Vertrees alan david (22 résultats)

Paperback. Etat : Good. Gone with the Wind has generated interest in every aspect of its production. Yet one crucial aspect has never been fully understood or appreciated--the vital shaping role played by executive producer David O. Selznick. In this book, Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that succeeded despite his interference. Drawing on ten years of research in the Selznick archives, and examining the screenplay's successive drafts, dramatic continuity designs and storyboard sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznick's vision as the guiding intelligence behind the film's success. In his drive to create a cinematic monument, Selznick also reformed many key facets of studio filmmaking, inventing jobs such as production designer (inaugurated by William Cameron Menzies), which persist today. This book thus adds an important chapter to the story of classical Hollywood cinema and the making of the film that has been lauded variously as the Sistine Chapel of movies and the single most beloved entertainment ever produced.…

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. Gone with the Wind has generated interest in every aspect of its production. Yet one crucial aspect has never been fully understood or appreciated--the vital shaping role played by executive producer David O. Selznick. In this book, Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that succeeded despite his interference. Drawing on ten years of research in the Selznick archives, and examining the screenplay's successive drafts, dramatic continuity designs and storyboard sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznick's vision as the guiding intelligence behind the film's success. In his drive to create a cinematic monument, Selznick also reformed many key facets of studio filmmaking, inventing jobs such as production designer (inaugurated by William Cameron Menzies), which persist today. This book thus adds an important chapter to the story of classical Hollywood cinema and the making of the film that has been lauded variously as the Sistine Chapel of movies and the single most beloved entertainment ever produced.…

Paperback. Etat : Good. This book is in good condition; ex-library with usual stamps and markings. The book has some shelfwear and corner wear. Inside pages are clean. ; Texas Film Studies Series; 9.90 X 7.10 X 0.70 inches; 256 pages.

Etat : As New. Pbk, 242pp, small 4to, illustr movie stills, photos and facsimile documents, an unread copy, excellent, clean tight and unmarked as new.

Etat : New.

Paperback. Etat : New. Gone with the Wind has generated interest in every aspect of its production. Yet one crucial aspect has never been fully understood or appreciated-the vital shaping role played by executive producer David O. Selznick.In this book, Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that succeeded despite his interference. Drawing on ten years of research in the Selznick archives, and examining the screenplay's successive drafts, dramatic continuity designs and "storyboard" sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznick's "vision" as the guiding intelligence behind the film's success.In his drive to create a cinematic monument, Selznick also reformed many key facets of studio filmmaking, inventing jobs such as "production designer" (inaugurated by William Cameron Menzies), which persist today. This book thus adds an important chapter to the story of classical Hollywood cinema and the making of the film that has been lauded variously as the "Sistine Chapel of movies" and the "single most beloved entertainment ever produced.".…

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : new.

Super octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.…

Etat : New. In English.

Etat : New.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Softcover. First Edition; First Printing. Near Fine in wraps.; Texas Film and Media Studies Series; 256 pages.

Paperback. Etat : Brand New. 256 pages. 10.00x7.00x0.75 inches. In Stock.

Etat : As New. Unread book in perfect condition.

paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Paperback. Etat : New. Gone with the Wind has generated interest in every aspect of its production. Yet one crucial aspect has never been fully understood or appreciated-the vital shaping role played by executive producer David O. Selznick.In this book, Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that succeeded despite his interference. Drawing on ten years of research in the Selznick archives, and examining the screenplay's successive drafts, dramatic continuity designs and "storyboard" sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznick's "vision" as the guiding intelligence behind the film's success.In his drive to create a cinematic monument, Selznick also reformed many key facets of studio filmmaking, inventing jobs such as "production designer" (inaugurated by William Cameron Menzies), which persist today. This book thus adds an important chapter to the story of classical Hollywood cinema and the making of the film that has been lauded variously as the "Sistine Chapel of movies" and the "single most beloved entertainment ever produced.".…

Paperback. Etat : Brand New. 256 pages. 10.00x7.00x0.75 inches. In Stock. This item is printed on demand.

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that succeeded despite his interference.&Uumlber den AutorBy Al.…

Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Gone with the Wind has generated interest in every aspect of its production. Yet one crucial aspect has never been fully understood or appreciated-the vital shaping role played by executive producer David O. Selznick. In this book, Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that succeeded despite his interference. Drawing on ten years of research in the Selznick archives, and examining the screenplay's successive drafts, dramatic continuity designs and 'storyboard' sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznick's 'vision' as the guiding intelligence behind the film's success. In his drive to create a cinematic monument, Selznick also reformed many key facets of studio filmmaking, inventing jobs such as 'production designer' (inaugurated by William Cameron Menzies), which persist today. This book thus adds an important chapter to the story of classical Hollywood cinema and the making of the film that has been lauded variously as the 'Sistine Chapel of movies' and the 'single most beloved entertainment ever produced.'. …