classic Reprint)
Compiled For The Composing-Room The School For Apprentices Of The Lakeside Press
- Couverture souple
- impression à la demande
Vendeur : Forgotten Books, London, Royaume-UniForgotten Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Neuf
EUR 15,47
Frais de port gratuitsExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : Plus de 20 disponibles
Paperback. Etat : New. Print on Demand. This comprehensive guide delves into the intricacies of typography and its transformative power. The author meticulously explores the historical evolution of printing techniques and the profound impact it has had on the dissemination of knowledge and understanding of diverse subjects. The…book offers practical advice on applying typographical principles to enhance communication effectiveness, ensuring clarity and engagement. Through its insightful analysis, readers gain a deeper appreciation for the nuances of typography and its role in shaping the impact and legacy of written works. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.
Autres imagesYoung Faces An Illustrated Album of Type Faces for Children's Books (with) Cover Letter
(Americana - 20th Century - Printing History - Typography - The Composing Room, Inc.)
Edité par The Photo-Composing Room, New York, NY, 1952
- Couverture souple
- Édition originale
Vendeur : Certain Books, ABAA, Las Cruces, NM, Etats-UnisCertain Books, ABAA
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 39,86
EUR 9,46 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panierSoft Cover. Etat : Very Good. First Edition. 32 pages; printed in various tones and with a variety of available typefaces. Laid-in is a typed letter signed Hortense Mendel, referencing this catalog. Silk screening by Masta Displays, Inc.; the offset lithography accomplished by Crafton Graphic Co., Inc., the cover paper 80 lb. Sh…adowmould Schlosser Paper Corp. & text 80 lb. Victorian Text by Whitehead & Alliger Co., Inc. Approx. 8 1/2" x 10 1/2" printed & illustrated stapled softcovers; tips bumped a little; light wear and in very good condition.
A Specimen of Printing Types Belonging to Benjamin Franklin Bache's Printing Office, Philadelphia. 1965 Keepsake Reprint of 1790 Original.
Friends of the Composing Room, Columbia University Libraries; Benjamin Franklin Bache; Rollo G. Silver.
Edité par NY: Friends of the Composing Room, Columbia University Libraries., 1965
- Manuscrit ou document de collection
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-UnisWittenborn Art Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Satisfaisant
EUR 66,43
EUR 8,60 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panierEtat : Good. Folio, Folded Sheet, [4 pp.] Illustrated. Very Good, with light staining.
Caslon no. 4 . First edition of the poster.
The Composing Room Inc; Nelson, Whitehead Paper Corporation.
Edité par New York: the Composing Room Inc., circa 1960s, 1960
- Manuscrit ou document de collection
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-UnisWittenborn Art Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Satisfaisant
EUR 132,87
EUR 8,60 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panierEtat : Good. Letterpress on Toyogami red paper. Discolored. 56 x 43cm. Provenance: from the estate of Raymond Gid who died Sunday November 12, 2000 in Paris. Born on November 25, 1905, Raymond Gid became first known through his posters, after having studied at les Beaux-Arts. As a film enthusiast, he designed many movie posters,… for example Vampyr de Dreyer (photomontage, 1932), Le Silence de la mer by Melville (1949), Les Diaboliques by Clouzot (1955). But a meeting with Guy Levis Mano (editions GLM), editor and typographer, soon directed Gid towards the book. In 1935, he publishes, together with the photographer Pierre Jahan Devot Christ de Perpignan and Chats, Chiens by Ylla. It is an intensive period of his life period: he meets Dufy, Corbusier, Hake, Lurcat and receives the gold medal for a poster at the International exhibition of Paris (1937). He reacts to the Civil War in Spain with a poster " Help to the civil populations ". Together With Father Carre, « bete-a-bon-Dieu » of the Resistance, Raymond Gid began to design liturgical texts. Apocalypse Six (an extract of the biblical text of Saint John) appeard after the war. It is one of his major works, composed in the Peignot typeface, which was designed by Cassandre in 1937. He designs several post-war period posters, for example Week of absent, a simple Lorraine cross surrounded by barbed wire on a dark background. Right from the beginning of the symposiums in Lure (Provence) in 1954, Raymond Gid participates in discussions on typography, particularly with Maximilen Vox, Charles Peignot, Roger Excoffon. Raymond Gid puts on page and illustrates the Dialogues of the Carmelite nuns by Bernanos (1954), then some pages in Caractere Noel 1955, dedicated to his friend Jan van Krimpen, the creator of dutch type faces. He plays with the breathing of the text, in the manner of Mallarme, as in his Book of hours (1959) or his Apocalypse (1964), adapting medieval text to present day tastes. He also designs posters like those for the Club Mediterranee (1961), Bally (1976) or, heavier fare, like that of Amnesty International (1973). During his whole life, Raymond Gid remained attached to the typographical arts. He liked to try out new characters in his compositions, mixing them with his very free drawings, as for example in Messidor published by the Imprimerie nationale (1989). Jean-Francois Porchez, type designer; translated from french by Babelfish and cleaned up a bit. Links Art and Poster Bally posters Chicago Center for the Print Bally posters Poster Auctions International, New York Catalogue from the personal exhibition at the Bibliotheque Forney, Paris, in 1992.
typography and paper . First edition of the poster.
The Composing Room Inc; Nelson, Whitehead Paper Corporation.
Edité par New York: the Composing Room Inc., circa 1960s, 1960
- Manuscrit ou document de collection
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-UnisWittenborn Art Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Satisfaisant
EUR 132,87
EUR 8,60 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panierEtat : Good. Letterpress on Blue Toyogami paper. Discolored with large stabilized tear.55 x 43cm. Provenance: from the estate of Raymond Gid who died Sunday November 12, 2000 in Paris. Born on November 25, 1905, Raymond Gid became first known through his posters, after having studied at les Beaux-Arts. As a film enthusiast, he d…esigned many movie posters, for example Vampyr de Dreyer (photomontage, 1932), Le Silence de la mer by Melville (1949), Les Diaboliques by Clouzot (1955). But a meeting with Guy Levis Mano (editions GLM), editor and typographer, soon directed Gid towards the book. In 1935, he publishes, together with the photographer Pierre Jahan Devot Christ de Perpignan and Chats, Chiens by Ylla. It is an intensive period of his life period: he meets Dufy, Corbusier, Hake, Lurcat and receives the gold medal for a poster at the International exhibition of Paris (1937). He reacts to the Civil War in Spain with a poster " Help to the civil populations ". Together With Father Carre, « bete-a-bon-Dieu » of the Resistance, Raymond Gid began to design liturgical texts. Apocalypse Six (an extract of the biblical text of Saint John) appeard after the war. It is one of his major works, composed in the Peignot typeface, which was designed by Cassandre in 1937. He designs several post-war period posters, for example Week of absent, a simple Lorraine cross surrounded by barbed wire on a dark background. Right from the beginning of the symposiums in Lure (Provence) in 1954, Raymond Gid participates in discussions on typography, particularly with Maximilen Vox, Charles Peignot, Roger Excoffon. Raymond Gid puts on page and illustrates the Dialogues of the Carmelite nuns by Bernanos (1954), then some pages in Caractere Noel 1955, dedicated to his friend Jan van Krimpen, the creator of dutch type faces. He plays with the breathing of the text, in the manner of Mallarme, as in his Book of hours (1959) or his Apocalypse (1964), adapting medieval text to present day tastes. He also designs posters like those for the Club Mediterranee (1961), Bally (1976) or, heavier fare, like that of Amnesty International (1973). During his whole life, Raymond Gid remained attached to the typographical arts. He liked to try out new characters in his compositions, mixing them with his very free drawings, as for example in Messidor published by the Imprimerie nationale (1989). Jean-Francois Porchez, type designer; translated from french by Babelfish and cleaned up a bit. Links Art and Poster Bally posters Chicago Center for the Print Bally posters Poster Auctions International, New York Catalogue from the personal exhibition at the Bibliotheque Forney, Paris, in 1992.
